Sheb Schwae

Here are some comments radio listening fans have made about these tracks: “bark allahu feek (May God bless you). Let them know”, “ The message is good. I hope a lot of people will actually get the chance to listen to this piece of music. Thumbs up. ” “gud”, “ love it...educate the people through music...blessed! ” , “well done”, “ NICE ” “ GREAT”, “sure enough”, “big up”, “blessings” Wow. Wonderful, the message. Create the melody to have people enjoy the music ” ; “ better ”, “ p ”, “ yas ”, “ good music ”, "Creative..." . “ I live in KSA now. Thanks for the accurate message! Wish all of USA could hear this. Nick. ” “ Barak Allah fikum, Keep up the good work... Ramadan Kareem.” “ Strength in Music.” - radio airplay from the CD's WE GO DEAL WITH THE SYSTEM 2 & THE LAST CRUSADES

Wayne State University, MI
Wayne County Community College, MI
The University of Michigan, MI
Western University, MI
Oakland University, MI
Detroit Museum of African American History, Detroit MI
African World Festival, MI
Arab Festival, Dearborn MI
Ferris State University, MI
Oklahoma State University
DeAnza College, CA
Dennison State University, OH
Alabama State University
University of Kentucky
Amarilo College, TX
Lamar University, TX
Prairie View A&M University TX
Georgetown University, District of Columbia
College Music Journal Awards NYC 2004
Danville College, Danville Virginia
Aims Community College, Greeley Colorado
California State University Monterey
George Mason University, Virginia - A.B. Juttie

Rodney SaulsberryOctober 1, 2010 at 4:12pm
Re: Hampton talent show featuring Sheb Schwae & headling the show Rodney Saulsberry
Abdullah,

Thanks for sharing your music. I really like Real Love, "how love can fool you when you're so involved" is a great line. I also like, We Go Deal With the System. I didn't know you were so in touch with Stevie Wonder, you can definitely hear his influence your voice. I'm also hearing some Smokey. Great music man!

- FACEBOOK 10/1/10

Mike Julien DJ at WDET FM Detroit, Michigan August 20, 2010
Re: Sheb Schwae
Hey man, I think the tracks are solid, as usual, quality production and relevant lyrics. I like Track # 3, it will be in my mix on 8/29, the final Global Mix program. I'm talking with wdet about some special mixes so I will keep you in the mix.

- Facebook/ 8/20/10

Sheb Schwae brings a sweet and soulful approach to his vocal on We Go Deal (With the Sytem) 2 (Urban Ramses Style) with vocals reminiscent of Curtis Mayfield and snappy Makah Rhythm Tribe backing that includes dub effects, a cappella harmony and keyboard-dominated riddims. Pop, disco, reggae and r&b elements combine on songs like "Dancehall Style". "Real Love" and "I Found That Girl" with "Moroccan chants" interludes, bonus urban, English and Arabic remixes and dubs galore. Graphics and interview material relate to the accomplishments of the "United States Colored Troops and Buffalo Soldiers" of the Civil War era and its implications manifest today. (e-mail: salahadin26@hotmail.com) - The Beat Magazine VOL 23 #3 2004

"We Go Deal (With the System)" is the title of the new album for Schwae & the Makah Rhythm Tribe, produced by MRT (Makah Rhythm Tribe), Harold Coker, Kevin Logan & Bryan Wright. Stylistically the music is West Indian, and the album is dedicated to Black soldiers who fought, and in many cases died, in the Civil War-The United States Caolored Troops (USCT). The songs, however are generally not political. They include "I Can Make You Dance," Lover Girl," Rock Steady" and the title cut. - THE MICHIGAN CHRONICAL ENTERTAINMENT June 7, 1994 Reflections by Steve Hosley

Last is Schwae and the Makah Rhythm Tribe with Abdullah Muschwae Schwae Bin Juttie on lead vocals and background vocals Kevin Logan. The group has been together since 1981 and their latest release is WE GO DEAL WITH THE SYSTEM. Dressed in Union soldiers uniforms on cd cover, the project is in recognition of the 131st anniversary of the African-American soldiers who fought in the Civil War to liberate their brethern from slavery.

