Erik Brandt / Urban Hillbilly Quartet
Saint Paul, Minnesota, United States | Established. Jan 01, 1995 | INDIE
Music
Press
“Brandt and his supporting cast of collaborators certainly throw their stylistic net far and wide with this collection, taking in sweet 'n' sharp power-pop with a Jayhawk-esque slant on opener ‘Greater Than’, to crunchier country rock on ‘Don’t Let It Happen To You’, to the fairly standard low-slung Blues-Rock of ‘Anywhere But Here’. But even by these standards, the hushed bluesy jazz of ‘Thoughtless’ (including clarinet solo) near the album's close is a curveball that somehow pays off well.” Ian Fildes. Americana-uk.com. April 2012 - Americana-uk.com
“If superlatives come strong enough to do master singer-songsmith Erik Brandt’s
The Long Winter (House of Mercy Recordings) justice, they escape this reviewer.
Long-time head honcho of storied veterans the Urban Hillbilly Quartet, Brandt pulls
off a true tour de force with ingenious, eclectic originality, some of strongest songwriting you’re likely to ever come across. … Bottom line, the man is a musician’s musician.
Erik Brandt’s The Long Winter is one of those rare finds you’re going to find yourself yammering about to friends, family, and anyone else you can get to still long
enough to listen.”
Dwight Hobbes. Tcdailyplanet.net Mar 2012 - tcdailyplanet.net
“If superlatives come strong enough to do master singer-songsmith Erik Brandt’s
The Long Winter (House of Mercy Recordings) justice, they escape this reviewer.
Long-time head honcho of storied veterans the Urban Hillbilly Quartet, Brandt pulls
off a true tour de force with ingenious, eclectic originality, some of strongest songwriting you’re likely to ever come across. … Bottom line, the man is a musician’s musician.
Erik Brandt’s The Long Winter is one of those rare finds you’re going to find yourself yammering about to friends, family, and anyone else you can get to still long
enough to listen.”
Dwight Hobbes. Tcdailyplanet.net Mar 2012 - tcdailyplanet.net
“Giving himself the freedom to explore all possibilities, St. Paul, Minnesota
singer/songwriter Erik Brandt lets go with his eclectic, third solo project, “The Long Winter.” The frontman for the Urban Hillbilly Quartet steps out here with his own
dark-but-hopeful blend of folk, country, rock ‘n’ roll and jazz.”
Janet Goodman. Music News Nashville. April 2012
- Music News Nashville
“Giving himself the freedom to explore all possibilities, St. Paul, Minnesota
singer/songwriter Erik Brandt lets go with his eclectic, third solo project, “The Long Winter.” The frontman for the Urban Hillbilly Quartet steps out here with his own
dark-but-hopeful blend of folk, country, rock ‘n’ roll and jazz.”
Janet Goodman. Music News Nashville. April 2012
- Music News Nashville
These concrete jungle hayseeds from the wind-whipped plains of St. Paul are fervent eclectics, liable to wander into funk, Arabic, or Irish music at the drop of a hi-hat. But their true allegiance is to bands like the Flying Burrito Brothers and their descendents, who like to mash together country, bluegrass, and rock n’ roll.
- CITY PAGES, Rick Mason
These concrete jungle hayseeds from the wind-whipped plains of St. Paul are fervent eclectics, liable to wander into funk, Arabic, or Irish music at the drop of a hi-hat. But their true allegiance is to bands like the Flying Burrito Brothers and their descendents, who like to mash together country, bluegrass, and rock n’ roll.
- CITY PAGES, Rick Mason
Amelia’s Boot is a gem of an album. If Brandt and UHQ continue to make these kinds of evolutions, I have no doubt that we’ll soon be brandishing words like“masterpiece” and drawing comparisons with albums like Fisherman’s Blues.”
- PASTE MAGAZINE, Tim Porter
Amelia’s Boot is a gem of an album. If Brandt and UHQ continue to make these kinds of evolutions, I have no doubt that we’ll soon be brandishing words like“masterpiece” and drawing comparisons with albums like Fisherman’s Blues.”
