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The Maguas
Scranton, Pennsylvania, United States | Established. Jan 01, 2018 | INDIE
Music
Press
A few weeks back, I had the chance to chat with a band called The Maguas, who recently premiered their single āRelease Meā with us. The band is comprised of Erik Miller (Vocals), Luke Prusinski (Bass), Matthew āJenksā Jenkins (Lead Guitar), Daulton Rissinger (Rhythm Guitar), and Brandon Ossont (Drums). In this conversation, I asked about the bandās songwriting process for the new single, the music influences they bring into their group, as well as the lessons they have learned from being best friends making music together. In this interview we also discussed the bandās goals for the future and where they see themselves in this music landscape.
Thank you guys so much for your time today, and congrats on the release of the new single, called āRelease Me.ā What inspired this track? It is a great sounding song. Can you walk me through the process of writing this one?
Brandon: Yeah, thank you. So, āRelease Me,ā was a work in progress for a long time, around 2017 I had made a decision in the summer. I got out of college and made the decision to start getting back into music. I had been in high school and then decided to take some time away. I wrote this, like 32nd piece, which ended up being the intro of the song on GarageBand, and I never used those lyrics or anything like that. And when we moved into The Maguas, we started writing some songs and eventually we came up with good material. And now we entered into this new release cycle. And during that I guess it would be the summer months of 2020. No, maybe earlier than thatā¦2019. Yeah, I began writing after my grandfather had passed away. And I really dove deep into a lot of the feelings I was experiencing when I started to write this track. And I found this old recording that reminded me of these experiences that I had had back during that time, and it kind of all came together pretty quickly. I would say the song itself fell into Jenksā lap (whoās our in-band studio producer) here. And we kind of worked it up to show the band and then went to Nik and away it went.
Matt āJenksā: So Brandon came to me with this track, and it was pretty much acoustic. It started off acoustic and he had the melody and the lyrics. And it was in drop B acoustic down all the way to drop B, and I wasnāt super thrilled about it. But it ended up sounding super awesome. And then we showed the band and everybody loved it, and we brought it to Nik, and we produced it with him. And here we are.
So what are your guysā core influences? What other music do you guys listen to that you bring into this band?
Daulton: I think we all have a really weird mix. Thereās like every one of us has a different sort of influence and I think we all like pop punk to an extent, but I personally love The Wonder Years and bands like that. But I also really like 80ās Heavy Metal like Judas Priest, Iron Maiden, that kind of stuff. And then I got into Metallica and stuff like that, but thatās probably where my influences are.
Erik: Yeah, well certainly what influenced starting the band altogether was certainly around the time I got into pop punk and emo music very heavily. And I mean, aside from that, Iāve always been really into very heavy music, like deathcore and things along those lines like Periphery, Meshuggah, bands like that. And so I certainly say that definitely influences me to an extent because I really like to think about things like power behind a track and its heaviness, whether or not itās something that you would classically think of as heavy music. More of like a feeling, but I mean aside from that, I was super into a lot of emo music like Brand New and Modern Baseball, Front Bottoms, and things like that in the later years. But I also had always been listening to classical music and jazz a lot in high school. I was super into the choir and stuff like that. So I think everything that Iāve ever been into kind of comes to me as an influence in one way or another. And I try to dig deep and say okay, āWell what makes me me when it comes to music?ā
Luke: I guess what makes me the odd one. I like math rock, progressive metal, and progressive rock, and that kind of thing. Things that mess around with time signatures a lot throughout the music. My favorite band is Rush. Toolās really influential too. Just a lot of strange, rhythmic things, or lyrics that sing about wearing kimonos and walls filled with computers.
Matt: So Iām kind of like the complete opposite. I grew up listening to radio rock. Thatās what really kind of got me into rock. But since then, I have listened to everything. I listen to a lot of indie music now. I listen to a lot of Reggae, all sorts of stuff, and heavy metal. I mean, Iām a huge Slipknot, and Killswitch Engage fan. All that era of metal.
