Junior Toots

The Wanubi Project, headed by promoter Khalif, put on a great show at The New Parish in Oakland on November 9, 2012. Messenjah Selah opened strongly and later joined Luciano for a duet. Junior Toots put on a solid performance with some fine dancing. He also highlighted the fantastic voices of the women backing him, Irae Divine and Sole Atash. Luciano had to contain himself on a small stage (no flips this time), but his vibes expanded to fill the many nooks and crannies of the bi-level club, and brought people flowing in from the courtyard. - United Reggae

THE SON OF REGGAE LEGEND TOOTS HIBBERT IS A CHIP OFF THE OLD PRESSURE DROP

By Beverly Bryan
November 9, 2012

As the son of ska and roots reggae legend Toots Hibbert (of Toots and the Maytals,) Clayton “Junior Toots” Hibbert has had some mighty shoes to fill as a musician, but he also had a great teacher. And now that he’s turned 40, after a lifetime immersed in music, he’s almost an elder himself. At least that’s the feeling one gets chatting with him about his recent fourth album A Little Bit of Love, independently released on his own Crown of Fire records.

Like many foundational reggae artists, Toots senior began a musical dynasty. His children are almost all musicians who grew up touring and performing with him onstage. Like his dad, Junior Toots likes the uptempo end of reggae and stays committed to positivity as a solo artist. In our conversation, he told us all about his new album plus what he learned from his “ska father” pops.

What do you feel sets this album apart from your earlier albums?

This album is my best work so far. I’m really proud of it. I’m working with Aston Barrett Jr. and I’m working with my brother Hopeton Hibbert, who is one of the best bass players in Jamaica and who has played with many bands around the world and I’m working with Fabian Cook. The producers on this album are heavier than any other album I’ve worked on. And this album is very special because it’s promoting love. Love is the best that you can give and love is the best that you can receive. And that is the message of this whole album and of the single.

How do people respond to a message of love in music these days?

They’re embracing it. They’re hungry for it. They’ve been waiting for it.

You’ve got a real ska song on the album, “Puss and Dog.” Are there any young Jamaican artists playing ska?

The ska is like the foundation. Some of the happiest times was when ska music was playing. People used to get dressed up nicely and go out to enjoy the music and to have a good time and to take someone out on a date, or dress nicely so they can meet someone. And people went out to have great time and dance. And the focus kind of shifted from that, between the hard times and the elders, Toots and the Maytals, Bob Marley and those guys. And the ska music was promoting love. So, somewhere along the line, between the hardcore thing that was going on in the ghettos and in the streets, that kind of transferred over and started to dominate the music.

But I did the ska song to remind the people on the island and to bring back the respect for the elders that did ska music and that put so much time and energy into uplifting so many people. I did that to show respect to them and also to show that I’m versatile and that I’m aware of the roots and still connected to the roots in the way of ska.

My father had the “Ska Father” title for a while. He’s pretty uptempo too. I get a lot of my style from my dad. That’s what made him successful, being able to get a crowd response and make the people dance. I experienced a lot of that while I was on tour with him.

What else did you learn about music from him?

Music is something that he loves and something that I love and that I’ve grown to love more. And you have to love what you are doing, because, whatever you are doing, you have to put one hundred percent in. Sometimes more than one hundred percent.

The other thing you need in order to be successful is to be humble. The thing about someone who achieves great things is that they are still humble and real and maintain a sense of humor and really stay on the path and focus on the music, which is your dream and you’re destiny.

I really appreciate everything I’ve learned from him. He’s a great father. I feel really blessed to be a part of his family.

What is your earliest memory of him playing music?

He would always walk around the house and his guitar would be close by. He would always be skanking out stuff on his guitar. When I was young he gave me a song that was my first song. It went something like this: “I’m a little man. My name is Clay. I’m on my way to Montego Bay. So, I’ll catch an airplane.” You know? We made it up together and he kind of gave it to me as a gift right before I came to the States. And then I came to the States and went back to Jamaica and I recorded a few songs with him.

All my memories of him are about music. I remember once we were on our way to a show. We were late and driving fast and got pulled over by the cops. When the cops came over and saw it was my dad, they gave us an escort to get through the traffic!

There’s a Farsi singer on the song “Seek the Truth.” How did you hook up with her?

Well, you know reggae’s all over the world, but I noticed that over in Iraq and Iran and those areas there’s not much reggae. I feel, as an artist, that positive music can really help the people through tough times. I wanted to really include that region through the music in t - MTV iggy

Real reggae only comes from Jamaica. Don't get me wrong, the music that ends up making it's way to far-off places like the U.S. or the U.K. is swell, but unless the artist was born, raised, and/or cut his teeth in the homeland in or around Kingston, it's cool but it's not the genuine deal. I enjoy Hawaiian reggae and the American bands that I've heard throughout my career as a second-rate rock journalist, but when I listen to cuts from dudes like Peter Tosh, Junior Murvin or from groups like Burning Spear...it's like comparing light sockets to lightning bolts.

That's not to bash other artists who aren't blessed enough to be performing anywhere near the city of Kingston. Hey, if you are rockin' roots reggae as hard as you can somewhere out of a smokey bar in Tokyo, Japan, go for it. But reggae, like punk music, demands that it either have an air of authenticity, or be heir to some real authenticity, otherwise anyone listening to the genre can tell instantly that it's garbage. If you hear bad reggae, it's probably the jingle to an obnoxious ad campaign, and that's not music...that's Babylon, man.

It does not get more OG reggae than Junior Toots, who had named his own style "original roots." The artist knows all about the term because he was born and raised in Kingston, Jamaica, and his father is no one else than the legendary Toots Hibbert of the band Toots and the Maytals. If you didn't know that the father of Junior Toots is responsible for the name of the genre (1968's Do the Reggay by Toots and the Maytals made the term so popular it became permanent), now you do.

Junior Toots has walked well in the footsteps of his elders. One of his early albums, Reggae Got Soul, is a far more sophisticated, far more sublime work of reflexive skill than you'd expect from some young dude who hasn't had enough life experience to be that good just yet. You can tell that the man didn't just hear the conversation, music and teachings of the older artists that undoubtedly affected his early interest in music...he listened, too.
The lineage of reggae goes back all the way to Africa. If you listen, too, you can hear the same rhythms, melodies and up-tempo beats you'd find in modern American rock and roll, including artists that took ska and ran with it like The Police or Operation Ivy (ok, Op Ivy is more ska-core than anything else, but you get my point). Junior Toots has got something sweet with his own original roots sound, which is a smooth yet sophisticated composition of roots-reggae, ska and dancehall.

Any great artist takes the music around him and makes it his (or her) own, whether it's a fundamental tweak, a stylistic interpretation, or some other unique characteristic. You know what I mean...AC/DC and the Rolling Stones are both rock and roll bands, but when you compare them to each other the differences are obvious. Led Zeppelin is technically rock and roll, too, but they went to places other bands that call themselves rock and roll have never gone.
While Toots has a personal charisma that shines through his sound and underlines its uniqueness, he still knows what makes reggae good. His father, Toots Hibbert, spent a lot of time with his son while recording music with his band in Kingston, and the influence was a positive one. “I went to rehearsals and studio recording sessions when I was really young," he says. "I also recorded some music with him at an early age so the music is in my blood.”

Junior Toots demonstrates this sanguine sonic connection all throughout his new album, A Little Bit of Love. The album is certainly worth touring over. His personal combination of philosophy and reggae are on perfect display here, with tracks like "Puss and Dog," a quietly clever song about both being as fast and wise as a cat, so you don't end up in jail. Part of that strategy also involves keeping the peace by knowing when to run, something any street player can understand.
Another track, "Physically Spiritually," is a pure message of togetherness the world needs to hear, more. A sweet song, it preaches the wonder of diversity and the miracle of unity. “We need to encourage each other to do well and to stay healthy, mentally, physically and spiritually,” Toots says. Love is a big feature of reggae, and it's always cool to have something positive to play for the party.

You can tell from his songs and interviews that Junior Toots is an artist influenced as much by his benevolence as he is by the desire to make a living playing reggae. He likes to create what he calls, "conscious music." “When I say conscious music, I mean my lyrics are aware of the needs of everyone: The need to be connected to nature and to other cultures besides your own," Toots says. "I hope my music encourages people to put away their egos and make intentions to heal, to love, and to care. Conscious means to come together.” - Jason T. Davis (official blog)

Chantelle Ernandez, Junior Toots, Toots Hibbert and more in London on August 3rd 2012.

The Respect Jamaica shows are well underway at the IndigO2 – a smaller venue within the O2 dome itself but still boasting over a 4,000 capacity. Tonight’s performance is by a colossal figure within ska and reggae – Toots Hibbert. He is also joined on the bill by son Junior Toots and backing singer Chantelle Ernandez. Family has been an important part of these shows. Exactly one week ago on the same stage I witnessed many of the Marleys came together all in one show which created a delightful atmosphere filled with love and pride.
The evenings music kicks off with Junior Toots who arrives on stage sporting one of his own self branded t-shirts, which I usually find slightly heavy handed on the self-promotion front. However, given that he was accidently invited to the stage as Junior ‘Roots’ by Daddy Ernie and it is in fact his UK debut performance the T-shirt seems more than appropriate on his occasion!

He kicks off with ‘Ready To Come Over’ among other tracks from his latest album "A Little Bit Of Love" including ‘Physically Spiritually’ and powerful ‘Ethiopian From Birth’. He also plays his dancehall style rendition of his father’s song ‘Reggae Got Soul’ which the audience react positively to. It’s a brave choice to cover one of his father’s songs when both playing the same night, but although it is evidential that he is heavily influence by his father and similar vocal tones can be heard at times, their styles remain divergent.

