Gods'Illa

Each one is different from one another, as Proh Mic sounds nothing like Lil’ Daggers and AIDS Wolf definitely do not sound like Gods’illa. Maybe I should be more specific and do “Best Hip-Hop Albums”, “Best Metal Albums”, “Best Country Albums”, etc. but I think it’s more fun to throw everyone in the mix. - John Book

Simply put, Gods'Illa's Blend Tape changed the landscape for local mixtapes, making it unacceptable for DMV rappers to litter their projects with throwaway songs and radio singles. Instead, the Forestville trio proved that free music doesn't have to sound cheap, and that insightful lyrics don't need to be preachy. From beginning to end, the Blend Tape is chock-full of quotable one-liners and neck-breaking production, resulting in the same gritty feel as the aforementioned In The Ruff album. And while neo-soul superstar Erykah Badu hosted the Blend Tape, she eventually faded into the background as Gods'Illa's assertive wordplay took center stage. The group made major moves this year and show no signs of slowing down. - Washington City Paper

Erykah Badu, patron saint of all things sublimely soulful and funky, serves as the host of this 21-track album, but don’t be fooled, the real stars are the three brothers who make up this Maryland group. This is a dynamic collection by musicians who are clearly more concerned with making a fully formed album that will stand the test of time instead of chasing trends. With cameos by such locals as yU, Pro’Verb and Uptown XO, this is the best “State of DMV Hip-Hop” document of the year. - The Washington Post

It’s been almost a year since I wrote Gods’illa intro to the Booth for Protect It, and despite the fact that their features have been few and far between, I was glad that I could do another write-up on the east coast crew. They haven’t come to disappoint this time around with new offering Sal’s Pizzeria (it’s been a long time since Do the Right Thing was fresh in my memory, so no Mookie or Pino jokes today), a cut that takes note from the movie’s soundtrack itself by following in Public Enemy’s strongly political rhymes. With distinctively raw talent and elite delivery skills, Acem Eternal Mind, God Allah Truth and Powerful Rasheem Mathematics (and I thought their first names were unique) each deliver an integral piece to the puzzle that makes up the amazing group record. There are very few artists today that can make music like this and still keep their identity intact, so enjoy and be sure to check out The CPR: Blendtape when it drops on the net sometime later than today. R.I.P. Radio Raheem.

- DJ Booth

In a few short weeks, the The CPR: Blendtape will be delivered courtesy of Gods’illa, the trio comprised of three actual brothers Acem Eternal Mind, God Allah Truth & Powerful Rasheem Mathematics. While all three members of the group carry their own distinctive style, their unified mindset harkens back to when PE, Brand Nubian and similar groups ruled the roost in rap. Yet, they shouldn’t be mistaken or characterized as old school because a keen listen reveals that what they do on the mic and well-structured songs is a direct reflection of their surroundings and ability to see possibilities beyond the expanse of city blocks.

And when the BlendTape drops, we’re proud to be hands-on in helping with the presentation, along with DJ Lo Down Loretta Brown. - The Smoking Section

In a few short weeks, the The CPR: Blendtape will be delivered courtesy of Gods’illa, the trio comprised of three actual brothers Acem Eternal Mind, God Allah Truth & Powerful Rasheem Mathematics. While all three members of the group carry their own distinctive style, their unified mindset harkens back to when PE, Brand Nubian and similar groups ruled the roost in rap. Yet, they shouldn’t be mistaken or characterized as old school because a keen listen reveals that what they do on the mic and well-structured songs is a direct reflection of their surroundings and ability to see possibilities beyond the expanse of city blocks.

And when the BlendTape drops, we’re proud to be hands-on in helping with the presentation, along with DJ Lo Down Loretta Brown. - The Smoking Section

Forestville, Md., trio Gods'Illa is good for clever one-liners and gritty hip-hop with a message. So it's no surprise that its triumphant new single, "Sal's Pizzeria," is a battle-ready zinger of memorable phrases and assertive lyricism.

"On the scene like Radio Raheem wit ya box/We outside of it, all these rappers is robots," Acem raps over Joe D.'s thumping, midtempo instrumental. (If you've seen Spike Lee's Do The Right Thing, you'll get the references in the song title and the hook.)

And it sounds like there's a chip on Gods'Illa's shoulder. "It's fucked up, they all think they're 'Pac Shakur/No thug in their blood, and their Pops is soft," Powerful raps at the song's onset.