Brandon: Yeah, Iād say specifically for this song, it was a direct influence from Silverstein. And theyāre actually not a band that I used to listen to a lot, but now I jam them all the time. And I just really enjoy it. Their producer, Sam Guiana, I really enjoy his work as a producer. And I just fell in love with all the bands he works with. And so like when weāre writing release me, that drop B tuning kind of came from that latest record, A Beautiful Place to Drown. And Iām also really inspired by Movements. And so I really felt like Jason Lancaster, with his whole Go Radio, and his whole solo project and a lot of his melody and lyrical content, I like to emulate a lot when Iām writing. And then I like the way they said it, like pop punk/emo. My Chem, and those kinds of things. I do listen to indie, and all those different genres. But I primarily fall within that, that more pop punk and emo range. And I donāt really shy into the heavier stuff. But I can appreciate it, for sure. The boys really like to blast me with it.
Cool! So letās talk about a couple of the producers that you mentioned, working with. Nik Bruzzese, I believe? So what was it like working with him for the latest songs as well as the other songs youāve done in the past?
Daulton: I mean, heās like a sixth member at this point. Heās one of the best dudes around. And I think heās really helped us hone in on our writing style. So when we bring a bunch of demos to Nik, and weāre like, āWe want you to tear it apart, and work it back up.ā And I think that it just creates an environment where weāre at our most creative, and weāre all able to throw our input in here and there. And he knows what weāre all like, and he was really quick to figure out what our strengths and weaknesses were as people, and as a band all together, and really hone in on where we lacked. Where we were really good at and focusing on the good parts and working on the bad parts. And I feel like heās just the perfect producer for our band because heās just very much able to find that sweet spot to make the music sound the way we want it to sound.
Okay, so what have you guys kind of collectively learned from working with Nik?
Erik: I would say one big thing, at least for me personally, was my singing, because I had been a classical singer throughout high school and I started playing some acoustic covers with āJenks.ā So I did that for a bunch of years, playing out at bars and stuff like that. And as we were doing that, I was trying to āde-classical-izeā my voice. And get it a little more rough and powerful in that way. And I think by the time we started the band and wrote some music and went into the studio, I had almost gone too far in that direction and forgot everything I learned that makes my voice feel like my voice. And one of the things that I learned from him right off the bat, when we did our first song there, was he just convinced me to sing how I sing. Donāt try to sound like somebody else. And I think that was one of the things that really helped me as a singer, in general.
And it can be easy to kind of fall into that trap, especially from a vocalist perspective. For example, if youāre learning a cover song, you may try to emulate that kind of tone or voice. But also, learning from a producer that can kind of hone in on your strengths too. But the great thing about music is that the guitars and drums will all sound similar, depending on who you work with. But with vocalists, itās always very unique. So anything else of note for you guys that you want to share with this producer?
Matt: I think the one thing that I would like to add is that heās also really good at finding the sweet spot of the song, as far as the hook or the line that you like to pump your fists, or whatever. Really honing in on that part of the song. I think that a lot of our music has big choruses, or big hooks, and keeps them catchy. But also powerful at the same time. And I think Nikās really good at figuring out what part of the song is the strongest and working around there and almost working backwards a bit. And I feel like when we like to rework our songs, those are those parts we focus on the most. And itās really beneficial to our music. Nik is not afraid to give you the honest truth. And I love that heāll tell you, āMaybe this song needs a lot more work.ā Or, āI donāt like this song as much as that one.ā And that all comes down to just picking the best songs and making a very good album.
So when you bring a demo to the table, what do you guys do collectively, from an internal perspective?
Brandon: It kind of varies, I think, from person to person in the band. For myself, the way when I write a song, is Iāll typically wake up at like three in the morning and hear a melody in my head and write it down or sing it into my phone. And I donāt play guitar, and Iām not very talented at the guitar. I know how to play some things, but I leave it to the professionals. But Iāll come up with some sort of idea, or some sort of sound, and bring it to āJenksā because he has a home studio and will kind of flesh out the idea. And we will actively come up with the strongest melody I can think of and come up with those impactful lyrics that I really like to go into. And really just build upon the sound from there and kind of see the vision through before. I try to see the whole vision through before presenting it to the rest of the band. Just because I want to present it the best way I can and make sure that what I was hearing is there, and then getting their input from there is really important.