The stage is then visited by funnyman Ping Wing whose comedic antics include a very impressive Michael Jackson impersonation, throwing fake money into the audience (along with his hat to which he then says ‘Gimme me ‘at back…’,’…It’s expensive Y’know!...£1 shop!’) a not so subtle plug of his DVD and some cheeky jokes kept the audience happy and the slot nicely filled.
The evening continues with Chantelle Ernandez. Far from being ‘just a backup singer’ this super talented lady is an accomplished pianist along with many other talents, and has sung, recorded and worked with some impressive people. A strong, short but sweet set from this wonderfully inspiring woman. Her beautiful vocals can be heard before she can be seen on stage. Soulful lyrics such as ‘Tell me what went wrong, I’ve fallen in love with a Rasta’ resonate throughout and easily fill the venue.

Next is a man whose role within ska and reggae is fundamental. Toots Hibbert is widely known as the person who actually coined the term ‘reggae’ in his 1968 hit ‘Do The Reggay’, which was originally set to be the name of a dance craze and coming from the word ‘streggae’ (usually used as an insult meaning ‘scruffy’ or ‘unkempt’) With 31 Jamaican number 1’s and worldwide success, Toots is certainly a force to be reckoned with. It is interesting that his image is perhaps lesser widely recognised than say, Bob Marley – this could be purely due to superficial reasons such as aesthetics. In the media’s eyes Toots doesn’t match up with the conventional representation of a Jamaican. Far from being a ‘dreadlock Rasta’ he is a large framed muscular man, whose hair is typically shaved or short. Tonight, only just visible under his bandana you can see neatly sectioned little tufts of hair. The bandana, leather jacket and sunglasses (which he removes revealing his eyes momentarily before quickly replacing them) have become a subtle yet distinctive look for Toots.

He starts his set with ‘Pressure Drop’ which instantly gets the room bouncing. When Toots sings ‘It is you….’ The crowds response of ‘…Oh yeah!’ was simply enchanting and some beautiful harmonies could be heard from the audience too. He moves through the set with classics from ‘Time Tough’ to ‘Reggae Got Soul’ at which point you can really notice that he has really stepped up his game for this performance.
The next song he announces ’50 people begged my to do it’ and ‘it’s dedicated to everyone…and me!’ before belting out a gutsy version of ‘Pomps and Pride’. Perhaps two of the best received songs of the evening were ‘Bam Bam’ and ‘Monkey Man’ which were meant to conclude the proceedings. All around the sweaty auditorium you could sense that many people were still waiting for one song in particular. Shouts of ‘One More’ and ‘Encore’ echoed around the venue.

Moments later Toots reappears and everyone’s request are fulfilled and the venue erupts at the first burst of ‘Stick it up Mister!’ Many people know the significance of this track and throughout the whole song you can feel this man’s fire burning deep. At one point he drops to his knees and you can really feel his emotion – although at no point does his voice falter. He breaks it down to a slower tempo allowing everyone to groove before picking it back up and starting the call & response section. He calls to the crowd ‘Give it to me 12 times’ – every time I have seen Toots live he asks for ’12 times’ and then claims ‘nobod - United Reggae

Chantelle Ernandez, Junior Toots, Toots Hibbert and more in London on August 3rd 2012.

The Respect Jamaica shows are well underway at the IndigO2 – a smaller venue within the O2 dome itself but still boasting over a 4,000 capacity. Tonight’s performance is by a colossal figure within ska and reggae – Toots Hibbert. He is also joined on the bill by son Junior Toots and backing singer Chantelle Ernandez. Family has been an important part of these shows. Exactly one week ago on the same stage I witnessed many of the Marleys came together all in one show which created a delightful atmosphere filled with love and pride.
The evenings music kicks off with Junior Toots who arrives on stage sporting one of his own self branded t-shirts, which I usually find slightly heavy handed on the self-promotion front. However, given that he was accidently invited to the stage as Junior ‘Roots’ by Daddy Ernie and it is in fact his UK debut performance the T-shirt seems more than appropriate on his occasion!

He kicks off with ‘Ready To Come Over’ among other tracks from his latest album "A Little Bit Of Love" including ‘Physically Spiritually’ and powerful ‘Ethiopian From Birth’. He also plays his dancehall style rendition of his father’s song ‘Reggae Got Soul’ which the audience react positively to. It’s a brave choice to cover one of his father’s songs when both playing the same night, but although it is evidential that he is heavily influence by his father and similar vocal tones can be heard at times, their styles remain divergent.

The stage is then visited by funnyman Ping Wing whose comedic antics include a very impressive Michael Jackson impersonation, throwing fake money into the audience (along with his hat to which he then says ‘Gimme me ‘at back…’,’…It’s expensive Y’know!...£1 shop!’) a not so subtle plug of his DVD and some cheeky jokes kept the audience happy and the slot nicely filled.
The evening continues with Chantelle Ernandez. Far from being ‘just a backup singer’ this super talented lady is an accomplished pianist along with many other talents, and has sung, recorded and worked with some impressive people. A strong, short but sweet set from this wonderfully inspiring woman. Her beautiful vocals can be heard before she can be seen on stage. Soulful lyrics such as ‘Tell me what went wrong, I’ve fallen in love with a Rasta’ resonate throughout and easily fill the venue.

Next is a man whose role within ska and reggae is fundamental. Toots Hibbert is widely known as the person who actually coined the term ‘reggae’ in his 1968 hit ‘Do The Reggay’, which was originally set to be the name of a dance craze and coming from the word ‘streggae’ (usually used as an insult meaning ‘scruffy’ or ‘unkempt’) With 31 Jamaican number 1’s and worldwide success, Toots is certainly a force to be reckoned with. It is interesting that his image is perhaps lesser widely recognised than say, Bob Marley – this could be purely due to superficial reasons such as aesthetics. In the media’s eyes Toots doesn’t match up with the conventional representation of a Jamaican. Far from being a ‘dreadlock Rasta’ he is a large framed muscular man, whose hair is typically shaved or short. Tonight, only just visible under his bandana you can see neatly sectioned little tufts of hair. The bandana, leather jacket and sunglasses (which he removes revealing his eyes momentarily before quickly replacing them) have become a subtle yet distinctive look for Toots.

He starts his set with ‘Pressure Drop’ which instantly gets the room bouncing. When Toots sings ‘It is you….’ The crowds response of ‘…Oh yeah!’ was simply enchanting and some beautiful harmonies could be heard from the audience too. He moves through the set with classics from ‘Time Tough’ to ‘Reggae Got Soul’ at which point you can really notice that he has really stepped up his game for this performance.
The next song he announces ’50 people begged my to do it’ and ‘it’s dedicated to everyone…and me!’ before belting out a gutsy version of ‘Pomps and Pride’. Perhaps two of the best received songs of the evening were ‘Bam Bam’ and ‘Monkey Man’ which were meant to conclude the proceedings. All around the sweaty auditorium you could sense that many people were still waiting for one song in particular. Shouts of ‘One More’ and ‘Encore’ echoed around the venue.

Moments later Toots reappears and everyone’s request are fulfilled and the venue erupts at the first burst of ‘Stick it up Mister!’ Many people know the significance of this track and throughout the whole song you can feel this man’s fire burning deep. At one point he drops to his knees and you can really feel his emotion – although at no point does his voice falter. He breaks it down to a slower tempo allowing everyone to groove before picking it back up and starting the call & response section. He calls to the crowd ‘Give it to me 12 times’ – every time I have seen Toots live he asks for ’12 times’ and then claims ‘nobod - United Reggae

Son of Jamaican music legend Toots Hibbert, Clayton "Junior Toots" Hibbert understandably has music coursing through his veins and proves it with this impressive album. Vocally, the similarities between father and son are not always as obvious as might be expected. The younger Hibbert has some of the same soul/gospel inflections as his dad, and the way he soars on the high notes and accentuates certain words and phrases with scatty spontaneity shows a direct line as well. But he also has enough of his own style (perhaps reflective of his having been born in Jamaica but residing in the U.S. since his teens) to keep things original, and the family ties are not as sonically apparent as those of some other notable reggae offspring. Plus, it's worth mentioning that cover versions of songs made famous by the non-Junior Toots are nowhere to be found. A Little Bit of Love is mostly roots with a couple of dancehall asides, and Junior handles both with consciousness and style. Reggae's ancestral foundations get their due on "Ready to Come Over," "Ethiopian From Birth" and "If Africa is Not Free," and the unity-minded perspectives of "Physically Spiritually," "Only Love" and "Let's Get Together" likewise show this emerging artist's heart to be in the right place. Produced by Junior, Fabian Cooke, Aston "Familyman" Barrett and Junior's brother Hopeton Hibbert, and with sharply laid riddims that match the strength of the vocals, A Little Bit of Love is a sizable helping of reggae goodness. -Tom Orr - Jammin Reggae Archives

Junior Toots, son of the legendary Toots Hibbert of Toots and the Maytals, has joined his father in greatness as a powerful reggae artist in his debut album "A Little Bit of Love," on which he shares his love of the music with us. This is beautiful, heartbeat reggae. He has dubbed his sound "Original Roots" and those of you who are connoisseurs of reggae music will definitely feel it!

Track 4, "Seek The Truth," featuring Sol Atash, is a monster hit! The blend of the dual is perfect and the sound and rhythms are just pure winners. The band is very strong and the sound is traditional reggae with some modern overtones here and there, keeping the music new, yet traditional. Track 6, "Ethiopian From Birth," connects you with the love and heart of this artist. Still joined to the world spiritually (like the real people of the world), this artist takes you to your roots on this very well done and written jam that is nothing short of excellent and is most certainly my kind of reggae. Roots Jah Rastafari forever!!

