INVERTA

orie, Chris & Shawn, the trio of professional musicians who have come together to form their dream group, answer questions about standing alone as a 3 piece, auditions for that possible 4th member, and their plans for licensing the unnamed songs.

Inverta has reviewed over 600 digital resumes from potential singers and auditioned 100. Has anyone ever had their feelings hurt or felt dissed by not being asked to join the group?
Going though this process for the last two years, overall, has been a very positive experience for us. The guys and I have met a lot of cool people, spent time with them, and come to know them really well. In some cases, we’ve become good friends and still keep in touch regularly. We’ve had the chance to hear from all around the world which has allowed us more insight to different cultures and beliefs in regard to music. Even though we’ve spend a lot of time and haven’t found the right person yet, we’ve still come out ahead with new relationships and feedback that has helped us to streamline the process. Most of the time, the auditioners have been very respectful and have thanked us for our serious consideration.

That’s not to say that we haven’t had our bad days. Though few, there have been times when a singer has taken this audition process too seriously and has reacted inappropriately. We’ve had people who contacted us that initially came across as cool, normal and genuine, to then, after we heard their demo and having to tell them ‘Good job but, it’s not what we are looking for’, go completely nuts and tell us we’re assholes and our music sucks. They’ve taken our music (with thier vocals on it) and started to shop it around their area, making deals and promoting as if they were already part of the band. We’ve had to stomp on the brakes a few times.

We’re very fortunate to have the internet and technology to meet these people out there, but in some cases, there is a physical distance that we’re sensitive to. We understand that this opportunity means a lot for artists. For some of them, it means a new life or a change of pace and venue, putting a lot of pressure on themselves. For us, it’s just about what sounds good. We’ve had to find a balance between being truthful to the auditioners and having respect for their art which may or may not fit in with ours, understanding that they might take it personally. We’ve found ways to prevent this by finding positives in their singing choices or giving them feedback to help them with their future endeavors.

Until the right person for the front person position is brought on, how do you stand as a band?
We consider ourselves a power-trio band of instrumentalists seeking a vocalist as another instrument. The songs have been written in a way to accommodate vocals with slight adjustment, but they can also stand by themselves. We’ll continue to audition potential singers, write and record new material, and perform live as a three-piece.

Is it just about skill and talent?

This is a very difficult task and probably the most important decision we’re ever going to have to make as a band. At this stage of the game, we’d love to tell you it’s more important that the singer be good-looking or have great stage presence. Yes, it’s about skill, talent and most of all… style. Everyone always comes in looking great, speaking well and there’s no reason to believe you won’t get along. It doesn’t mean anything if the vocals don’t fit with the music. It’s just that simple. To us, vocals that fit at least show skill and ability. They also exhibit talent which comes from training and experience. The road block usually happens with style. Being a progressive band, we’re not concerned with going backwards. We want the vocals to sound modern and unique. All of the demo tape we have with Jim Morrison, Scott Stap, Chris Cornell and Amy Lee on them, have been reused as Christmas gift-wrapping.

Have you always been in full accord over if someone might be ‘the one’, or has there been a day when one or more of you has been like ‘this is it!’ and the other(s) said ‘what are you thinking? He is NOT the one.’?

There really hasn’t been a time when we’ve strongly disagreed individually about any aspect of the band. I know that sounds uncommon, but we have a great relationship and good communication with each other. We voice our opinions about everything and we’ve been lucky that we respect each other enough to listen, knowing that it’s important and comes with the best of intentions. Vocalist decisions have been unanimous. If we had some doubt, we usually brought the vocalist in for a second or third time. That gives everyone more than enough time to feel confident in their decision.

The band truly has no preference between a male and female singer?

We don’t want to limit ourselves with the notion the right vocalist has to be male. Its possible the right vocalist could be female but most likely, it will be a dude. We - Kate Davenport - Adequacy Magazine

orie, Chris & Shawn, the trio of professional musicians who have come together to form their dream group, answer questions about standing alone as a 3 piece, auditions for that possible 4th member, and their plans for licensing the unnamed songs.

Inverta has reviewed over 600 digital resumes from potential singers and auditioned 100. Has anyone ever had their feelings hurt or felt dissed by not being asked to join the group?
Going though this process for the last two years, overall, has been a very positive experience for us. The guys and I have met a lot of cool people, spent time with them, and come to know them really well. In some cases, we’ve become good friends and still keep in touch regularly. We’ve had the chance to hear from all around the world which has allowed us more insight to different cultures and beliefs in regard to music. Even though we’ve spend a lot of time and haven’t found the right person yet, we’ve still come out ahead with new relationships and feedback that has helped us to streamline the process. Most of the time, the auditioners have been very respectful and have thanked us for our serious consideration.