Gods'Illa will release its CPR BlendTape (hosted by Erykah Badu) later this month. Until then, this track will have to suffice. Did I mention that Erykah Badu is hosting Gods'Illa's new project? Yeah, that's pretty dope. - Washington City Paper

Three blood brothers, all with awesome names, come together to form the lyrical trinity that is Gods’Illa. Who is Gods’Illa? Not a giant monster tearing Japan apart, that’s for sure. Rather, Gods’Illa is a giant family tearing up over-privileged, underwhelming emcees. Their intentions are to destroy and rebuild, and with their first full length, self-titled album, I’m excited to say that they made an amazing start at doing just that.

Acem, Truth, and Powerful, are all the types of emcees that we all love. Clear, concise, articulate, creative, intelligent, but still a bit raw. The type of dudes who would whoop you on a bad night, and then sit down and try to figure out a way to build some sort of community organization with you. Three Rakims. Better yet, Three Black Thoughts. Three young men who, without being overly explicit, make it clear that they have a purpose and a mission, coupled with the everyday carnality of regular life. Oh, and they love hip-hop. A lot.

I know, I know. These are all pretty bold statements about three men, I’ve never met. But from the very beginning of their album, these poignant characteristics burst through vividly. The first song “Glory,” they repeat the mighty mantra, “Who can be against me, if I got God for me” while explaining and exhibiting that they are thorough emcees, due to God, without sounding preachy. Hence the name Gods’Illa. The song that follows, “Who Is…” strengthens the introduction as Acem runs through the stereotypical questions about a group like Gods’Illa, such as whether or not they stand on the Africa soapbox, and whether or not they have songs for the club. It’s a short clever song that really drives home who they are – young brothers, trying.

Balance is shown on the mild tempo’d “Stuck,” which as an interesting song about relationship trouble. Each brother tells a different story. Their personalities are all different, as are their perspectives. This fact makes for a really dope, dynamic song. Not to mention the track is an amazing, Dilla-esque groove, reminiscent of old Slum Village. But, I must say, my personal favorite on the album is probably one of the heaviest. “Glaciers,” is the epitome of a hip-hop song. A driving beat, complete with a stinging snare and stuttering bass drum, serves as the backdrop for Gods’Illa and the feature, Joe D, to give an amazing performance. The lyrics are laden with spiritual teachings, revolutionary rhetoric and struggle talk all being disseminated without pretense or prejudice.

All in all, Gods’Illa’s self-titled debut album sounds good. More importantly, it feels good. It feels real. Sincere. The familial connection is as evident as their lyrical ability, which makes for quite a stew. They are focused and mission oriented which is always a good thing. Hip-hop doesn’t have much space right now for art for art’s sake, in my opinion. So it’s refreshing to hear what can be created when family holds tight to one another, and builds. It’s funny, when I think about it, some people will be as frightened of them as the Japanese were of Godzilla in the movies. If truth is fire…I can understand the fear. Be afraid. - OkayPlayer.com

Three blood brothers, all with awesome names, come together to form the lyrical trinity that is Gods’Illa. Who is Gods’Illa? Not a giant monster tearing Japan apart, that’s for sure. Rather, Gods’Illa is a giant family tearing up over-privileged, underwhelming emcees. Their intentions are to destroy and rebuild, and with their first full length, self-titled album, I’m excited to say that they made an amazing start at doing just that.

Acem, Truth, and Powerful, are all the types of emcees that we all love. Clear, concise, articulate, creative, intelligent, but still a bit raw. The type of dudes who would whoop you on a bad night, and then sit down and try to figure out a way to build some sort of community organization with you. Three Rakims. Better yet, Three Black Thoughts. Three young men who, without being overly explicit, make it clear that they have a purpose and a mission, coupled with the everyday carnality of regular life. Oh, and they love hip-hop. A lot.

I know, I know. These are all pretty bold statements about three men, I’ve never met. But from the very beginning of their album, these poignant characteristics burst through vividly. The first song “Glory,” they repeat the mighty mantra, “Who can be against me, if I got God for me” while explaining and exhibiting that they are thorough emcees, due to God, without sounding preachy. Hence the name Gods’Illa. The song that follows, “Who Is…” strengthens the introduction as Acem runs through the stereotypical questions about a group like Gods’Illa, such as whether or not they stand on the Africa soapbox, and whether or not they have songs for the club. It’s a short clever song that really drives home who they are – young brothers, trying.