The music maker has arrived, and from what I hear on this CD, he is strong. His music is conscious like the masters before him. Religious connections on the spiritual plane -- that is where reggae music is supposed to deliver you to and Junior Toots does. On track 7, "Puss and Dog" he gives you all he has from within. The only thing that could be more pleasing would be seeing him perform this live. I could feel his passion coming through the speakers, calling me in a primal voice, hollering: "Calling your very soul out! Come on, come on with me to the roots of the earth!" Showcasing his ability to sing on track 8, Toots really delivers with a strong, masculine voice that has the stoic teachings of our fathers and a very good quality to it. Let me say again that Toots is a very good singer!. His sound will make you move and the CD keeps getting bigger and bigger as you listen. The very uplifting track 9, "I believe In You" builds and is that new reggae sound of today done in a responsible way. This artist is right on track to impact the minds of the youth like we need them to be, awakening and empowering them.

I really like the blend of the traditional with the new sound that Junior Toots brings to the table on this CD. The words of his music are always deep.and the music is traditional of his Original Roots with fresh, upbeat rhythms! I really liked the CD because you can feel the same link to the music that put reggae on the map for Marley, Burning Spear, Toots and many others. It's all here! This a class act and a CD for all fans of music and especially reggae music at its best! I highly recommend Junior Toots "A Little Bit Of Love." - The Entertainment Bank

Junior Toots
A Little Bit of Love
Crown Of Fire
Street: 03.06
Junior Toots = Toots and The Maytals + Buju Banton
When you’re the son of Toots Hibbert (Toots and The Maytals), it’s guaranteed the reggae genetics will be passed along. Clayton Hibbert, a.k.a. Junior Toots, is a perfect example—although he has the reggae gene, he stepped out of his father’s shadow, creating his own style and energy, combining the sounds of roots reggae, hip-hop, ska, dancehall and R&B. For his fourth album, A Little Bit of Love, a Kickstarter Project was put together to raise funds for production. The goal was exceeded and the result is straightforward reggae. Tracks like “Call On Jah” and “Physically Spiritually” stay true to roots reggae and the message of Rastafari while “Puss and Dog” and “I Believe In You” have a hip-hop modern twist, showing Junior Toots’ diversity. The highlight, “Seek The Truth,” featuring Sol Atash, is so smooth, it's a shame the track clocks in at just under three minutes. –Courtney Blair - Slug Magazine

Loved the Junior Toots CD Release Party! There was so many reggae fans in Pier 23, you wouldn't have known that it was raining outside and our backs were to the ocean! It was sizzling hot Caribbean night! I loved capturing the moment! Everyone had a blast! - Behance

Last but not the least here on today's Sound Travels is a crucial cut from the son of Toots Hibbert of Toots and The Maytals fame. Although Junior Toots should be the tip off, it's the sweetness of his song that will remind you of his very famous father. And on the quite excellent A Little Bit Of Love, Junior Toots does a roots ting quite effortlessly, sounding like a veteran on what I beleave is his second international release. Letting the world know that the legacy is strong... - Radio Milwaukee

Junior Toots shares A Little Bit Of Love. Record Release Party in San Francisco on March 24, 2012.

On a rainy Saturday night, Pier 23 saw the record release of 'A Little Bit of Love' the new album from Junior Toots, the son of Toots Hibbert of Toots and the Maytals. The close and intimate setting made Pier 23 in San Francisco a great place to catch the show. It was a wonderful experience feeling warm and sheltered under tents while outside listening to the music and the rain fall. The weather even served as a blessing, as all who came did so for the love of the music and brought only the best vibes.

Midnight Sun Massive got the crowd warmed up with tracks ranging from roots reggae, dancehall, to all out African sounding dance jams with full on percussion including timbales, congas and even agogo. Sugar Boom was just one of the infectious rhythms that got everyone in the place moving.

In between sets Jah Warrior Shelter Hi-Fi was spinning, keeping the vibes groovin. Before Rocker T came to the stage, Bishop Gad performed a couple songs.

“Burn, Burn, Burn Apartheid!”, Rocker T belted with an Acapella intro to his set. He worked the mic skillfully, chanting riddims and even playing the melodica in a dub-stylee groove. In an aside, T reminded the crowd of his ceaseless mission to promote the full de-criminalization and legalizing of herb.

Junior Toots moved onto the stage with the energy of a lion, starting off with Solid As a Rock and kept the crowd moving all night. Backing him as they did Rocker T was The Fyah Squad Band, who played to perfection, with bluesy guitar solos and a rhythm section as steady as it was precise. Taking advantage of the proximity of the crowd Toots invited on stage a few queens throughout the night, respectfully dancing with them. Toots' diversity was shown moving from grooving rocksteady jams to full on dancehall, and even a song featuring Sol Atash singing in Farsi. Truly genuine, he even announced the birthday of one of the crowd members (Tara). Rocker T joined Junior Toots onstage for an encore song, sending the crowd home in higher spirits in the perfect climax to an irie night.

'A Little Bit of Love' Junior Toots' new album, is as full of soul and diversity as his performance was. From rocksteady to dancehall Toot's delivers a truly enjoyable and uplifting audio experience. - United Reggae

Toots and the Maytals were one of those reggae bands that got so deep inside your head that you started growing dreads. This week, Junior Toots—whose trademark voice channels that of his father, Toots—returns to Moe’s Alley for a show that’s all his own. Having stepped out of his father’s shadow long ago, Junior has perfected his own reggae/rap/hip-hop/ska/R&B mash-up. But his latest effort, A Little Bit of Love, hits on all of Toots’ favorite subjects: respecting people, no matter the color of their skin, religious beliefs, or gender, and fostering a healthy lifestyle. - Good Times - Santa Cruz

Toots and the Maytals were one of those reggae bands that got so deep inside your head that you started growing dreads. This week, Junior Toots—whose trademark voice channels that of his father, Toots—returns to Moe’s Alley for a show that’s all his own. Having stepped out of his father’s shadow long ago, Junior has perfected his own reggae/rap/hip-hop/ska/R&B mash-up. But his latest effort, A Little Bit of Love, hits on all of Toots’ favorite subjects: respecting people, no matter the color of their skin, religious beliefs, or gender, and fostering a healthy lifestyle. - Good Times - Santa Cruz

Toots and the Maytals were one of those reggae bands that got so deep inside your head that you started growing dreads. This week, Junior Toots—whose trademark voice channels that of his father, Toots—returns to Moe’s Alley for a show that’s all his own. Having stepped out of his father’s shadow long ago, Junior has perfected his own reggae/rap/hip-hop/ska/R&B mash-up. But his latest effort, A Little Bit of Love, hits on all of Toots’ favorite subjects: respecting people, no matter the color of their skin, religious beliefs, or gender, and fostering a healthy lifestyle. - Good Times - Santa Cruz

Toots and the Maytals were one of those reggae bands that got so deep inside your head that you started growing dreads. This week, Junior Toots—whose trademark voice channels that of his father, Toots—returns to Moe’s Alley for a show that’s all his own. Having stepped out of his father’s shadow long ago, Junior has perfected his own reggae/rap/hip-hop/ska/R&B mash-up. But his latest effort, A Little Bit of Love, hits on all of Toots’ favorite subjects: respecting people, no matter the color of their skin, religious beliefs, or gender, and fostering a healthy lifestyle. - Good Times - Santa Cruz

San Francisco, CA - March 14, 2012 — At his San Francisco studio, mastering engineer Michael Romanowski worked with reggae singer Junior Toots on the CD master for his latest album, A Little Bit of Love, which was released in March 7, 2012 on Crown of Fire Records. Romanowski utilized his large selection of analog mastering compressors, EQs and Pacific Microsonics converters to tackle the rich, layered music, while monitoring with his studio's Focal Grand Utopia speakers. Junior Toots is launching the new CD at 'Pier 23' in San Francisco, on March 24.

Following in his father's footsteps and reggae roots, the son of legendary Reggae and Ska singer "Toots Hibbert," of 'Toots and the Maytals,' Junior Toots brings his own style and energy to the new release. Of the new album Junior Toots says, "Reggae music and the music business in general was impacted by the recession. So I was inspired more than ever to reincarnate the spirit and the feeling of good Reggae music and up-tempo Ska and to include lots of crowd participation at live performances. Also, my father's contribution to Reggae music has been a great inspiration. My children are my greatest inspiration for me because I want to be an inspiration for them and for the next generation of Hibberts."

On the mastering experience at Michael Romanowski's studio, he adds, "The session was great. Michael Romanowski is very professional. I was very pleased with the results and look forward to my next mastering session with Michael."

Singing in church in Jamaica as a youth played a key role in Junior Toots' path to his professional music career - like great reggae singers before him. While in Kingston, he was able to experience his father's group the Maytals in their all-day rehearsals, and found he wanted to follow that path and entertain people too. He first released a 'dub plate' single in 1989, then 4 EPs followed, and in 1997 he was featured on the successful Reggae Mood Swingz compilation. After 8 years touring with the Maytals he began to formulate his own sound and launched his solo career with the 2006 release, Crown of Fire followed by Reggae Got Soul in 2010.

The new album A Little Bit of Love... 'sets into motion the hopeful message so many are searching for and delivers this positive light with high tempo, conscious, roots Reggae, Ska, and R&B all together in one package. The music of Junior Toots makes you want to dance, move, be aware, think, and do well for others at the same time.'

Visit the Junior Toots website for more information: http://www.juniortoots.com

Michael Romanowski has mastered music in the San Francisco Bay Area since his move from Nashville in 1994. He recently became President of the San Francisco chapter of the National Association of Recording Arts and Sciences (NARAS) and he is currently serving as the Chairman of the SF NARAS chapter's Producers & Engineers Wing. Romanowski traces his legacy through several generations of mastering engineers in the Bay Area from George Horn and Phil Brown to Paul Stubblebine. He has worked with seminal San Francisco artists including Norton Buffalo, Third Eye Blind, Big Brother and the Holding Company, George Winston, Pat Monahan, Jacqui Naylor, Spencer Day, Suzanne Ciani, Joe Craven and many other national and international artists and producers. Romanowski's mastering room features: Pacific Microsonics Model 2 A/D/A converters, Focal Grand Utopia EM speakers, ATR 102 1-inch two-track tape deck, along with a host of other definitive analog and digital audio equipment.