That’s not to say that we haven’t had our bad days. Though few, there have been times when a singer has taken this audition process too seriously and has reacted inappropriately. We’ve had people who contacted us that initially came across as cool, normal and genuine, to then, after we heard their demo and having to tell them ‘Good job but, it’s not what we are looking for’, go completely nuts and tell us we’re assholes and our music sucks. They’ve taken our music (with thier vocals on it) and started to shop it around their area, making deals and promoting as if they were already part of the band. We’ve had to stomp on the brakes a few times.

We’re very fortunate to have the internet and technology to meet these people out there, but in some cases, there is a physical distance that we’re sensitive to. We understand that this opportunity means a lot for artists. For some of them, it means a new life or a change of pace and venue, putting a lot of pressure on themselves. For us, it’s just about what sounds good. We’ve had to find a balance between being truthful to the auditioners and having respect for their art which may or may not fit in with ours, understanding that they might take it personally. We’ve found ways to prevent this by finding positives in their singing choices or giving them feedback to help them with their future endeavors.

Until the right person for the front person position is brought on, how do you stand as a band?
We consider ourselves a power-trio band of instrumentalists seeking a vocalist as another instrument. The songs have been written in a way to accommodate vocals with slight adjustment, but they can also stand by themselves. We’ll continue to audition potential singers, write and record new material, and perform live as a three-piece.

Is it just about skill and talent?

This is a very difficult task and probably the most important decision we’re ever going to have to make as a band. At this stage of the game, we’d love to tell you it’s more important that the singer be good-looking or have great stage presence. Yes, it’s about skill, talent and most of all… style. Everyone always comes in looking great, speaking well and there’s no reason to believe you won’t get along. It doesn’t mean anything if the vocals don’t fit with the music. It’s just that simple. To us, vocals that fit at least show skill and ability. They also exhibit talent which comes from training and experience. The road block usually happens with style. Being a progressive band, we’re not concerned with going backwards. We want the vocals to sound modern and unique. All of the demo tape we have with Jim Morrison, Scott Stap, Chris Cornell and Amy Lee on them, have been reused as Christmas gift-wrapping.

Have you always been in full accord over if someone might be ‘the one’, or has there been a day when one or more of you has been like ‘this is it!’ and the other(s) said ‘what are you thinking? He is NOT the one.’?

There really hasn’t been a time when we’ve strongly disagreed individually about any aspect of the band. I know that sounds uncommon, but we have a great relationship and good communication with each other. We voice our opinions about everything and we’ve been lucky that we respect each other enough to listen, knowing that it’s important and comes with the best of intentions. Vocalist decisions have been unanimous. If we had some doubt, we usually brought the vocalist in for a second or third time. That gives everyone more than enough time to feel confident in their decision.

The band truly has no preference between a male and female singer?

We don’t want to limit ourselves with the notion the right vocalist has to be male. Its possible the right vocalist could be female but most likely, it will be a dude. We - Kate Davenport - Adequacy Magazine

A new group of musicians is going viral in search of members. Leading the trend, Los Angeles-based INVERTA is seeking a lead singer, and they are using all means possible to get one. - Performer Magazine

A new group of musicians is going viral in search of members. Leading the trend, Los Angeles-based INVERTA is seeking a lead singer, and they are using all means possible to get one. - Performer Magazine

Quickly, you gonna to be familiar with them. Definitely. It is a name to remember. Based in Los Angeles, this instrumental trio composed of Shawn Lickliter (Guitars), Chris Dunn (Bass & Guitars) and Rorie D. Van Klaveren delivers a magnificent mixture of powerful hard rock and metal music. It is highly quality like Apocalyptica but they do not use cellos. Their weapons are bass, guitars, drum and percussion used brilliantly. They already released two fantastic digital Albums Anthemic and Thaeda.
Imagine bass lines totally perceptible. Yeah ! this is possible like Tien or Twee and the rest of their songs. The guitar playing is remarkable and deserves the respect of the Avid Metal listeners like Nul or Elf. Their music is deep with blasting guitars and harmonious like Drie. The use of every instrument is impeccable and subtle. The music is not generic but incredible like Vier and Zes which are masterpieces and a musical treasure for music lovers. The musicienship is a far excellent. You really feel this fusion between every instrument like Twee or Acht. It is impeccable and subtle. Real magicians. The structure of tracks is rich. All the songs have a strong unified sound (it is a rarity) like Negen and Vijf and worth listening to. Inverta is by far, one of new best instrumental piece of hard rock and Metal music put together. If you love the instrumental side of Apocalyptica, Inverta will not leave you indifferent. Respect , enjoy and highly recommended. - Sylvie Lesas, Evigshed Magazine