Balance is shown on the mild tempo’d “Stuck,” which as an interesting song about relationship trouble. Each brother tells a different story. Their personalities are all different, as are their perspectives. This fact makes for a really dope, dynamic song. Not to mention the track is an amazing, Dilla-esque groove, reminiscent of old Slum Village. But, I must say, my personal favorite on the album is probably one of the heaviest. “Glaciers,” is the epitome of a hip-hop song. A driving beat, complete with a stinging snare and stuttering bass drum, serves as the backdrop for Gods’Illa and the feature, Joe D, to give an amazing performance. The lyrics are laden with spiritual teachings, revolutionary rhetoric and struggle talk all being disseminated without pretense or prejudice.

All in all, Gods’Illa’s self-titled debut album sounds good. More importantly, it feels good. It feels real. Sincere. The familial connection is as evident as their lyrical ability, which makes for quite a stew. They are focused and mission oriented which is always a good thing. Hip-hop doesn’t have much space right now for art for art’s sake, in my opinion. So it’s refreshing to hear what can be created when family holds tight to one another, and builds. It’s funny, when I think about it, some people will be as frightened of them as the Japanese were of Godzilla in the movies. If truth is fire…I can understand the fear. Be afraid. - OkayPlayer.com

The album artwork is unassuming: Three blood brothers sit side-by-side, two of them peering intently into a camera lens as a picture of the iconic Duke Ellington looms above their heads. Both Godallah Truth and Acem gaze at you with a confident stare, while their brother, Powerful, sits in the middle with hands clasped, looking away in apparent deep thought. The three men — known collectively as Gods’Illa — look assured, as if Ellington himself was a calming spirit over their EP, The Pre-Lease, a collection of six songs aimed at generating a buzz before the group’s full-length debut album hits the street. The recording, which has some certified heat, has already garnered acclaim from producers DJ Scratch and 9th Wonder. But with only 32 minutes of music to digest, this album leaves listeners hungry for much more.

Truth immediately sets the tone for The Pre-Lease. “I don’t want nobody else saying they the king of D.C.,” he says on the introduction. “It’s universal music and it’s a problem.” Then after a brief and impressive verse from Powerful, the album transitions into the head nodding and thumping groove of “Got Y’all,” produced by Maryland beatsmith Joe D. The song, aided by an instantly recognizable sample of Rakim’s “My Melody,” features an exceptional blackout verse from Acem. In Prince George’s County, Maryland, he says; “you had to be up on your white tees, now these youngins wear jeans like I cannot believe.” Truth goes in as well: “Bet you all often gotta wonder like, how the blind man play the keys, and you can’t do shit but you can hear and you can see.”

“Should Know Better,” produced by Definition, is backed by a sample of the unmistakable voice of Curtis Mayfield. “You should know better to think that, I am who I am so expect me to be that,” Powerful says on the hook. “Why would you doubt me, knowing that it wouldn’t be the same without me.” “I’m Here,” featuring Substantial and Kokayi, easily stands out from the rest because it’s a deeply heartfelt song about the joys of raising children. Listeners are treated to lighthearted flow of “Feel” before getting snippets of four songs on the last track.

Gods’Illa is refreshing in that its emcees rhyme about positivity without being corny or preachy. At the same time, Truth, Acem and Powerful display more than enough street to encourage all types of hip-hop listeners to absorb their messages. The Pre-Lease proves that the trio has the potential to make noise in the industry, although a more distinctive sound could further catapult them into the musical atmosphere. Still, this album should suffice until the full debut is released.

- Marcus Moore
- OkayPlayer.com

I don’t think it’s a question that the likes of Big K.R.I.T, Danny Brown & YelaWolf made a huge leap in 2010 but I just couldn’t consider these guys “new” when I’ve been listening to them before they became internet sensations. Groups like The Niceguys & Gods’Illa proved themselves with stellar debut albums and Sheisty Khrist made a big statement with his Deacon The Villain assisted Niggaz With Latitude LP as well. Nemo Achida’s standout performance on Kno’s album, as well as the quality of his 2 EP’s, made it very tough not to pick him for the #1 spot. Topping my list though is Skewby, who continued his meteoric rise in 2010 by receiving tons of coverage, dropping countless dope songs and releasing his stellar More Or Less LP - Kevin Nottingham