- PASTE MAGAZINE, Tim Porter
The name says it all. Erik Brandt & the Urban Hillbilly Quartet are the new face of Americana. This isn’t Willie Nelson’s weary lullaby of rural American. No, this is Ben Folds fronting Uncle Tupelo. And it rocks. While the Urban Hillbilly’s love for pure country music is obvious, their sound doesn’t quite fit the conventional canon. Highly recommended for fans of The Court and Spark’s eccentric twang or Wilco’s rustic experimentation.
- SHUT EYE (Atlanta, GA) Ryan Hoffer
Totally devoid of any cliché. Roots music at its best and refreshment for my ears!...9 out of 10 stars
- CROSSRHYTHMS MAGAZINE (UK) Mike Rimmer
The name says it all. Erik Brandt & the Urban Hillbilly Quartet are the new face of Americana. This isn’t Willie Nelson’s weary lullaby of rural American. No, this is Ben Folds fronting Uncle Tupelo. And it rocks. While the Urban Hillbilly’s love for pure country music is obvious, their sound doesn’t quite fit the conventional canon. Highly recommended for fans of The Court and Spark’s eccentric twang or Wilco’s rustic experimentation.
- SHUT EYE (Atlanta, GA) Ryan Hoffer
In Minneapolis Erik captains the Urban Hillbilly Quartet, whose Amelia’s Boot is split between jazz-fusion bluegrass hippie jams and alt-country....In “Need to Love” he raps clumsily with soul sisters behind him; in “100 Years,” his doomsday-warning voice sounds a whole lot like Bruce Cockburn.
- VILLAGE VOICE (NYC)
In Minneapolis Erik captains the Urban Hillbilly Quartet, whose Amelia’s Boot is split between jazz-fusion bluegrass hippie jams and alt-country....In “Need to Love” he raps clumsily with soul sisters behind him; in “100 Years,” his doomsday-warning voice sounds a whole lot like Bruce Cockburn.
- VILLAGE VOICE (NYC)
UHQ pushes Americana’s boundaries beyond breaking point on “Amelia’s Boot”, throwing smoky jazz, funk and even punk doo-wap into the brew.
- AMERICANA-UK.COM Peter Bate
UHQ pushes Americana’s boundaries beyond breaking point on “Amelia’s Boot”, throwing smoky jazz, funk and even punk doo-wap into the brew.
- AMERICANA-UK.COM Peter Bate
Erik Brandt of the Urban Hillbilly Quartet introduces his excellent new solo album, Green Eyed Alone—a warm and engaging disc which has great potential to find an audience outside the normal alt-country circles.
March 2006
- PIONEER PRESS (St Paul, MN) Ross Raihala
Erik Brandt of the Urban Hillbilly Quartet introduces his excellent new solo album, Green Eyed Alone—a warm and engaging disc which has great potential to find an audience outside the normal alt-country circles.
March 2006
- PIONEER PRESS (St Paul, MN) Ross Raihala
Another CD from the House of Mercy that oozes heart, Erik Brandt of the Urban Hillbilly Quartet is issuing his first bona-fide solo disc Green Eyed Alone. Echoing the Jayhawk’s piano-fueled twang-pop, the album incudes a lot of Brandt’s UHQ cohorts and guest vocals from Tim O’Reagan.
March 2006
- STAR TRIBUNE (Minneapolis) Chris Riemenschneider
Another CD from the House of Mercy that oozes heart, Erik Brandt of the Urban Hillbilly Quartet is issuing his first bona-fide solo disc Green Eyed Alone. Echoing the Jayhawk’s piano-fueled twang-pop, the album incudes a lot of Brandt’s UHQ cohorts and guest vocals from Tim O’Reagan.