Quickly, you gonna to be familiar with them. Definitely. It is a name to remember. Based in Los Angeles, this instrumental trio composed of Shawn Lickliter (Guitars), Chris Dunn (Bass & Guitars) and Rorie D. Van Klaveren delivers a magnificent mixture of powerful hard rock and metal music. It is highly quality like Apocalyptica but they do not use cellos. Their weapons are bass, guitars, drum and percussion used brilliantly. They already released two fantastic digital Albums Anthemic and Thaeda.
Imagine bass lines totally perceptible. Yeah ! this is possible like Tien or Twee and the rest of their songs. The guitar playing is remarkable and deserves the respect of the Avid Metal listeners like Nul or Elf. Their music is deep with blasting guitars and harmonious like Drie. The use of every instrument is impeccable and subtle. The music is not generic but incredible like Vier and Zes which are masterpieces and a musical treasure for music lovers. The musicienship is a far excellent. You really feel this fusion between every instrument like Twee or Acht. It is impeccable and subtle. Real magicians. The structure of tracks is rich. All the songs have a strong unified sound (it is a rarity) like Negen and Vijf and worth listening to. Inverta is by far, one of new best instrumental piece of hard rock and Metal music put together. If you love the instrumental side of Apocalyptica, Inverta will not leave you indifferent. Respect , enjoy and highly recommended. - Sylvie Lesas, Evigshed Magazine

Initially it’s easy to take a band with no vocals or lyrics less seriously, think they aren’t ready or complete without a front person – Inverta is not one of those bands. This is a band ready made for a professional front person to step into. And until then, they stand complete as an instrumental act, playing legitimate venues to substantial crowds, both locally and regionally. This band already has quality recordings, social networks set up, a management and publicity team, and a sense of who they are and where they want to be as musicians and as a band. They aren’t simply searching for a vocalist to stick into a formed slot, they are actively searching for a professional front person who is prepared on every level to complete Inverta. The job opening is not for an armature. The qualifications requirements are lined out in detail. Headshots, resumes, and vocal samples a must have.

Inverta music has an epic, stadium quality that will carry them over,. The sound is big, complex and intricate. Guitarist Shawn Lickliter answers questions about the bands future.

Q. It sounds like you guys have a lot of explaining to do: New band
name; song title changes; and high quality recordings on your site –
with no vocals.

Can we start with the name change?

A. Sure. The name change reflects our current position as musicians.
New material and sound that we felt warranted change. We continue to
grow musically as individuals as well as a group and we thinks it’s
important to not reinvent ourselves, but evolve. Evolution warrants
change.

Q. inverta is sans vocalist so far. Your myspace site gives
unprecedented details on what you are looking for in a singer. The
details of what you are and aren’t looking for must really help weed
out the randoms and the less experienced artists. How is the search
going?

A. Well we still have a spot open which is ok. The three of us have a
particular vision and really don’t want to settle on just anyone. We
know that our basic requirements can seem intimidating. It comes
from years of playing in bands, having close relationships
with people and being a professional in the music business. If you break it
down, it’s simple. If you want to participate, you have to bring the goods.
The music is challenging and it’s going to take a lot of commitment and concentration.
It’s important because it produces results we can be proud of. Some
guys and girls have come in and absolutely killed it on a couple of tracks, but
just haven’t worked out to a cohesive compromise. We’re looking for another
instrument that’s complimentary to what we are writing and take us to another
level. It can be difficult at times when co-writing with a potential vocalist who
doesn’t share our vision.

Q. The songs have no set lyrics written for them then? The artist who
becomes your front person will provide the lyrics to go with the songs?

A. Yes, unless it is agreed that we write them together. We prefer that
the vocalist write their own lyrics and melodies. Its about the art of
creation as opposed to us telling them what to do. We definitely want
someone who can contribute and collaborate with the music.