I don’t think it’s a question that the likes of Big K.R.I.T, Danny Brown & YelaWolf made a huge leap in 2010 but I just couldn’t consider these guys “new” when I’ve been listening to them before they became internet sensations. Groups like The Niceguys & Gods’Illa proved themselves with stellar debut albums and Sheisty Khrist made a big statement with his Deacon The Villain assisted Niggaz With Latitude LP as well. Nemo Achida’s standout performance on Kno’s album, as well as the quality of his 2 EP’s, made it very tough not to pick him for the #1 spot. Topping my list though is Skewby, who continued his meteoric rise in 2010 by receiving tons of coverage, dropping countless dope songs and releasing his stellar More Or Less LP - Kevin Nottingham

Trying to classify what’s a “smaller” release is always subjective but I took it in the direction of self released projects or albums that dropped under the radar. I didn’t even realize they were releasing a new album until it hit iTunes but Shinsight Trio’s second LP Somwhere Beyond The Moon claims the top spot for me. Insight sounds dope with just about any producer but Shin-Ski seems to bring out the best in him. A very close second was K. Gates aka the New Orleans Savior’s The Shaikback. This was the album I’ve been waiting for Gates to make for a long time and it truly embodies the sound of New Orleans. K-Rino has kept up a torrid pace with new albums each year but topped himself this time with the double LP Annihilation Of the Evil Machine. Gods’Illa’s The Album was a damn good debut and H.I.S.D. finally returned with their impressive The Weakend. Though it got less press than Suite #420, Devin The Dude’s Gotta Be Me was a much better album and probably his best since Waitin To Inhale. Devin’s fellow Odd Squad & Coughee Brothaz member Rob Quest also makes the list with his long overdue debut The Age Of Quest. Panacea’s 12 Step Program, Mikkey Halsted’s The Dark Room and Substantial & Marcus D’s Bop Alloy complete the rest of my slept on albums of 2010. - Kevin Nottingham

Trying to classify what’s a “smaller” release is always subjective but I took it in the direction of self released projects or albums that dropped under the radar. I didn’t even realize they were releasing a new album until it hit iTunes but Shinsight Trio’s second LP Somwhere Beyond The Moon claims the top spot for me. Insight sounds dope with just about any producer but Shin-Ski seems to bring out the best in him. A very close second was K. Gates aka the New Orleans Savior’s The Shaikback. This was the album I’ve been waiting for Gates to make for a long time and it truly embodies the sound of New Orleans. K-Rino has kept up a torrid pace with new albums each year but topped himself this time with the double LP Annihilation Of the Evil Machine. Gods’Illa’s The Album was a damn good debut and H.I.S.D. finally returned with their impressive The Weakend. Though it got less press than Suite #420, Devin The Dude’s Gotta Be Me was a much better album and probably his best since Waitin To Inhale. Devin’s fellow Odd Squad & Coughee Brothaz member Rob Quest also makes the list with his long overdue debut The Age Of Quest. Panacea’s 12 Step Program, Mikkey Halsted’s The Dark Room and Substantial & Marcus D’s Bop Alloy complete the rest of my slept on albums of 2010. - Kevin Nottingham

"I do it for love, and they do it for dough...rhyme like a clock with no hands, straight timeless." With these lines spoken through the speakers you know that you're in for something different when you play any of Gods'Illa tracks. But before I get ahead of myself let me give you some background on the group that is sure to be crowned the DMV's best kept secret.

Gods'Illa is more than a group, it's a movement of great minds that concentrate on keeping the music rooted in reality. The group consists of three physical brothers, Ace, 7-1-20, and Powerful, with them all hailing from PG County, MD and Brooklyn, NY respectively. They are fresh from placing first in the July 2009 MTV VMA Breakout DC Competition. Many of you may be familiar with the brothers and their clothing company Up and Up Fashions that was started in 1998, and those of you that know them know Up and Up stretched way beyond clothes. And just like the clothing company, the music they put out breaks the barriers of any box that you may try to limit them to with the group members collectively labeling their sound as "universal." Their debut is being primed for release on independent label Unlimited Vinyl Ink very soon, but before they present their first offering they have given real headphone junkies something they'll crave in the form of The Pre-Lease. I would give you a hip-hop group to compare them to, but in all honesty it would be quite disrespectful to do so.