Contact Michael Romanowski Mastering at (510)-882-8555 or visit: http://www.michaelromanowski.com
- TheWire

San Francisco, CA - March 14, 2012 — At his San Francisco studio, mastering engineer Michael Romanowski worked with reggae singer Junior Toots on the CD master for his latest album, A Little Bit of Love, which was released in March 7, 2012 on Crown of Fire Records. Romanowski utilized his large selection of analog mastering compressors, EQs and Pacific Microsonics converters to tackle the rich, layered music, while monitoring with his studio's Focal Grand Utopia speakers. Junior Toots is launching the new CD at 'Pier 23' in San Francisco, on March 24.

Following in his father's footsteps and reggae roots, the son of legendary Reggae and Ska singer "Toots Hibbert," of 'Toots and the Maytals,' Junior Toots brings his own style and energy to the new release. Of the new album Junior Toots says, "Reggae music and the music business in general was impacted by the recession. So I was inspired more than ever to reincarnate the spirit and the feeling of good Reggae music and up-tempo Ska and to include lots of crowd participation at live performances. Also, my father's contribution to Reggae music has been a great inspiration. My children are my greatest inspiration for me because I want to be an inspiration for them and for the next generation of Hibberts."

On the mastering experience at Michael Romanowski's studio, he adds, "The session was great. Michael Romanowski is very professional. I was very pleased with the results and look forward to my next mastering session with Michael."

Singing in church in Jamaica as a youth played a key role in Junior Toots' path to his professional music career - like great reggae singers before him. While in Kingston, he was able to experience his father's group the Maytals in their all-day rehearsals, and found he wanted to follow that path and entertain people too. He first released a 'dub plate' single in 1989, then 4 EPs followed, and in 1997 he was featured on the successful Reggae Mood Swingz compilation. After 8 years touring with the Maytals he began to formulate his own sound and launched his solo career with the 2006 release, Crown of Fire followed by Reggae Got Soul in 2010.

The new album A Little Bit of Love... 'sets into motion the hopeful message so many are searching for and delivers this positive light with high tempo, conscious, roots Reggae, Ska, and R&B all together in one package. The music of Junior Toots makes you want to dance, move, be aware, think, and do well for others at the same time.'

Visit the Junior Toots website for more information: http://www.juniortoots.com

Michael Romanowski has mastered music in the San Francisco Bay Area since his move from Nashville in 1994. He recently became President of the San Francisco chapter of the National Association of Recording Arts and Sciences (NARAS) and he is currently serving as the Chairman of the SF NARAS chapter's Producers & Engineers Wing. Romanowski traces his legacy through several generations of mastering engineers in the Bay Area from George Horn and Phil Brown to Paul Stubblebine. He has worked with seminal San Francisco artists including Norton Buffalo, Third Eye Blind, Big Brother and the Holding Company, George Winston, Pat Monahan, Jacqui Naylor, Spencer Day, Suzanne Ciani, Joe Craven and many other national and international artists and producers. Romanowski's mastering room features: Pacific Microsonics Model 2 A/D/A converters, Focal Grand Utopia EM speakers, ATR 102 1-inch two-track tape deck, along with a host of other definitive analog and digital audio equipment.

Contact Michael Romanowski Mastering at (510)-882-8555 or visit: http://www.michaelromanowski.com
- TheWire

San Francisco, CA - March 14, 2012 — At his San Francisco studio, mastering engineer Michael Romanowski worked with reggae singer Junior Toots on the CD master for his latest album, A Little Bit of Love, which was released in March 7, 2012 on Crown of Fire Records. Romanowski utilized his large selection of analog mastering compressors, EQs and Pacific Microsonics converters to tackle the rich, layered music, while monitoring with his studio's Focal Grand Utopia speakers. Junior Toots is launching the new CD at 'Pier 23' in San Francisco, on March 24.

Following in his father's footsteps and reggae roots, the son of legendary Reggae and Ska singer "Toots Hibbert," of 'Toots and the Maytals,' Junior Toots brings his own style and energy to the new release. Of the new album Junior Toots says, "Reggae music and the music business in general was impacted by the recession. So I was inspired more than ever to reincarnate the spirit and the feeling of good Reggae music and up-tempo Ska and to include lots of crowd participation at live performances. Also, my father's contribution to Reggae music has been a great inspiration. My children are my greatest inspiration for me because I want to be an inspiration for them and for the next generation of Hibberts."

On the mastering experience at Michael Romanowski's studio, he adds, "The session was great. Michael Romanowski is very professional. I was very pleased with the results and look forward to my next mastering session with Michael."

Singing in church in Jamaica as a youth played a key role in Junior Toots' path to his professional music career - like great reggae singers before him. While in Kingston, he was able to experience his father's group the Maytals in their all-day rehearsals, and found he wanted to follow that path and entertain people too. He first released a 'dub plate' single in 1989, then 4 EPs followed, and in 1997 he was featured on the successful Reggae Mood Swingz compilation. After 8 years touring with the Maytals he began to formulate his own sound and launched his solo career with the 2006 release, Crown of Fire followed by Reggae Got Soul in 2010.

The new album A Little Bit of Love... 'sets into motion the hopeful message so many are searching for and delivers this positive light with high tempo, conscious, roots Reggae, Ska, and R&B all together in one package. The music of Junior Toots makes you want to dance, move, be aware, think, and do well for others at the same time.'

Visit the Junior Toots website for more information: http://www.juniortoots.com

Michael Romanowski has mastered music in the San Francisco Bay Area since his move from Nashville in 1994. He recently became President of the San Francisco chapter of the National Association of Recording Arts and Sciences (NARAS) and he is currently serving as the Chairman of the SF NARAS chapter's Producers & Engineers Wing. Romanowski traces his legacy through several generations of mastering engineers in the Bay Area from George Horn and Phil Brown to Paul Stubblebine. He has worked with seminal San Francisco artists including Norton Buffalo, Third Eye Blind, Big Brother and the Holding Company, George Winston, Pat Monahan, Jacqui Naylor, Spencer Day, Suzanne Ciani, Joe Craven and many other national and international artists and producers. Romanowski's mastering room features: Pacific Microsonics Model 2 A/D/A converters, Focal Grand Utopia EM speakers, ATR 102 1-inch two-track tape deck, along with a host of other definitive analog and digital audio equipment.

Contact Michael Romanowski Mastering at (510)-882-8555 or visit: http://www.michaelromanowski.com
- TheWire

San Francisco, CA - March 14, 2012 — At his San Francisco studio, mastering engineer Michael Romanowski worked with reggae singer Junior Toots on the CD master for his latest album, A Little Bit of Love, which was released in March 7, 2012 on Crown of Fire Records. Romanowski utilized his large selection of analog mastering compressors, EQs and Pacific Microsonics converters to tackle the rich, layered music, while monitoring with his studio's Focal Grand Utopia speakers. Junior Toots is launching the new CD at 'Pier 23' in San Francisco, on March 24.

Following in his father's footsteps and reggae roots, the son of legendary Reggae and Ska singer "Toots Hibbert," of 'Toots and the Maytals,' Junior Toots brings his own style and energy to the new release. Of the new album Junior Toots says, "Reggae music and the music business in general was impacted by the recession. So I was inspired more than ever to reincarnate the spirit and the feeling of good Reggae music and up-tempo Ska and to include lots of crowd participation at live performances. Also, my father's contribution to Reggae music has been a great inspiration. My children are my greatest inspiration for me because I want to be an inspiration for them and for the next generation of Hibberts."

On the mastering experience at Michael Romanowski's studio, he adds, "The session was great. Michael Romanowski is very professional. I was very pleased with the results and look forward to my next mastering session with Michael."

Singing in church in Jamaica as a youth played a key role in Junior Toots' path to his professional music career - like great reggae singers before him. While in Kingston, he was able to experience his father's group the Maytals in their all-day rehearsals, and found he wanted to follow that path and entertain people too. He first released a 'dub plate' single in 1989, then 4 EPs followed, and in 1997 he was featured on the successful Reggae Mood Swingz compilation. After 8 years touring with the Maytals he began to formulate his own sound and launched his solo career with the 2006 release, Crown of Fire followed by Reggae Got Soul in 2010.

The new album A Little Bit of Love... 'sets into motion the hopeful message so many are searching for and delivers this positive light with high tempo, conscious, roots Reggae, Ska, and R&B all together in one package. The music of Junior Toots makes you want to dance, move, be aware, think, and do well for others at the same time.'

Visit the Junior Toots website for more information: http://www.juniortoots.com

Michael Romanowski has mastered music in the San Francisco Bay Area since his move from Nashville in 1994. He recently became President of the San Francisco chapter of the National Association of Recording Arts and Sciences (NARAS) and he is currently serving as the Chairman of the SF NARAS chapter's Producers & Engineers Wing. Romanowski traces his legacy through several generations of mastering engineers in the Bay Area from George Horn and Phil Brown to Paul Stubblebine. He has worked with seminal San Francisco artists including Norton Buffalo, Third Eye Blind, Big Brother and the Holding Company, George Winston, Pat Monahan, Jacqui Naylor, Spencer Day, Suzanne Ciani, Joe Craven and many other national and international artists and producers. Romanowski's mastering room features: Pacific Microsonics Model 2 A/D/A converters, Focal Grand Utopia EM speakers, ATR 102 1-inch two-track tape deck, along with a host of other definitive analog and digital audio equipment.