The Tribe commmences with "I Can Make You Dance," a blend of upbeat urban top 40 and reggae, showcasing Schwae's veritable singing ability. The title cut contains Malcom X speech excerpts to combine raw truth with a solid bass leading the groove. Of course being from Detroit, they do the Motown hit "Ain't That Peculiar." - The Beat Magazine VOL 13 #5. 1994

WE GO DEAL (With the System)-Schwae and the Makah Rhythm Tribe (URS): This is hands down the best ever reggae recording ever by a Detroit group, although the Tribe is now basically the project of singer-drummer Muschwae Schwae. The opening piece, "I Can Make You Dance," has a bouncing groove that proves its title. True to the muic's roots, Schwae displays excellent R&B vocals over bouncing Caribbean rhythms. His able rendering of Marvin Gaye's "Ain't That Peculiar" and falsetto on "Dance Hall Style" prove that Schwae can flat-out sing. But the strength of "Deal" is more the mix of styles, from the upbeat soca of "Down At the Beach" to the rock steady of "Summer Dub". Too often reggae bands lay in the same groove too long; Schwae sees to it the groove never becomes a rut. "Deal" showcases a deserving talent with some popping part grooves. - Larry Gabriel The Detroit Free Press May 23, 1994

This CD is an interesting blend of African Diaspora sounds of Reggae, R&B, Caribbean African and Arabic lyrics with R&B rhythm tracks. The production quality is refined and well produced. Vocally Sheb Schwae provides a variety of influences from his Motown roots, Middle Eastern attraction to love songs sung in Arabic, dance hall, lovers rock and styles lamenting the tribulations of the African Diaspora experience in "WE GO DEAL WITH THE SYSTEM" the title track describes the persecution, oppression, and need for reparations from the Colonial powers who raveged Africa through the Slave trade and illustrating through song how it's humiliating effects have impacted and rendered the African Diaspora from South America, through the Caribbean and North America. "WE GO DEAL WITH THE SYSTEM" is a call for building pride and greater self esteem in the face of racial adversity. Other tracks play to the genre of love songs, songs of pain, and having a good time with "DOWN AT THE BEACH, I CAN MAKE YOU DANCE, DANCE HALL STYLE"...... - A Kid

By Stewart Francke

Marley's ghost still moves

Detroit's first reggae explosion was prompted by a pair of 1978 concerts by Bob Marley, one at Cobo Hall, the other a lengendary Masonic Temple show. Despite his death in 1981, Marley remains reggae's defining influence. As many of the performers involved in tonight's awards will attest, his style of arrangement is still as highly valued as his strident political stance.

For Schwae, those Marley concerts were catalysts to a new commitment. Seeing Bob Marley played a huge part in me adopting reggae music, " he says. "So much of this music is in observation and fraternizing-that's how you learn to make it. "

I've been in Jamaica and met a lot of the high-profile musicians, but I've lived here since reggae's incubation in 1978. I grew up here, so I have an affinity for Motown music. But reggae's duty is to consciousness.

" The Makah Rhythm Tribe's 1994 CD, We Go Deal (With the System), is a case in point. A salute to blacks who served in the U.S. Civil War, along the lines of Marley's "Buffalo Soldiers," it is considered the best recording ever made by a Detroit group.

"I hope this awards show brings unity among the groups. It's rough being a reggae artist here. It's a big step for O.C. to do this." Schwae, the leader of the Makah Rhythm Tribe, agrees: "We need more credibility and logevity. This awards show can attain recognition and acceptance for reggae in Detroit. All of these groups are taking the time to recognize the accomplishments of other groups. It confirms our commitment to the proliferation of reggae music in Detroit." - The Detroit News 10/7/1994

Bryan,

I would like to thank you and your band Schwae & The Makah Rhythm Tribe for performing at Oakland University for Reggae Night. Your performance was very energetic, and it was overall a real crowd pleaser. Although the audience was small, those who did attend had an excellent time. Everyone enjoyed listening to as well as dancing to the music of The Makah Rhythm Tribe.

The Oakland University Student Program Board is committed to providing diverse entertainment that will appeal to a wide range of students, and the performance of The Makah Rhythm Tribe did a superb job in covering this aspect of programming. Your band's performance at Reggae Night was an excellent addition to Oakland University's African American Celebration Month. The performance attracted a very diverse group of students, and good time was had by all who attended.

Lastly, I would like to say that before contracting your group, I had listened to the demo tapes of several other local reggae bands, as well as bands that belong to NACA, and the talent of your group soared above and beyond that of any of the other Reggae bands I had listened to. Thank you for an excellent performance!!