The lyrics, beats and production on the PreLease take me back to when I was a kid stealing cassette tapes from my older cousin. He would
constantly try to tell me what "real" hip-hop was and he consistently introduced my ears to music that was clearly distinguishable from the garbage he said was being played on the radio. Groups like Black Moon, Brand Nubian, and The Native Tongues were just a few that I can think of, and some of the ones that Gods'Illa reminds of. And I say reminiscent in a way that makes you recall a time when lyrics had depth and albums consisted of cohesive tracks that didn't sway to far in either arena of gangsta or backpack rap, but found that sometimes unattainable balance that allows you to just enjoy good music and nod your head along to entire album without skipping past any songs.

I know for myself I've grown tired of recent hip-hop music
that has been put out, and refuse to buy any new CDs. But after giving a listen to Gods'Illa's Pre-Lease which is a compilation of 7 tracks that didn't make the cut for the group's debut, I can say that I'll be back to purchasing at least one new CD in the near future. Because if these were the ones that didnt make it, you gotta know its nothing but quality coming later.

One of my favorite cuts is, "Got Ya'll," where the varying styles manage to balance each other out, and youngest member Powerful closes it out strong, displaying his lyrical prowess that would dare you to label him a rookie. Another one is, "Power Cypha," which gives you the feel of a posse cut of all your favorite emcees that you been waiting for to all get on the same joint. Last but not least is "Up and Up Presents...Gods'Illa," which is a bunch of snippets put together with the first snippet asking, "Who is Gods'Illa?" And if you don't know then you need to get familiar. I could go on about the tracks but you need to review it for yourself.

So go and download your copy of the PreLease and be sure to cop their debut when it drops. And if you don't think that Gods'Illa is one of the freshest things to happen in hip-hop, then you need to ask yourself if you are really a fan of the genre...just food for thought.




- The Soulcialista

"I do it for love, and they do it for dough...rhyme like a clock with no hands, straight timeless." With these lines spoken through the speakers you know that you're in for something different when you play any of Gods'Illa tracks. But before I get ahead of myself let me give you some background on the group that is sure to be crowned the DMV's best kept secret.

Gods'Illa is more than a group, it's a movement of great minds that concentrate on keeping the music rooted in reality. The group consists of three physical brothers, Ace, 7-1-20, and Powerful, with them all hailing from PG County, MD and Brooklyn, NY respectively. They are fresh from placing first in the July 2009 MTV VMA Breakout DC Competition. Many of you may be familiar with the brothers and their clothing company Up and Up Fashions that was started in 1998, and those of you that know them know Up and Up stretched way beyond clothes. And just like the clothing company, the music they put out breaks the barriers of any box that you may try to limit them to with the group members collectively labeling their sound as "universal." Their debut is being primed for release on independent label Unlimited Vinyl Ink very soon, but before they present their first offering they have given real headphone junkies something they'll crave in the form of The Pre-Lease. I would give you a hip-hop group to compare them to, but in all honesty it would be quite disrespectful to do so.

The lyrics, beats and production on the PreLease take me back to when I was a kid stealing cassette tapes from my older cousin. He would
constantly try to tell me what "real" hip-hop was and he consistently introduced my ears to music that was clearly distinguishable from the garbage he said was being played on the radio. Groups like Black Moon, Brand Nubian, and The Native Tongues were just a few that I can think of, and some of the ones that Gods'Illa reminds of. And I say reminiscent in a way that makes you recall a time when lyrics had depth and albums consisted of cohesive tracks that didn't sway to far in either arena of gangsta or backpack rap, but found that sometimes unattainable balance that allows you to just enjoy good music and nod your head along to entire album without skipping past any songs.

I know for myself I've grown tired of recent hip-hop music
that has been put out, and refuse to buy any new CDs. But after giving a listen to Gods'Illa's Pre-Lease which is a compilation of 7 tracks that didn't make the cut for the group's debut, I can say that I'll be back to purchasing at least one new CD in the near future. Because if these were the ones that didnt make it, you gotta know its nothing but quality coming later.

One of my favorite cuts is, "Got Ya'll," where the varying styles manage to balance each other out, and youngest member Powerful closes it out strong, displaying his lyrical prowess that would dare you to label him a rookie. Another one is, "Power Cypha," which gives you the feel of a posse cut of all your favorite emcees that you been waiting for to all get on the same joint. Last but not least is "Up and Up Presents...Gods'Illa," which is a bunch of snippets put together with the first snippet asking, "Who is Gods'Illa?" And if you don't know then you need to get familiar. I could go on about the tracks but you need to review it for yourself.