Q. How do you feel like this sets you up to find a front person rather
than just a singer?

A. We feel it challenges vocalists to think outside the box a bit.
Sure we want to be heard and sell records, but I think its important
to own your individualism. It’s about skill, talent, and style. Everyone that
auditioned came in looking great and there’s no reason to believe we
wouldn’t get along with them. It doesn’t mean anything if their vocal style doesn’t
fit with our music. We want the vocals to sound modern
and unique.

Q. Where do you come up with the song names? Someone have a boggle game
you use or….?

A. Ha ha!! They’re not really meant to be titles, but more of a call
sign so we can identify them. We apologize for sounding so mysterious.
It’s a long story, but we assure you, there’s a good reason for the
song titles as they are. We think it’s best for the audience to come up
with their own conclusion.

Q. The songs have a stadium quality to them. Do they translate well
into smaller venues and clubs?

A. We hope they do! There is something special about playing smaller
venues and clubs. Its so much more intimate and personal. We want
to connect with the audience. Stadiums are cool in their own way, but we
sometimes feel the music escapes through the roof before it connects with
the listener.

Q. Do you currently play out with the music as is? Would you?

A. We are currently performing certain songs live. We consider ourselves
a power-trio band of instrumentalists seeking a vocalist as another instrument.
The songs were composed with vocals in mind and we are willing to adjust
to accommodate, but they also can stand on their own as instrumentals.
We’ll continue to audition potential singers, write and record new material,
and perform - Alexis Paige, For The Sound

Initially it’s easy to take a band with no vocals or lyrics less seriously, think they aren’t ready or complete without a front person – Inverta is not one of those bands. This is a band ready made for a professional front person to step into. And until then, they stand complete as an instrumental act, playing legitimate venues to substantial crowds, both locally and regionally. This band already has quality recordings, social networks set up, a management and publicity team, and a sense of who they are and where they want to be as musicians and as a band. They aren’t simply searching for a vocalist to stick into a formed slot, they are actively searching for a professional front person who is prepared on every level to complete Inverta. The job opening is not for an armature. The qualifications requirements are lined out in detail. Headshots, resumes, and vocal samples a must have.

Inverta music has an epic, stadium quality that will carry them over,. The sound is big, complex and intricate. Guitarist Shawn Lickliter answers questions about the bands future.

Q. It sounds like you guys have a lot of explaining to do: New band
name; song title changes; and high quality recordings on your site –
with no vocals.

Can we start with the name change?

A. Sure. The name change reflects our current position as musicians.
New material and sound that we felt warranted change. We continue to
grow musically as individuals as well as a group and we thinks it’s
important to not reinvent ourselves, but evolve. Evolution warrants
change.

Q. inverta is sans vocalist so far. Your myspace site gives
unprecedented details on what you are looking for in a singer. The
details of what you are and aren’t looking for must really help weed
out the randoms and the less experienced artists. How is the search
going?

A. Well we still have a spot open which is ok. The three of us have a
particular vision and really don’t want to settle on just anyone. We
know that our basic requirements can seem intimidating. It comes
from years of playing in bands, having close relationships
with people and being a professional in the music business. If you break it
down, it’s simple. If you want to participate, you have to bring the goods.
The music is challenging and it’s going to take a lot of commitment and concentration.
It’s important because it produces results we can be proud of. Some
guys and girls have come in and absolutely killed it on a couple of tracks, but
just haven’t worked out to a cohesive compromise. We’re looking for another
instrument that’s complimentary to what we are writing and take us to another
level. It can be difficult at times when co-writing with a potential vocalist who
doesn’t share our vision.

Q. The songs have no set lyrics written for them then? The artist who
becomes your front person will provide the lyrics to go with the songs?

A. Yes, unless it is agreed that we write them together. We prefer that
the vocalist write their own lyrics and melodies. Its about the art of
creation as opposed to us telling them what to do. We definitely want
someone who can contribute and collaborate with the music.

Q. How do you feel like this sets you up to find a front person rather
than just a singer?

A. We feel it challenges vocalists to think outside the box a bit.
Sure we want to be heard and sell records, but I think its important
to own your individualism. It’s about skill, talent, and style. Everyone that
auditioned came in looking great and there’s no reason to believe we
wouldn’t get along with them. It doesn’t mean anything if their vocal style doesn’t
fit with our music. We want the vocals to sound modern
and unique.

Q. Where do you come up with the song names? Someone have a boggle game
you use or….?

A. Ha ha!! They’re not really meant to be titles, but more of a call
sign so we can identify them. We apologize for sounding so mysterious.
It’s a long story, but we assure you, there’s a good reason for the
song titles as they are. We think it’s best for the audience to come up
with their own conclusion.