Contact Michael Romanowski Mastering at (510)-882-8555 or visit: http://www.michaelromanowski.com
- Music Industry News Network

There’s a lot of pressure on the son of Toots Hibbert. I mean, Toots & the Maytals are one of the biggest names in all of reggae, up there with Bob Marley and Peter Tosh. Junior Toots (aka Clayton Hibbert), then, has a lot to live up to on his new album A Little Bit of Love.
On the opening track “Ready to Come Over,” you’ll notice right away that Junior’s voice has a smooth croon very similar to his father’s. His real vocal abilities, however, come through as the album continues, most notably on “Puss and Dog,” where the gritty, grunting vocalization comes into full swing and really gives the song its energy. The feeling is replicated again in “If Africa Is Free Not Free.” Toots’ sincerity is echoed in his voice, and once again carries the tune.
Following is a live performance of “Puss and Dog”:

http://youtu.be/q4bAWvf0Cmo

(On a humorous note, notice how after 40 years American audiences still have no real, set ideas of how to dance to reggae)
Overall, the content of the lyrics can often be understood through a quick glance at the song title. The rather direct lyrics seldom drag down the tracks, although “I Believe in You” is a little too cliché. What really matters, to me at least, is that Junior Toots is sincere is in his delivery and that he does it well. This proves to be no real trouble for Junior?whether high-energy singing or smooth crooning, his voice conveys nothing but sincerity.
What is more questionable, however, is the ability of the backing band. While every musician is talented, there are only four at the core?drums, bass, guitar and keyboards?with no horns. The keyboards act to replicate the horn section, but it’s much too electronic for my tastes, and feels rather reserved compared to the vocal line. If there was at least a trombone and trumpet, with possibly a tenor saxophone thrown in for good measure, then Junior would really have a solid group to work with. The energy of this augmented instrumentation, combined with Junior Toots’ already-magnificent voice, could really draw a crowd. And with the talent Toots possesses already, he definitely deserves it.

Reviewed by Ian Hallagan - Black Grooves

There’s a lot of pressure on the son of Toots Hibbert. I mean, Toots & the Maytals are one of the biggest names in all of reggae, up there with Bob Marley and Peter Tosh. Junior Toots (aka Clayton Hibbert), then, has a lot to live up to on his new album A Little Bit of Love.
On the opening track “Ready to Come Over,” you’ll notice right away that Junior’s voice has a smooth croon very similar to his father’s. His real vocal abilities, however, come through as the album continues, most notably on “Puss and Dog,” where the gritty, grunting vocalization comes into full swing and really gives the song its energy. The feeling is replicated again in “If Africa Is Free Not Free.” Toots’ sincerity is echoed in his voice, and once again carries the tune.
Following is a live performance of “Puss and Dog”:

http://youtu.be/q4bAWvf0Cmo

(On a humorous note, notice how after 40 years American audiences still have no real, set ideas of how to dance to reggae)
Overall, the content of the lyrics can often be understood through a quick glance at the song title. The rather direct lyrics seldom drag down the tracks, although “I Believe in You” is a little too cliché. What really matters, to me at least, is that Junior Toots is sincere is in his delivery and that he does it well. This proves to be no real trouble for Junior?whether high-energy singing or smooth crooning, his voice conveys nothing but sincerity.
What is more questionable, however, is the ability of the backing band. While every musician is talented, there are only four at the core?drums, bass, guitar and keyboards?with no horns. The keyboards act to replicate the horn section, but it’s much too electronic for my tastes, and feels rather reserved compared to the vocal line. If there was at least a trombone and trumpet, with possibly a tenor saxophone thrown in for good measure, then Junior would really have a solid group to work with. The energy of this augmented instrumentation, combined with Junior Toots’ already-magnificent voice, could really draw a crowd. And with the talent Toots possesses already, he definitely deserves it.

Reviewed by Ian Hallagan - Black Grooves

Jamaican born Junior Toots, son of renowned reggae artist Toots Hibbert of the Toots and the Maytals, has arrived with his debut album “A Little Bit of Love.” Incorporating Ska, dance hall beats, up-tempo and catchy riddims into a roots reggae style. - IODA

Jamaican born Junior Toots, son of renowned reggae artist Toots Hibbert of the Toots and the Maytals, has arrived with his debut album “A Little Bit of Love.” Incorporating Ska, dance hall beats, up-tempo and catchy riddims into a roots reggae style. - IODA

Reggae Got Soul, and so does Junior Toots. For those who have been watching this talent evolve, this is a testament to musical maturity. As an artists his skills as a writer, singer, and performer have only improved over time. Reggae Got Soul is proof that Junior Toots is honing his skills, but he is [...]



Jr Toots Reggae Got Soul

Reggae Got Soul, and so does Junior Toots.

For those who have been watching this talent evolve, this is a testament to musical maturity. As an artists his skills as a writer, singer, and performer have only improved over time.

Reggae Got Soul is proof that Junior Toots is honing his skills, but he is yet to reach his full potential, a listener’s joy that is sure to come. Tracks such as “Up Ye Mighty Race,” “Jah is the King of Host,” and “Jah bless the World,” stay true to reggae and the message of Rastafari, while on songs such as “Make A Move,” and “Look How You’re Round” he adds some R&B and Reggaeton flavors that demonstrate his diversity of influence.

This album well demonstrates that Junior Toots will not allow himself to be boxed into one genre or style of music. Junior Toots may be the son of reggae living legend Toots Hibbert but this album shows that he is on his own musical journey and not riding any coat tails.

For more information on Junior Toots, lease be sure to ckeck his website at www.juniortoots.com.

- CaribPress

Nestled in the comforting arms of Mother Earth and Anderson Valley (known for its beautiful vineyards and wines, and as the gateway to Northern California) is the quaint and friendly town of Boonville. Here locals welcomed, for the fifth and most successful year at this location, thousands of revelers for the 18th Annual Sierra Nevada World Music Festival (SNWMF). Held at the Mendocino County Fairgrounds in beautiful downtown Boonville, and, although the rock hard hoof prints imbedded in the dried mud and straw made a rough road for the dancers and players of instruments, everyone celebrated three days in sheer bliss and joy, without complaint, confirming the strength and power of righteous music that gathered here from around the world.


The festival kicked off on Friday with a prayer of blessing and the traditional "head shake" dance by Native American Pomo spokesman Clayton Duncan. After the prayer, he drummed with fellow tribesman as traditional dancers filled the stage and the surrounding valley with the sound of the ancestors.


On Friday, one of the few flaws in an otherwise flawless festival was the relegating of the historic Jamaican roots and culture artists Pablo Moses and Brigadier Jerry, and relative newcomer, St. Lucian-based Taj Weekes to the smaller Village Stage. This was deemed somewhat disrespectful to these veteran artists, as fans would have
Horace Andy by Lee Abel
Horace Andy
appreciated them more on the larger Valley Stage instead of the relatively less popular Reggae Angels and Tribal Seeds, two nondescript groups who passed us virtually unnoticed. This bit of poor scheduling diminished much of Friday's fire.


Highlights of the night were Santa Barbara-based Rebelution, white "bwoy" Reggae at its best, by far the crowd favorite. Pablo Moses rocked the Village Stage, with Briggy bringing forward his typical hard-hitting DJ stylee filled with conscious lyrics and rockin' rhythms. Back to the Valley Stage, where the fresh sounds of Collie Buddz and the New Kingston band were invigorating after the two previous groups mentioned, and set up Rebelution for a high-energy grand finale. Briggy went on to rock the Dancehall with Jah Love Muzik, and Comanche High Power rocked until the sun came up. Each evening the Valley Stage ended with a spectacular Fire Dancing/Drumming session that went on until the wee hours, leaving us all feeling well connected to Mother Earth and all Her gifts.


On Saturday the 7th Street Showcase kicked off the Village Stage, bringing out Jr. Toots (the son of legendary Toots Hibbert from Maytals fame), Irae Divine, Guyana-born Arkaingelle, Puerto Rico's Malika Madremama, Empress Isheba, Binghi Ghost, and Itaweh, all backed by NorCal's finest Reggae band, the 7th Street Band. This showcase mashed it up!!


Unfortunately, the Valley Stage drew us away again, and we missed the long anticipated performance of Australian-based Saritah, discovered in Australia by long time Reggae agent George Michailow of Fastlane International, who has represented some of the top Reggae acts in the world. Her sweet presence rocked the audience with her loving vibes. George was also representing Taj Weekes and Kora from New Zealand this weekend. We also missed Thomas Mapfumo, one of our favorite African artists.


On the Valley Stage it was back to old school as SoCal’s The Expanders brought forward their scorching rockers sound in a retro stylee. Great sounds from this great 70's style group. It soon became a Rocksteady day as The Cables, a classic Jamaican group made up of vocalists Keble Drummond, Elbert Stewart, and Vince Stoddart, were reunited on the Valley Stage as if time had stood still. They performed their hits, including "Baby Why" and What Kind of World," thrilling the crowd with a vibe that took them back to the days when Kingston was the heartbeat of the music.


Pablo Moses by Lee Abel
Pablo Moses
Romain Virgo followed suit and turned up the heat with a hot and sweaty Lover's Rock set. He showed everyone why he was the winner of the Digicel Rising Stars competition in 2007. And when you did not think it could get any better, out came Horace "Sleepy" Andy, belting out Roots Reggae in his distinct falsetto. What a pleasure to see him here. Sleepy is one of the bulwarks of Reggae, there in the foundation of the music, who gets little attention in the US. His set tore it up, showing he might be called Sleepy, but he is definitely NOT asleep!


SNWMF took us back to school, and it was only going to get better on this fantastic summer day in NorCal! St. Croix, Virgin Islands-based Midnite hit the stage next, and their rocking, electronic set was a little too hard-hitting lead-in for the next group, Mento folk artists The Jolly Boys. They performed an amazing set, however, and seemed nonplussed by their rocking predecessors. The Jolly Boys were a particular favorite for Terri Larsen, as she reviewed one of their earliest albums for Reggae Report Ma - ReggaeReport.com

Nestled in the comforting arms of Mother Earth and Anderson Valley (known for its beautiful vineyards and wines, and as the gateway to Northern California) is the quaint and friendly town of Boonville. Here locals welcomed, for the fifth and most successful year at this location, thousands of revelers for the 18th Annual Sierra Nevada World Music Festival (SNWMF). Held at the Mendocino County Fairgrounds in beautiful downtown Boonville, and, although the rock hard hoof prints imbedded in the dried mud and straw made a rough road for the dancers and players of instruments, everyone celebrated three days in sheer bliss and joy, without complaint, confirming the strength and power of righteous music that gathered here from around the world.