March 2006
- STAR TRIBUNE (Minneapolis) Chris Riemenschneider
One of the best albums this year is already out, but you probably haven’t heard of theartist behind it: Erik Brandt. Green Eyed Alone is the singer-songwriter’s first solo album,
and though I’ve enjoyed his work for years as the front man of the Urban Hillbilly Quartet, his latest is definitely his best.
- SOUTH COUNTRY CHRONICLE (VA) Rob Blackwell
Erik Brandt, singer/multi instrumentalist with the Urban Hillbilly Quartet, skillfully spans a range of genres as broad as his travels—from Oakland, Calif., to British pubs to Australia. Brandt’s vocals, at times fiery and at others plaintive and haunting, melancholy piano and quirky songwriting make for a great CD accessible to everyone.”
March 2006
- THE PULSE (Minneapolis/St Paul) Cyn Collins
One of the best albums this year is already out, but you probably haven’t heard of theartist behind it: Erik Brandt. Green Eyed Alone is the singer-songwriter’s first solo album,
and though I’ve enjoyed his work for years as the front man of the Urban Hillbilly Quartet, his latest is definitely his best.
- SOUTH COUNTRY CHRONICLE (VA) Rob Blackwell
Discography
1997: Living in The City (Fundamental/Hymn 13)
1998: St. Paul Town (Fundamental/Hymn 16)
1999: Beautiful Lazy (Fundamental/Hymn 19/TrueTunes Records)
2000: Lanky But Macho (Independent)
2001: Hot and Now (Bert Records)
2002: (Erik Brandt & UHQ) Amelias Boot (Fundamental 1 A.D.)
2003: The A-List (Fundamental 2 A.D.)
2006: Green Eyed Alone (Mercy Recordings)
2008: Bring in the Sails (Mercy Recordings)
2009: Sometimes (Mercy Recordings)
2012: The Long Winter (House of Mercy Recordings)
Distribution
United States: Electric Fetus (Mpls, MN) 1-800-328-5034
Internet: PasteMusic.com
Photos
Bio
"The Long Winter by Erik Brandt is a beautiful album. What really blows my mind and influenced my thinking is the continuity of the performance.
A "must buy" album."
John Shelton Ivany. May 2012
Erik Brandt has been the ringleader of the award-winning eclectic Twin Cities-based Urban Hillbilly Quartet since 1995. By night, he plays music. By day, he teaches English and Journalism at Harding High School in St. Paul. Hes played in venues all over the USA, Canada, Australia, and on various street corners throughout Europe. Hes also taught high school Shakespeare, rudimentary grammar, haikus and standardized test prep.
On stage, Erik performs mainly original material drawn from the Americana vein. Most of his original tunes can be found on the eight albums hes recorded with the UHQ and his three solo albums, including his latest, The Long Winter. When choosing covers, he pulls liberally from the catalogs of Bob Dylan, Big Bill Broonzy, Johnny Cash, and other Americana heroes. As a multi-instrumentalist, Erik switches between acoustic guitar, piano and accordion during performances.
His music has been influenced by and compared to: Americana powerhouses The Jayhawks, Gillian Welch, and Uncle Tupelo; Georgias Vigilantes of Love; Britains The Waterboys; Australias Paul Kelly; Canadas Bruce Cockburn; and folk/jazz pioneers David Grisman, Paris Combo and Tin Hat Trio.
Though Erik mostly performs solo, he is often joined by guests from UHQ and other bands on stage. The combination of his different instruments, songwriting talent and musical guests makes his live performances dynamic and unique.
His music has been influenced by and compared to: Americana powerhouses The Jayhawks, Gillian Welch, and Uncle Tupelo; Georgias Vigilantes of Love; Britains The Waterboys; Australias Paul Kelly; Canadas Bruce Cockburn; and folk/jazz pioneers David Grisman, Paris Combo and Tin Hat Trio.
Though Erik mostly performs solo, he is often joined by guests from UHQ and other bands on stage. The combination of his different instruments, songwriting talent and musical guests makes his live performances dynamic and unique.
See more photos, live footage & download free songs at www.ErikBrandt.com
Band Members
Links