Daulton: I think a collectiveness where we each have our styles that we like to write in, and like the way we each go about it. So maybe I get with Erik, or for the most part, Brandon will come up with a song or something like that, and theyāll flesh it out. Whereas if Iām not there, we sort of let it hang out there and we sort of work on it collectively after that. But at the end of the day, when the demos are on the table, we all sit down together in the same room, we listen to the demos, weāll pick it apart from there before we even get into the studio, and we like to rework things and figure out what we dislike, and what weāre going in the studio with. Because at the end of the day, we need to go into the studio with songs that we feel we could put out right there, because we want our best work. Then Nik, heās gonna say, āHereās what I like and I dislike, and where we can make it even better.ā But you know, I think itās our goal to make every demo as strong as we personally think we can get it, and then Nik will take it from there.
Matt: Yeah. And I think this could be for any band, but we try to produce as much music as possible before we go in the studio. I think thatās super important. The more the merrier, in terms of well fleshed-out demos.
Cool, makes sense. So can you guys talk a little bit about what you guys did during the pandemic? Can you guys share your experience of what was going on with you in the last couple years?
Erik: I would definitely say, in the grand scheme of things we got lucky. And thatās because we had already planned to release music all throughout 2020. And we definitely had some difficult times as far as finishing up some content, like music videos, and stuff like that. With restrictions and not being able to get together, there was a little bit of scrambling there. But I mean, I think the fact that we already had that plan in place, it allowed us to make a choice and say, āOkay, we have this going on, but we can still do this other thing. Letās focus on this writing since we canāt play shows.ā I understand that we definitely were alright, in that aspect. But itās definitely a little tough just because that was 2020, in particular, when we were really trying to start and get out on the road, and trying to expand regionally. But we had the release to focus on, and sort of just switched up strategies.
Brandon: Yeah, Iāll harp on Erikās point for a minute about being lucky to have that music. I think I spent a lot of COVID changing the way that we release music, and changing the way that we approached a release. And I think thatās one thing that COVID helped us do, is kind of settle down and say, āWeāre not playing a show every weekend, but letās really focus on how to get the most bang for our buck, or the best way to promote ourselves.ā And Iām thankful for that time. I mean, it was essentially a year of us basically learning the music business, and music marketing, especially in advertising. And I think we as a band really began to understand how to take this to a more serious level, and how to get ourselves out there. And now weāre at this point where weāre able to go out and play shows, and play bigger shows than we have been this past fall. And those opportunities I think, have been granted to us because of the work that we put in, during COVID. And obviously, like Erik said, it was a very fortunate timing for us and unfortunate times for the world. But we just happen to have that music. And we havenāt had the opportunity to really hone in and kind of give it our all. And now the new challenge is being able to juggle both touring, and releasing music, and all this other stuff too.
Well, the good news is the album rollout time seems to be about like 9 to 12 months, right? Vinyl delays and everything else going on in the worldā¦
Daulton: I mean, when you get back into the wall when it comes to COVID, you have to find these new avenues. And I think we kind of took it as a way, like Brandon said, to challenge ourselves to find new ways to go about it. And I think it worked out well. I mean, thereās a lot of Zoom calls and a lot of Discord files, and a lot of doing that. But we got lucky in that sense that we had things that were going to propel us forward, even when we couldnāt do the things that we were hoping to do. And you know, I think we were really grateful for that.
So how did you guys become this core group today?
Daulton: Weāre all best friends. Weāve been playing together since we were like, in seventh grade. And Brandonās been part of the friend group for a while. And then we were looking to get into making a band, me and Erik had talked about it for a long time, and Erik and James had been playing acoustic stuff. And then weāve just sent Erik a mass group text that was like, āHey, who wants to start playing together?ā These are the five people he texted and eight people all showed up. And then within 20 minutes, it was down to these five guys here. And I think that I am really lucky that these are my best friends. If we werenāt in a band, weād still be hanging out all the time. And weād probably still be playing music in some way.
Thatās cool! Sometimes bands will ask me for advice, which is kind of weird, from my perspective as being a music writerā¦But the biggest thing is if you canāt stand each other, itās gonna be so much harder to get through. Being friends first works very much to your advantage. So anyways, what would be like a dream collaborative artist that you would work with? Or what do you think would be the perfect touring placement in a supporting role to become a bigger band?
Brandon: I was gonna say whatās funny about this question is that itās the same question we received from Nik on our first day in the studio. And I think itād be interesting for me right now to see how everybody answers it differently than what we ever originally thought our band would be. For myself, personally, I think a really cool touring package for us would be somewhere with Movements or I could see us with Rarity as a big one for me.
Erik: I mean, I have a very easy answer. I want to sing on a track with Andy Cizek.