Q. The songs have a stadium quality to them. Do they translate well
into smaller venues and clubs?

A. We hope they do! There is something special about playing smaller
venues and clubs. Its so much more intimate and personal. We want
to connect with the audience. Stadiums are cool in their own way, but we
sometimes feel the music escapes through the roof before it connects with
the listener.

Q. Do you currently play out with the music as is? Would you?

A. We are currently performing certain songs live. We consider ourselves
a power-trio band of instrumentalists seeking a vocalist as another instrument.
The songs were composed with vocals in mind and we are willing to adjust
to accommodate, but they also can stand on their own as instrumentals.
We’ll continue to audition potential singers, write and record new material,
and perform - Alexis Paige, For The Sound

The first thing you notice is about Inverta is that they sound very, very good. Great production and some talented composing means you immediately take this band seriously. Imagine the softer side of Bullet for My Valentine or Trivium with the heavier moments of Godspeed You! Black Emperor - where screaming guitars are replaced with a beefy but more emotional sound.

The second thing you notice about Inverta, is that there isn't a vocalist. Currently in the market for a new singer, Inverta are pressing on regardless - and it works because at no point does you feel like there is something missing (in fact: one must wonder how the vocals would fit into the project - find out from the band themselves below).

What this all means is that we are presented with a tight, exciting instrumental outfit who manage to avoid sounding overblown and self indulgent. It will be interesting to see what a vocalist would bring to this project.

Must Listen:

Acht
Elf
Negen

Who's who in the band?

The current line-up of INVERTA is Shawn Lickliter (Guitars), Chris Dunn (Bass & Guitars) & Rorie D. van Klaveren (Drums & Percussion). We all live in and around the Los Angeles area of Southern California USA.

How did you get together?

INVERTA developed from a studio project that began in 2006. At the time, we were enthusiastic about creating new music but were unaware as to the direction we wanted to take. We began collaborating and recording ideas while auditioning potential bass guitarists and vocalists. Once we got everyone in the room, we found ourselves writing with more innovative, experimental, and intricate time-signature riffs that were sounding more aggressive than what some of the guys wanted to do which made it difficult for them to find their place. Because we enjoyed what we were coming up with and didn't want to compromise the music, we replaced one of the guitarists with Shawn.

A friend of ours from Knoxville informed us that Shawn had just left his current band, was living in Los Angeles and looking for something new. We brought him in immediately and began to write. After auditioning several bass players, we found Chris. He was the best player and we got along well. He had just left his previous band after a month-long tour of Europe also looking to shift directions.

After a while, some of the members had to leave the group to focus on other endeavors leaving Dunn, Lickliter and myself to re-evaluate, eventually splitting away and reforming as INVERTA. The three of us found ourselves once again without a singer but were encouraged to move-on by the positive response of industry labels and the attention of new fans who wanted to hear more.

Who are you main influences?

Obviously, it's incredibly important for musicians to listen to music. We're no strangers to that concept. We love music, all kinds. We love watching other bands play at shows and festivals nearby. We love listening to our friends (locally) in bands and are encourage by what they are working on.

As a band, we strongly enforce the responsibility to not only listen to many styles of music that has come before us, but especially to what's going on now. In a city like Los Angeles, it's all around you. On any night of the week, you can go anywhere and hear any style of music. Not only do you have the opportunity to see great local up-and-coming bands, national and international acts, but you have this unique chance to see musicians from well-established groups play with their friends in lesser-know bands. Typically in smaller venues, which influence you even more. In America, as far as rock is concerned, that doesn't really exist outside of California. On top of that, you have movies and plays, beautiful people, the diverse culture and foods from around the world mixed in with the landscapes that drape from the beaches of Malibu to the Sierra Nevada Mountains. What can't you be influenced by? We're very spoiled here and influenced by all of it.

Personally, as a drummer, Karnivool is my new favorite band at the moment. Steve Judd (drummer) is twisting my head these days just trying to figure it out. Their stuff is very well done. As a musician, the new Deftones album is solid and I'm enjoying how more melodic the sound is. As a listener of music, I got a thing for Katy Perry right now. I don't know why, but I dig it. It's catchy. That's what's in the iPod right now and I'm sure, will find it's way into my playing soon.

Your profile says you're looking for a vocalist - what kind of person are you after?