The festival kicked off on Friday with a prayer of blessing and the traditional "head shake" dance by Native American Pomo spokesman Clayton Duncan. After the prayer, he drummed with fellow tribesman as traditional dancers filled the stage and the surrounding valley with the sound of the ancestors.


On Friday, one of the few flaws in an otherwise flawless festival was the relegating of the historic Jamaican roots and culture artists Pablo Moses and Brigadier Jerry, and relative newcomer, St. Lucian-based Taj Weekes to the smaller Village Stage. This was deemed somewhat disrespectful to these veteran artists, as fans would have
Horace Andy by Lee Abel
Horace Andy
appreciated them more on the larger Valley Stage instead of the relatively less popular Reggae Angels and Tribal Seeds, two nondescript groups who passed us virtually unnoticed. This bit of poor scheduling diminished much of Friday's fire.


Highlights of the night were Santa Barbara-based Rebelution, white "bwoy" Reggae at its best, by far the crowd favorite. Pablo Moses rocked the Village Stage, with Briggy bringing forward his typical hard-hitting DJ stylee filled with conscious lyrics and rockin' rhythms. Back to the Valley Stage, where the fresh sounds of Collie Buddz and the New Kingston band were invigorating after the two previous groups mentioned, and set up Rebelution for a high-energy grand finale. Briggy went on to rock the Dancehall with Jah Love Muzik, and Comanche High Power rocked until the sun came up. Each evening the Valley Stage ended with a spectacular Fire Dancing/Drumming session that went on until the wee hours, leaving us all feeling well connected to Mother Earth and all Her gifts.


On Saturday the 7th Street Showcase kicked off the Village Stage, bringing out Jr. Toots (the son of legendary Toots Hibbert from Maytals fame), Irae Divine, Guyana-born Arkaingelle, Puerto Rico's Malika Madremama, Empress Isheba, Binghi Ghost, and Itaweh, all backed by NorCal's finest Reggae band, the 7th Street Band. This showcase mashed it up!!


Unfortunately, the Valley Stage drew us away again, and we missed the long anticipated performance of Australian-based Saritah, discovered in Australia by long time Reggae agent George Michailow of Fastlane International, who has represented some of the top Reggae acts in the world. Her sweet presence rocked the audience with her loving vibes. George was also representing Taj Weekes and Kora from New Zealand this weekend. We also missed Thomas Mapfumo, one of our favorite African artists.


On the Valley Stage it was back to old school as SoCal’s The Expanders brought forward their scorching rockers sound in a retro stylee. Great sounds from this great 70's style group. It soon became a Rocksteady day as The Cables, a classic Jamaican group made up of vocalists Keble Drummond, Elbert Stewart, and Vince Stoddart, were reunited on the Valley Stage as if time had stood still. They performed their hits, including "Baby Why" and What Kind of World," thrilling the crowd with a vibe that took them back to the days when Kingston was the heartbeat of the music.


Pablo Moses by Lee Abel
Pablo Moses
Romain Virgo followed suit and turned up the heat with a hot and sweaty Lover's Rock set. He showed everyone why he was the winner of the Digicel Rising Stars competition in 2007. And when you did not think it could get any better, out came Horace "Sleepy" Andy, belting out Roots Reggae in his distinct falsetto. What a pleasure to see him here. Sleepy is one of the bulwarks of Reggae, there in the foundation of the music, who gets little attention in the US. His set tore it up, showing he might be called Sleepy, but he is definitely NOT asleep!


SNWMF took us back to school, and it was only going to get better on this fantastic summer day in NorCal! St. Croix, Virgin Islands-based Midnite hit the stage next, and their rocking, electronic set was a little too hard-hitting lead-in for the next group, Mento folk artists The Jolly Boys. They performed an amazing set, however, and seemed nonplussed by their rocking predecessors. The Jolly Boys were a particular favorite for Terri Larsen, as she reviewed one of their earliest albums for Reggae Report Ma - ReggaeReport.com

‘Greeting’s in the name of his majesty, Emperor Haile Selassie, Jah Ras Tafari!’ Hearing that never really gets old, does it?

On a warm winter’s night on January 12, 2012, at San Francisco reggae hot spot, The Independent, Jah was definitely in the building.

Lighting up the night in no small fashion was Junior Toots, backed by the Fyah Squad Band, a traditional reggae 4-piece. True to their name, their riddems were locked tight, allowing Junior Toots to shine. 20 minutes into his set, we had seen three totally different looks from Toots, embodying ska, dancehall, and straight up roots reggae. Junior Toots commanded the stage, dancing and gyrating fiercely, truly connecting with the audience, as seen by the energetic call and response.

By the time he got to Physically Spiritually from his new album, ‘A Little Bit Of Love’, Toots was on fire, working every corner of the stage, his voice well warmed, yet raw, real. Junior Toots was joined on stage by Sol Atash, who sings back up on Seek The Truth in Farsi, which brought a different element to the show that was welcomed by all.

All in all, Junior Toots wowed and amazed the crowd and myself. We chanted for an encore, which unfortunately never came, but left us all wanting more, and I’m gonna get some.

The crowd filled in, chalice and spliff’s filled the air, and in true Anthony B style, he took to the stage, leaping furiously like some kind of Rasta drum major shaman, instantly whipping the packed house into a frenzy. His trademark staff flying in the air, towel in back pocket giving the crowd the gymnastic performance that is 100% Anthony B.

Out in support of his most recent album, ‘Rasta Love’, we were treated to his unique sound that transcends traditional dancehall, bordering on progressive reggae, his positive message was ever present. “With reggae music, it doesn’t matter your race, class or creed,” said the member of the Bobo Ashanti branch of the Rastafarian movement. “Rastafari spread the teachings of love and peace.” This was ever present as he swaggered into ‘Coming In Hot’. And later on we got a full dose of Anthony B’s signature power, energy and sheer madness as he ripped through a wild version of Never Wanna Lose You. Several hits from Anthony’s massive catalog rounded out the night, all skillfully laid down by his world-class band.

By the end of the set, I was tired and sweaty from ritualistically dancing for most of the night. With Anthony B’s seeming endless releases and tireless tour schedule, he has been and will be an artist to watch for some time. The man is possessed, in a good way, and to my eyes, on a higher plain. Can’t wait to hear, and see what he comes up with next. - UnitedReggae.com

‘Greeting’s in the name of his majesty, Emperor Haile Selassie, Jah Ras Tafari!’ Hearing that never really gets old, does it?

On a warm winter’s night on January 12, 2012, at San Francisco reggae hot spot, The Independent, Jah was definitely in the building.

Lighting up the night in no small fashion was Junior Toots, backed by the Fyah Squad Band, a traditional reggae 4-piece. True to their name, their riddems were locked tight, allowing Junior Toots to shine. 20 minutes into his set, we had seen three totally different looks from Toots, embodying ska, dancehall, and straight up roots reggae. Junior Toots commanded the stage, dancing and gyrating fiercely, truly connecting with the audience, as seen by the energetic call and response.

By the time he got to Physically Spiritually from his new album, ‘A Little Bit Of Love’, Toots was on fire, working every corner of the stage, his voice well warmed, yet raw, real. Junior Toots was joined on stage by Sol Atash, who sings back up on Seek The Truth in Farsi, which brought a different element to the show that was welcomed by all.

All in all, Junior Toots wowed and amazed the crowd and myself. We chanted for an encore, which unfortunately never came, but left us all wanting more, and I’m gonna get some.

The crowd filled in, chalice and spliff’s filled the air, and in true Anthony B style, he took to the stage, leaping furiously like some kind of Rasta drum major shaman, instantly whipping the packed house into a frenzy. His trademark staff flying in the air, towel in back pocket giving the crowd the gymnastic performance that is 100% Anthony B.

Out in support of his most recent album, ‘Rasta Love’, we were treated to his unique sound that transcends traditional dancehall, bordering on progressive reggae, his positive message was ever present. “With reggae music, it doesn’t matter your race, class or creed,” said the member of the Bobo Ashanti branch of the Rastafarian movement. “Rastafari spread the teachings of love and peace.” This was ever present as he swaggered into ‘Coming In Hot’. And later on we got a full dose of Anthony B’s signature power, energy and sheer madness as he ripped through a wild version of Never Wanna Lose You. Several hits from Anthony’s massive catalog rounded out the night, all skillfully laid down by his world-class band.

By the end of the set, I was tired and sweaty from ritualistically dancing for most of the night. With Anthony B’s seeming endless releases and tireless tour schedule, he has been and will be an artist to watch for some time. The man is possessed, in a good way, and to my eyes, on a higher plain. Can’t wait to hear, and see what he comes up with next. - UnitedReggae.com

It's a shame that "A Little Bit of Love" isn't available in stores today - after all it is Valentine's Day. I doubt Junior Toots will stay up nights worrying about it though - after all the "love" he's professing is the universal love for all mankind, born from the blessings Jah provide. He's already blessed Junior with excellent reggae genetics, being that he's the son of reggae legend Toots Hibbert, who you may know best from Toots and the Maytals. Then again you may NOT know, which is as good a reason for you to be reading this review as any.

Junior's story deviates from his father's a bit. While both of them were born in Jamaica, the younger Toots has been living in the United States since the 1980's, first in Connecticut but ultimately in California. You will find Toots' roots definitely lend to the reggae format, while his accent has definitely gained a touch of Americanization given he came here at such a young age. There will no doubt be debate about whether or not this is for the best - for some ears he may be easier to understand than more traditional Jamaican artists, while some listeners may feel he's a pretender to a culture he was long ago uprooted and made apart from.