Daulton: I mean, my answer is always going to be The Wonder Years. I love the band itself. And I think that the sadness of their music and the sadness of our music would probably blend pretty well. And thatās just one of my favorite bands of all time.
Luke: I would probably say Movements is probably number one for me. Iām pretty sure I said that in the studio too. I just think Iām pretty in line with them. Selfishly, Iād want to tour with Dance Gavin Dance, just because I love their music.
Thatās really cool to hear! So the last question I have for you guys is kind of like an open ended question. What do you guys see in the future for yourself? And what are your collective feelings about your goals in the next couple years?
Brandon: I would love to eventually, whether it takes five years, or 10 years, to be a household name. For us, even in our hometown, you have Breaking Benjamin, Tigers Jaw, the Menzingers. And you know those bands. And I think for us, and for myself personally, thatās something I would really like for us to be. And whether that means weāre playing 3000-cap rooms or sold out stadiums, Iād be happy either way. I just would love for that to be us. I think that weāre very dedicated to it. And obviously everybody has that dream, but thatās a very special goal for me.
Erik: I think whatever happens, I want to be where we can always write the music that we love, and that means the most to us. And also just want as many people as possible to hear it and enjoy it. And to have it mean something, to have them connect with us. And as Brandon said, whether thatās playing to a couple 100, or filling out a stadium, I think the most important part is as long as we can keep being us and keep growing. I think thatās the goal.
Yeah, the authentic feeling of itās your band, and not doing a certain type of music because itās trendy.
Luke: Absolutely. I was gonna say the exact same thing about authenticity. My goal would be staying true to our own sounds and our own interests, and I wouldnāt want to change just for the sake of popularity. And then the other part is just more reasonable. The goal of being able to make this band a career. I donāt need to have an absurd level of fame or whatever. I mean, thatād be cool. But thatās not my primary interest. My primary interest is just to be able to continue doing what Iām doing with these other four guys and actually be able to eat food and not be homeless.
Matt: I was gonna say the same exact thing. If we can make this a full time career, but if Iām able to survive off of what I love, that is my ultimate goal. And obviously yeah, I mean, Iād love to grow as big as possible too, and Iām not afraid to play super big venues. If it happens, it happens.
Daulton: I mean, I think as a band we have the aspirations to be as big as possible. And I think we have these aspirations and goals to want to be similar to a My Chemical Romance. Where we can go sell out 52 dates on the stadium tour across America. Who doesnāt want that? But we will work to get there. Like the others have said, I just want to make this my career, I want to continue doing the things that I love. And itās so awesome to see people singing our songs back and being there to support us.
Your guysā hearts are definitely in the right place. Iām definitely rooting for you guys on the sidelines as much as I can. And I look forward to seeing you guys on the road if you ever come towards the DC area. So thanks so much, I really enjoyed chatting with you!
Thanks, Adam! - chorus.fm
After building anticipation for months, releasing singles one by one, The Maguas debuted their full five-song EP āEvergreenā today as well as a new music video for the opening track, āSour Hands.ā
The emo-leaning alternative rock outfit once again teamed up with director Alex Zarek to create a stunning video performance that pays loving tribute to the people theyāve lost on their way to this point.
āāSour Handsā holds a very special place in our hearts as a band. It was one of the first songs presented to the band when writing this record and an immediate, unanimous yes when deciding songs for āEvergreen,'ā the band noted in a group statement about the emotional song.
āāSour Handsā has a completely different provenance ā itās a very personal song, especially for our drummer, Brandon [Ossont]. Brandon wrote āSour Handsā about a conversation with his grandfather before he passed away. Itās a very cathartic song that is both heartbreaking and therapeutic in a way, and we are beyond excited to finally be able to share it with you all.ā
Emotions will likely be running high tonight as The Maguas play āEvergreenā in full at a hometown record release show at The Railyard (119 Jefferson Ave., Scranton) with their tourmates Dear Youth, a Canadian pop punk band, as well as Scranton indie pop rockers Modern Ties, followed by an afterparty DJ set with The Yard After Dark. Doors open at 8 p.m., and the music starts at 8:45 p.m.