On our MySpace we have a blog that has a pretty extensive description of what what we are looking for. It's derived from all our experiences from both listening to other bands as well as the vocalists we've worked with recently. At the core, we are looking for someone who can work with the challenging material, finds it inspiring and encourages them to think differently. Above a - Caroline Beavon, GotSeen.com

The first thing you notice is about Inverta is that they sound very, very good. Great production and some talented composing means you immediately take this band seriously. Imagine the softer side of Bullet for My Valentine or Trivium with the heavier moments of Godspeed You! Black Emperor - where screaming guitars are replaced with a beefy but more emotional sound.

The second thing you notice about Inverta, is that there isn't a vocalist. Currently in the market for a new singer, Inverta are pressing on regardless - and it works because at no point does you feel like there is something missing (in fact: one must wonder how the vocals would fit into the project - find out from the band themselves below).

What this all means is that we are presented with a tight, exciting instrumental outfit who manage to avoid sounding overblown and self indulgent. It will be interesting to see what a vocalist would bring to this project.

Must Listen:

Acht
Elf
Negen

Who's who in the band?

The current line-up of INVERTA is Shawn Lickliter (Guitars), Chris Dunn (Bass & Guitars) & Rorie D. van Klaveren (Drums & Percussion). We all live in and around the Los Angeles area of Southern California USA.

How did you get together?

INVERTA developed from a studio project that began in 2006. At the time, we were enthusiastic about creating new music but were unaware as to the direction we wanted to take. We began collaborating and recording ideas while auditioning potential bass guitarists and vocalists. Once we got everyone in the room, we found ourselves writing with more innovative, experimental, and intricate time-signature riffs that were sounding more aggressive than what some of the guys wanted to do which made it difficult for them to find their place. Because we enjoyed what we were coming up with and didn't want to compromise the music, we replaced one of the guitarists with Shawn.

A friend of ours from Knoxville informed us that Shawn had just left his current band, was living in Los Angeles and looking for something new. We brought him in immediately and began to write. After auditioning several bass players, we found Chris. He was the best player and we got along well. He had just left his previous band after a month-long tour of Europe also looking to shift directions.

After a while, some of the members had to leave the group to focus on other endeavors leaving Dunn, Lickliter and myself to re-evaluate, eventually splitting away and reforming as INVERTA. The three of us found ourselves once again without a singer but were encouraged to move-on by the positive response of industry labels and the attention of new fans who wanted to hear more.

Who are you main influences?

Obviously, it's incredibly important for musicians to listen to music. We're no strangers to that concept. We love music, all kinds. We love watching other bands play at shows and festivals nearby. We love listening to our friends (locally) in bands and are encourage by what they are working on.

As a band, we strongly enforce the responsibility to not only listen to many styles of music that has come before us, but especially to what's going on now. In a city like Los Angeles, it's all around you. On any night of the week, you can go anywhere and hear any style of music. Not only do you have the opportunity to see great local up-and-coming bands, national and international acts, but you have this unique chance to see musicians from well-established groups play with their friends in lesser-know bands. Typically in smaller venues, which influence you even more. In America, as far as rock is concerned, that doesn't really exist outside of California. On top of that, you have movies and plays, beautiful people, the diverse culture and foods from around the world mixed in with the landscapes that drape from the beaches of Malibu to the Sierra Nevada Mountains. What can't you be influenced by? We're very spoiled here and influenced by all of it.

Personally, as a drummer, Karnivool is my new favorite band at the moment. Steve Judd (drummer) is twisting my head these days just trying to figure it out. Their stuff is very well done. As a musician, the new Deftones album is solid and I'm enjoying how more melodic the sound is. As a listener of music, I got a thing for Katy Perry right now. I don't know why, but I dig it. It's catchy. That's what's in the iPod right now and I'm sure, will find it's way into my playing soon.

Your profile says you're looking for a vocalist - what kind of person are you after?

On our MySpace we have a blog that has a pretty extensive description of what what we are looking for. It's derived from all our experiences from both listening to other bands as well as the vocalists we've worked with recently. At the core, we are looking for someone who can work with the challenging material, finds it inspiring and encourages them to think differently. Above a - Caroline Beavon, GotSeen.com

... everything a rock-enthusiast could ever dream of. - Samantha Jacobi, Bryan Farrish Radio

... everything a rock-enthusiast could ever dream of. - Samantha Jacobi, Bryan Farrish Radio

... that has the loud, “face-melting” instruments all other hard rock bands wish they could capture. - Samantha Jacobi, Bryan Farrish Radio

... that has the loud, “face-melting” instruments all other hard rock bands wish they could capture. - Samantha Jacobi, Bryan Farrish Radio