As for me, myself, I and I, there's no doubt to me that Junior's heritage more than makes up for his distance from Jamaica when you listen to him croon his tune. "Physically Spiritually" is classic rasta roots reggae at its finest, singing about how all of mankind shares a common brotherhood. "We have got to be strong like the mountains/and blow like the breeze/keep a steadfast meditation/and keep your mind at ease/forget about when they said nothing good would ever happen." Preach on dread. "Puss and Dog" is a more jamming affair, one which for reasons I can't fathom reminds me of No Doubt - although there can be no doubt Toots is teaching:

"Once upon a time, not so long ago
Birds and bees, the flowers and the trees
The bees and the wasps, they used to go to school
But after the first semester, they would start to act a fool
He think he knows it all, just because he learned to sting
He never realized the knowledge, and fullness of the thing
"

Toots is full of lessons and love throughout the 14 tracks of this album. Some songs are incredibly self-explanatory before listening - you don't have to ponder what "If Africa Is Not Free" about for long. The same goes for the spiritual cry of "Call On Jah," the heritage pride of "Ethiopian From Birth" or the wisdom manifested on "Seek the Truth" featuring Sol Atash. In fact if I could make one criticism of Junior Toots, as much as I enjoyed "A Little Bit of Love," is that it's not couched in the layers of metaphor I've often come to aspect from the reggae greats. At times Toots seems to be too straightforward, whereas if you had to delve into the depths of his meaning, discerning his point would be more rewarding.

With a strong musical backing of production from Fabian Cooke, Aston Barrett and Toots' own brother Hopeton Hibbert, "A Little Bit of Love" rises above like a puff of friendly herbal smoke drifting in the island breeze. Toots professes in his bio that moving to the United States changed him into an entirely different person, but it seems to me after hearing his CD that Toots evolved as he needed to while not losing his reggae roots one bit. - RapReviews.com

It's a shame that "A Little Bit of Love" isn't available in stores today - after all it is Valentine's Day. I doubt Junior Toots will stay up nights worrying about it though - after all the "love" he's professing is the universal love for all mankind, born from the blessings Jah provide. He's already blessed Junior with excellent reggae genetics, being that he's the son of reggae legend Toots Hibbert, who you may know best from Toots and the Maytals. Then again you may NOT know, which is as good a reason for you to be reading this review as any.

Junior's story deviates from his father's a bit. While both of them were born in Jamaica, the younger Toots has been living in the United States since the 1980's, first in Connecticut but ultimately in California. You will find Toots' roots definitely lend to the reggae format, while his accent has definitely gained a touch of Americanization given he came here at such a young age. There will no doubt be debate about whether or not this is for the best - for some ears he may be easier to understand than more traditional Jamaican artists, while some listeners may feel he's a pretender to a culture he was long ago uprooted and made apart from.

As for me, myself, I and I, there's no doubt to me that Junior's heritage more than makes up for his distance from Jamaica when you listen to him croon his tune. "Physically Spiritually" is classic rasta roots reggae at its finest, singing about how all of mankind shares a common brotherhood. "We have got to be strong like the mountains/and blow like the breeze/keep a steadfast meditation/and keep your mind at ease/forget about when they said nothing good would ever happen." Preach on dread. "Puss and Dog" is a more jamming affair, one which for reasons I can't fathom reminds me of No Doubt - although there can be no doubt Toots is teaching:

"Once upon a time, not so long ago
Birds and bees, the flowers and the trees
The bees and the wasps, they used to go to school
But after the first semester, they would start to act a fool
He think he knows it all, just because he learned to sting
He never realized the knowledge, and fullness of the thing
"

Toots is full of lessons and love throughout the 14 tracks of this album. Some songs are incredibly self-explanatory before listening - you don't have to ponder what "If Africa Is Not Free" about for long. The same goes for the spiritual cry of "Call On Jah," the heritage pride of "Ethiopian From Birth" or the wisdom manifested on "Seek the Truth" featuring Sol Atash. In fact if I could make one criticism of Junior Toots, as much as I enjoyed "A Little Bit of Love," is that it's not couched in the layers of metaphor I've often come to aspect from the reggae greats. At times Toots seems to be too straightforward, whereas if you had to delve into the depths of his meaning, discerning his point would be more rewarding.

With a strong musical backing of production from Fabian Cooke, Aston Barrett and Toots' own brother Hopeton Hibbert, "A Little Bit of Love" rises above like a puff of friendly herbal smoke drifting in the island breeze. Toots professes in his bio that moving to the United States changed him into an entirely different person, but it seems to me after hearing his CD that Toots evolved as he needed to while not losing his reggae roots one bit. - RapReviews.com

Following in the tradition of his father, Jamaican born Junior Toots, son of renowned reggae artist Toots Hibbert of the Toots and the Maytals, is readying his debut nationally distributed album A Little Bit of Love. Incorporating Roots-Reggae, Ska, Dancehall, and up-tempo beats, Junior Toots coined his sound “original roots.” Production on A Little Bit of Love is shared by veteran producers Fabian Cooke, Aston Barrett, and Junior Toot’s brother Hopeton Hibbert.

In keeping with the Reggae tradition, A Little Bit of Love is conscious both lyrically and sonically. Take the track “Puss and Dog” an up-tempo Ska track that talks about staying skillful as a cat, so “you do not end up in the dog house,” quips Junior. “If trouble comes your way, sometimes you have to turn away to preserve the peace.”

On “Physically Spiritually,” Junior sings about the interconnectedness of all humans, no matter what race, color, creed, or religious denomination. “We need to encourage each other to do well and to stay healthy, mentally, physically and spiritually,” explains Junior Toots.

A lot of artists throw around the word conscious, but Junior takes the word seriously. “When I say conscious music, I mean my lyrics are aware of the needs of everyone: The need to be connected to nature and to other cultures besides your own. I hope my music encourages people to put away their egos and make intentions to heal, to love, and to care. Conscious means to come together.”

Born in Jamaica, Junior Toots was raised on a farm in the countryside with his grandparents and later moved to Kingston to be with his father. He moved to Connecticut in the mid 80’s to live with his mother, where he took up dance. After finishing high school, he moved to California at age 20. Coming to the states changed Junior Toots forever. “I learned so much because I had to adjust and fit in to an entirely different place.”

In terms of his father’s influence, “I went to rehearsals & studio recording sessions when I was really young. I also recorded some music with him at an early age so the music is in my blood.”

Junior is already working on his next album, called Junior Toots and Friends, a Reggae album which also will include some dubstep and artists from the bay area such as, King Hopeton, Rocker T, and more. - Play Jones

Hundreds flocked to Mooheau Park in downtown Hilo Sunday afternoon for the Hawaii Reggae and Agricultural Fair.

A sizable crowd danced and swayed to live reggae in the park's bandstand, while others relaxed on the grass or circulated to booths with everything from food and clothing to agricultural supplies and information about medical marijuana.

The free event happens yearly on or near the birthday of the late reggae superstar Bob Marley (Feb. 6). It was once known as "Bob Fest" and some people still use that name, although the event now focuses on more than just the reggae rhythms.

"What we're trying to do is to get the people, as they celebrate the birthday of the legend, to get their soil ready for planting," said entertainer and event organizer Sahra Indio. "In Hawaii, we start planting in February, so we give seeds away, shoots and roots and different soil amenities. We want to teach people to grow more food."

Bambu Station from St. Thomas in the U.S. Virgin Islands headlined the show. Another big name who played yesterday's event is Junior Toots, whose father, Toots Hibbert, is the frontman for the seminal Jamaican reggae band Toots and the Maytals.

"I'm lovin' it," Junior Toots said backstage after his performance. "I've never been to Hawaii, so I wanted to come out to see what this place is like and spread the message of love. It's been a great experience, so far, and the Hawaiian people are great."

Singer Irae Divine made her second appearance at the event, and describes it as "a blessing."

"I've waited all year for this," she said.

Puna musician Jack Miller made a pilgrimage to Jamaica in the 1970s and played with numerous reggae stars including Sly & Robbie, The Mighty Diamonds and members of Third World and The Wailers.

"That they can bring this quality of musicians for a free show, that's just amazing," he said. "These are some of the top touring reggae bands that are out there right now.

"I think this annual event really brings people together here for music and awareness, first of all, that we're an agricultural community, and of the concept of sustainability."

Miles Mitchell of Keaukaha, who was hanging out with friends by the Mooheau bus station, called it "a beautiful event."

"It's a lot of fun; these guys are rockin' here," he said.

Jessica, a Pahoa woman who declined to give her last name, carried her toddler daughter in a papoose pack. She said she attends yearly and described this year's event as "the best yet."

The Big Island chapter of Americans for Safe Access, a group dedicated to safe and legal access to medical marijuana, had an information booth. Andrea Tischler, the organization's co-chair, said a "parade of people" visited ASA's booth, many concerned about bills before the state Legislature.

"A lot of people are concerned about chronic pain being eliminated from the list of conditions that doctors can recommend medical cannabis for," she said. "We're getting a lot of interest. I'm sure it's gonna be a fight, but we're up for it."

The Water Man provided free liquid refreshment to thirsty festivalgoers.

"We're having fun out here giving water to the people and enjoying the reggae," said Kevin Abate, the company's president.

Indio said she was delighted by the mostly sunny afternoon, as well as the turnout.

"When you see the cars parked across the street, that's when you know that it's successful," she said, and added the Hawaii Reggae and Agricultural Fair is in its fourth year.

"You plant seeds and they grow," she said. "In year number four we were able to bring over Bambu Station, who brought me to the U.S. Virgin Islands to perform at a Rastafarian agricultural fair, and it was there that one of the elder Rastas asked me to put on an agricultural fair in Hawaii."