āAs we reflect upon our time as a band and prepare for our record release show at The Railyard, we could not be more thankful to be able to share this moment with you all. Thereās always something so amazing about returning to our hometown and performing in front of some of our closest friends and family. Friday is going to be a very special day. We cannot wait to experience it with you,ā they said. - NEPA Scene
SCRANTON ā After only forming around six months ago, members of alt-rock band The Maguas said theyāve already embarked on what they called a āwild ride.ā
The five-piece band, based out of the suburbs of Scranton, only formally came together in May of this year. But the five friends who make up the band ā Daulton Rissinger, Erik Miller, Luke Prusinski, Brandon Ossont and Matt Jenkins ā have been playing together since their days at Valley View High School.
These days, though, the bandās members are a bit more far-flung, having moved around the Mid-Atlantic region for work and for school. But they said they still make it work.
āThe best thing is technology,ā said guitarist Rissinger, explaining that the bandās members are able to record and send each other their ideas, getting the framework of a song together before theyāre able to be in the same place to record.
And, once they are together, they head into guitarist Jenkinsā basement. Jenkins said he has an at-home recording studio set up in his basement, and he is able to do all of the bandās recording and producing himself after teaching himself the ins-and-outs of music production over the past decade.
Jenkinsā production manages to maintain a sort of punk rock rawness without sacrificing any quality; thereās an intimacy to the sound, but also good sound quality, too.
Currently, the band only has two singles available, but they said theyāve used social media to bolster their success: their most recent single, āBird Cage,ā has nearly 60,000 plays on Spotify.
Ossont, the bandās drummer, explained this comes from a strategic use of the streaming platform.
āWeāre trying to take a more mainstream approach with Spotify,ā he said. āWeāre trying to release one song at a time.ā
Ossont explained that this technique follows a more single-focused strategy employed by pop and hip-hop artists in recent years, and Rissinger explained he feels itās a strategy that rock bands need to follow if they want to stay relevant.
āSpotify playlists are essentially the radio,ā he said. āRock doesnāt realize that Spotify is where people get listens.ā
By getting their songs into the playlists of prominent Spotify users, the band explained theyāve been able to build up steam thatās allowed them to have their songs on two local radio stations and booking shows in Philadelphia and possibly New York.
āI never expected us to be where weāre at now, six months ago,ā Jenkins said. He added with a laugh, āThis started with us playing in my backyard on the Fourth of July.ā
This Friday, Dec. 21, The Maguas will be headlining a show at Stage West, located on North Main Avenue in Scranton.
Peppered into their two-hour set will be about an EPās worth of original material, alongside a raucous mix of covers from your favorite punk and pop punk bands. The band is being supported by The Boastfuls, The Cryptids and Another Day Dawns. Tickets are $5.
āI think itāll be a really great show,ā Ossont said.
Reach Patrick Kernan at 570-991-6386 or on Twitter @PatKernan - The Weekender
Discography
Good Beer - EP (2019)
One Of Us Is Lying - EP (2020)
Evergreen - EP (2021)
Photos
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Bio
An emo-leaning, alt-rock outfit based in Scranton, PA, The Maguas are Erik Miller (Vocals), Matthew Jenkins (Lead Guitar), Daulton Rissinger (Rhythm Guitar), Luke Prusinski (Bass), and Brandon Ossont (Drums). āØĀ
The band released their debut EP, Good Beer, in 2019. The self-produced record was a demonstration of their unique capabilities, boasting songs individually crafted by each memberāexcept for āFuneral.ā The closing track drew on a collaborative effort in an anthemic display of their aggressive pop-punk power, which soon accentuated performances alongside the likes of The Dangerous Summer, Secondhand Serenade , and The Spill Canvas. āØ
Partnering producer Nik Bruzzese (Man Overboard, The Wonder Years), The Maguas began developing their sophomore release in early 2020. One of Us Is Lying dropped later that year, receiving recognition from outlets including The Popko Project and Alternative Press. āØ The bandās third EP dropped in Dec. 2021. Evergreen garnered over 100k streams in its first month, attracting listeners across emo generations with its novel-but-nostalgic sound and dark, vulnerable lyrical themes. Ahead of the release, they embarked on their first U.S. tour, alongside Dear Youth and Outatime!, and earned features from publications such as chorus.fm and Volatile Weekly. āØ The Maguas would later go on toĀ tour the United StateĀ with glimmers in the summer of 2022.
Charging full steam ahead in toĀ 2023, The MaguasĀ are now preparing to release theirĀ debut full-length album.
Band Members
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