Sincerely,
Kelly Schehr
Concert/Dance Chair
Student Program Board - Kelly Schehr Concert/Dance Chair Student Program Board May 3, 1994 Oakland University

6/5/2005


To Whom It May Concern:

Mr. Abdullah Bin Juttie, aka "Sheb Schwae " leader is the Makah Rhythm Tribe Band, is an accomplished musician who emphasizes the "dance-hall style" raggae format that encompasses "old school classics" as well as original compositions. He and his group performed for the Office Of Multicultural Affairs Spring Picnic before a crowd of approximately 400 people. The music was well received and greatly enlivened the ambiance of the occasion.

A dedicated historian and interculturalist, Mr. Juttie incorporates historical themes and messages into his musical offerings. This is done in a multicultural format that attempts to educate as well as entertain. All the while, his demeanor is professional yet engaging as he wishes to learn as much as possible about seemingly divergent cultures.

Mr. Juttie is well grounded in the anatomy of the music business and quite easy to work with. He is punctual and courteous, unlike other musical talents I have had to work with over the years. Therefore, I am happy to recommend Mr. Juttie and the Makah Rhythm Tribe Band for your consideration for musical entertainment.

Repectfully,
Lee E. Williams, 2 PH.D
Professor of History Director, Multicultural Affairs - Lee E. Williams PH.D Professor of History Director Multicutural Affairs

This CD is an interesting blend of African Diaspora sounds of Reggae, R&B, Caribbean African and Arabic lyrics with R&B rhythm tracks. The production qaulity is refined an well produced. Vocally Sheb Schwae provides a variety of influencess from his Motown roots, Middle Eastern attraction to love songs sung in Arabic, dance hall, lovers rock and styles lamenting the tribulations of the African Diaspora experience in "WE GO DEAL DEAL WITH THE SYSTEM " the title track describes the pursecution, oppression, and the need for reparations from the Colonial powers who raveged Africa through the slave trade and illustrating through song how it's humiliating effects have impacted and rendered the African Diaspora from South America, through the Caribbean and North America. We Go Deal With The System is a call for building pride and greater self esteem in the face of racial adversity. Other tracks play to the genre of love songs, songs of pain, and having a good time with "DOWN AT THE BEACH, I CAN MAKE YOU DANCE, & DANCE HALL STYLE" all these tracks stir the emotions of let's forget about the strife in our lives and enjoy the love with in the rhythms we create. - Tropic/Amazom sales Customer rating 75% May 23, 2003

Dear Brian,

Outstanding, energetic, awesome, and dynamic. These are just a few of the words used by students and faculty to discribe Schwae and the MakahRhythm Tribe's performance here last Thursday. During my time here at Wayne State, we have never hosted a group with your level of professionalism and enthusiasm. This concert will definitely be talked about for months, possibly years to come. Thank you for everything, and good luck with your career.

Sincerely:
Chris Cahill - Chris Cahill, October 12, 1993 WSU Divsion of Student Affairs, Program Activities

Sheb Schwae brings a sweet and soulful approach to his vocals on "WE GO DEAL WITH THE SYSTEM 2" (Urban Ramses Style Records) with vocals reminiscent of Curtis Mayfield and snappy Makah Rhythm Tribe backing that includes dub effects acapella harmony and key-board dominated riddims. Pop, Disco, Reggae and R&B combine on songs like "Dance Hall Style, Real Love and I Found That Girl" with "Moroccan Chant" interludes, bonus urban English & Arabic remixes and dub galore. Graphics and interview material relate to the accomplishments of the "United States Colored Troops and Buffalo Soldiers" of the Civil War era and implications manifest today. - The Beat vol 23 # 3, 04

This is Sheb Schwae's best work according to one of his producers Kevin Logan. The quality of this recording soars far above his previous works. The name of the CD is titled "THE LAST CRUSADES". The CD is a double set CD. There are 18 tracks nine on each CD. The tracks are a mix of songs of derision (protest) and songs of love and heart ache. His mentors from the Reggae world include: Bob Marley, Peter Tosh, Gregory Issac, Dennis Brown, Bunny Rugs Third World, Aswad, Steel Pules, Maxi Priest. And the Motown organization includes: Smokey Robinson, David Ruffin, Eddie Kendricks, Marvin Gaye, Stevie Wonder, The Four Tops featuring Levi Stubbs. - Urban Style Records