Email John Burnett at jburnett@hawaiitribune-herald.com. - Hawaii Tribune-Herald

Hundreds flocked to Mooheau Park in downtown Hilo Sunday afternoon for the Hawaii Reggae and Agricultural Fair.

A sizable crowd danced and swayed to live reggae in the park's bandstand, while others relaxed on the grass or circulated to booths with everything from food and clothing to agricultural supplies and information about medical marijuana.

The free event happens yearly on or near the birthday of the late reggae superstar Bob Marley (Feb. 6). It was once known as "Bob Fest" and some people still use that name, although the event now focuses on more than just the reggae rhythms.

"What we're trying to do is to get the people, as they celebrate the birthday of the legend, to get their soil ready for planting," said entertainer and event organizer Sahra Indio. "In Hawaii, we start planting in February, so we give seeds away, shoots and roots and different soil amenities. We want to teach people to grow more food."

Bambu Station from St. Thomas in the U.S. Virgin Islands headlined the show. Another big name who played yesterday's event is Junior Toots, whose father, Toots Hibbert, is the frontman for the seminal Jamaican reggae band Toots and the Maytals.

"I'm lovin' it," Junior Toots said backstage after his performance. "I've never been to Hawaii, so I wanted to come out to see what this place is like and spread the message of love. It's been a great experience, so far, and the Hawaiian people are great."

Singer Irae Divine made her second appearance at the event, and describes it as "a blessing."

"I've waited all year for this," she said.

Puna musician Jack Miller made a pilgrimage to Jamaica in the 1970s and played with numerous reggae stars including Sly & Robbie, The Mighty Diamonds and members of Third World and The Wailers.

"That they can bring this quality of musicians for a free show, that's just amazing," he said. "These are some of the top touring reggae bands that are out there right now.

"I think this annual event really brings people together here for music and awareness, first of all, that we're an agricultural community, and of the concept of sustainability."

Miles Mitchell of Keaukaha, who was hanging out with friends by the Mooheau bus station, called it "a beautiful event."

"It's a lot of fun; these guys are rockin' here," he said.

Jessica, a Pahoa woman who declined to give her last name, carried her toddler daughter in a papoose pack. She said she attends yearly and described this year's event as "the best yet."

The Big Island chapter of Americans for Safe Access, a group dedicated to safe and legal access to medical marijuana, had an information booth. Andrea Tischler, the organization's co-chair, said a "parade of people" visited ASA's booth, many concerned about bills before the state Legislature.

"A lot of people are concerned about chronic pain being eliminated from the list of conditions that doctors can recommend medical cannabis for," she said. "We're getting a lot of interest. I'm sure it's gonna be a fight, but we're up for it."

The Water Man provided free liquid refreshment to thirsty festivalgoers.

"We're having fun out here giving water to the people and enjoying the reggae," said Kevin Abate, the company's president.

Indio said she was delighted by the mostly sunny afternoon, as well as the turnout.

"When you see the cars parked across the street, that's when you know that it's successful," she said, and added the Hawaii Reggae and Agricultural Fair is in its fourth year.

"You plant seeds and they grow," she said. "In year number four we were able to bring over Bambu Station, who brought me to the U.S. Virgin Islands to perform at a Rastafarian agricultural fair, and it was there that one of the elder Rastas asked me to put on an agricultural fair in Hawaii."

Email John Burnett at jburnett@hawaiitribune-herald.com. - Hawaii Tribune-Herald

California resident and Jamaican born singer Junior Toots, son of renowned reggae artist Toots Hibbert of the Toots & The Maytals, is readying his fourth album 'A Little Bit of Love', a conscious set that incorporates roots reggae, ska and dancehall. Production is shared by veteran producers Fabian Cooke, Aston Barrett and Junior Toots’ brother Hopeton Hibbert.

“When I say conscious music, I mean my lyrics are aware of the needs of everyone; the need to be connected to nature and to other cultures besides your own. I hope my music encourages people to put away their egos and make intentions to heal, to love, and to care. Conscious means to come together,” states Junior Toots in a press release.

'A Little Bit of Love' was carried out partly as a Kickstarter project, where Junior Toots aimed for raising $2,800 to master and physically produce the album. The project obviously went fine and he managed to exceed his goal with almost $1,000. And 'A Little Bit of Love' is now set to drop in March. - UnitedReggae.com

California resident and Jamaican born singer Junior Toots, son of renowned reggae artist Toots Hibbert of the Toots & The Maytals, is readying his fourth album 'A Little Bit of Love', a conscious set that incorporates roots reggae, ska and dancehall. Production is shared by veteran producers Fabian Cooke, Aston Barrett and Junior Toots’ brother Hopeton Hibbert.

“When I say conscious music, I mean my lyrics are aware of the needs of everyone; the need to be connected to nature and to other cultures besides your own. I hope my music encourages people to put away their egos and make intentions to heal, to love, and to care. Conscious means to come together,” states Junior Toots in a press release.

'A Little Bit of Love' was carried out partly as a Kickstarter project, where Junior Toots aimed for raising $2,800 to master and physically produce the album. The project obviously went fine and he managed to exceed his goal with almost $1,000. And 'A Little Bit of Love' is now set to drop in March. - UnitedReggae.com

SIERRA NEVADA WORLD MUSIC FEST: Roots, Culture and Reggae!? Words: Terri Larsen and Saundra Torres? Photos: Lee Abel? ?
? ?
? Nestled in the comforting arms of Mother Earth and Anderson Valley (known for its beautiful vineyards and wines, and as the gateway to Northern California) is the quaint and friendly town of Boonville. Here locals welcomed, for the fifth and most successful year at this location, thousands of revelers for the 18th Annual Sierra Nevada World Music Festival (SNWF). Held at the Mendocino County Fairgrounds in beautiful downtown Boonville, and, although the rock hard hoof prints imbedded in the dried mud and straw made a rough road for the dancers and players of instruments, everyone celebrated three days in sheer bliss and joy, without complaint, confirming the strength and power of righteous music that gathered here from around the world.? ?
SIERRA NEVADA WORLD MUSIC FEST: Roots, Culture and Reggae!By Terri Larsen and Saundra TorresPhotos by Lee Abel Nestled in the comforting arms of Mother Earth and Anderson Valley (known for its beautiful vineyards and wines, and as the gateway to Northern California) is the quaint and friendly town of Boonville. Here locals welcomed, for the fifth and most successful year at this location, thousands of revelers for the 18th Annual Sierra Nevada World Music Festival (SNWMF). Held at the Mendocino County Fairgrounds in beautiful downtown Boonville, and, although the rock hard hoof prints imbedded in the dried mud and straw made a rough road for the dancers and players of instruments, everyone celebrated three days in sheer bliss and joy, without complaint, confirming the strength and power of righteous music that gathered here from around the world.
The festival kicked off on Friday with a prayer of blessing and the traditional "head shake" dance by Native American Pomo spokesman Clayton Duncan. After the prayer, he drummed with fellow tribesman as traditional dancers filled the stage and the surrounding valley with the sound of the ancestors. On Friday, one of the few flaws in an otherwise flawless festival was the relegating of the historic Jamaican roots and culture artists Pablo Moses and Brigadier Jerry, and relative newcomer, St. Lucian-based Taj Weekes to the smaller Village Stage. This was deemed somewhat disrespectful to these veteran artists, as fans would have appreciated them more on the larger Valley Stage instead of the relatively less popular Reggae Angels and Tribal Seeds, two nondescript groups who passed us virtually unnoticed. This bit of poor scheduling diminished much of Friday's fire.
Highlights of the night were Santa Barbara-based Rebelution, white "bwoy" Reggae at its best, by far the crowd favorite. Pablo Moses rocked the Village Stage, with Briggy bringing forward his typical hard-hitting DJ stylee filled with conscious lyrics and rockin' rhythms. Back to the Valley Stage, where the fresh sounds of Collie Buddz and the New Kingston band were invigorating after the two previous groups mentioned, and set up Rebelution for a high-energy grand finale. Briggy went on to rock the Dancehall with Jah Love Muzik, and Comanche High Power rocked until the sun came up. Each evening the Valley Stage ended with a spectacular Fire Dancing/Drumming session that went on until the wee hours, leaving us all feeling well connected to Mother Earth and all Her gifts.
On Saturday the 7th Street Showcase kicked off the Village Stage, bringing out Jr. Toots (the son of legendary Toots Hibbert from Maytals fame), Irae Divine, Guyana-born Arkaingelle, Puerto Rico's Malika Madremama, Empress Isheba, Binghi Ghost, and Itaweh, all backed by NorCal's finest Reggae band, the 7th Street Band. This showcase mashed it up!!
Unfortunately, the Valley Stage drew us away again, and we missed the long anticipated performance of Australian- based Saritah, discovered in Australia by long time Reggae agent George Michailow of Fastlane International, who has represented some of the top Reggae acts in the world. Her sweet presence rocked the audience with her loving vibes. George was also representing Taj Weekes and Kora from New Zealand this weekend. We also missed Thomas Mapfumo, one of our favorite African artists.
On the Valley Stage it was back to old school as SoCal’s The Expanders brought forward their scorching rockers sound in a retro stylee. Great sounds from this great 70's style group. It soon became a Rocksteady day as The Cables, a classic Jamaican group made up of vocalists Keble Drummond, Elbert Stewart, and Vince Stoddart, were reunited on the Valley Stage as if time had stood still. They performed their hits, including "Baby Why" and What Kind of World," thrilling the crowd with a vibe that took them back to the days when Kingston was the heartbeat of the music.
Romain Virgo followed suit and turned up the heat with a hot and sweaty Lover's Rock set. He showed everyone why he was the winner of the Digicel Rising Stars competition in 2007. And - Terri Larsen & Saundra Torres, Reggae Report - 2011