So go and download your copy of the PreLease and be sure to cop their debut when it drops. And if you don't think that Gods'Illa is one of the freshest things to happen in hip-hop, then you need to ask yourself if you are really a fan of the genre...just food for thought.




- The Soulcialista

Today's music rarely presents a legitimate combination of talent, virtue, optimism, and intelligence, but the originality and masterful skills laid down by this trio of brilliant brothers tells a much different tale.

Through hard work, perseverance, and pure hustle, Maryland natives, Gods'Illa, consisting of Truth Hall, Acem Hall, and Powerful Aguliar, deliver an album packed with wise words, incredible truths, and a unique vision. It's not that we haven't heard politically, socially, culturally, or emotionally passionate tales before, but the powerful lyrics, nostalgic suggestions, and infectious beats spread across multiple tracks, is impressive to say the least.

The hunger of these artists is prominent and apparent. Listeners hear it in every word, of every line, on every track. Their words chronicle struggle, celebration, reality, and hopefulness, all of which make them believable. The typical hood clichés are left at the door and listeners are authentically entertained by a striking flow of depth and lyricism from start to finish. Where other artists lend exaggerations or seek empathy from their listeners, these men seek betterment, hoping to motivate and inspire rather than simply impress and overly amplify.

There ain't no fluff here -- just artists with a true gift, a genuine passion, a love for music, and a positive message. Gods'Illa doesn't attempt to force you into adopting a new reality; they just want to make you aware of their reality and further inspire you to reassess your own. Unlike many other hip-hop albums, there are no guns blasting, no trap house glory stories, or sexual promotions, simply MEN teaching other men (and women) how to be exceptional.

Up and Up Presents Gods'Illa: The Album isn't preachy or redundant, just truthful, straightforward and enjoyable. And there is a tangible liking for every listener, no matter their musical taste. "Stuck" appeals to couples in limbo while "Protect It," the most commercial of the album's 17 tracks, appeals to more hardcore hip-hop listeners. "Times Is Hard" pulls on the interests of music realists; those that seek out the true emotion behind the artist. And "Winner," allows listeners to recognize the influence of a beautifully worthy woman coupled with the ego of even the most humbled cat.

Gods'Illa didn't go about conducting the business of music without the support of some local, veteran musicians and Maryland/D.C. "big wigs" for its debut album. Those artists include: international hip-hop artist Substantial, Joe D., The Five One, Diggz, Tre of UCB, and Black Boo of Mambo Sauce. Although some of these names may not be world-renowned, they pack one hell of a punch on this album, introducing Maryland's most established newcomers.

Failing to cop this album would be a melodic disservice. For music lovers who seek to support up-and-coming artists, this is the album for you. Not only are these young brothas humble, they're tangible, approachable, and down-to-Earth.

All of DMV (D.C./Maryland/Virginia) can't be wrong about this one. This group is definitely D.C.'s best kept secret; "the Great Unknown." So grab the album and hear some truth for a change. - DMVSpectrum.com

Today's music rarely presents a legitimate combination of talent, virtue, optimism, and intelligence, but the originality and masterful skills laid down by this trio of brilliant brothers tells a much different tale.

Through hard work, perseverance, and pure hustle, Maryland natives, Gods'Illa, consisting of Truth Hall, Acem Hall, and Powerful Aguliar, deliver an album packed with wise words, incredible truths, and a unique vision. It's not that we haven't heard politically, socially, culturally, or emotionally passionate tales before, but the powerful lyrics, nostalgic suggestions, and infectious beats spread across multiple tracks, is impressive to say the least.

The hunger of these artists is prominent and apparent. Listeners hear it in every word, of every line, on every track. Their words chronicle struggle, celebration, reality, and hopefulness, all of which make them believable. The typical hood clichés are left at the door and listeners are authentically entertained by a striking flow of depth and lyricism from start to finish. Where other artists lend exaggerations or seek empathy from their listeners, these men seek betterment, hoping to motivate and inspire rather than simply impress and overly amplify.

There ain't no fluff here -- just artists with a true gift, a genuine passion, a love for music, and a positive message. Gods'Illa doesn't attempt to force you into adopting a new reality; they just want to make you aware of their reality and further inspire you to reassess your own. Unlike many other hip-hop albums, there are no guns blasting, no trap house glory stories, or sexual promotions, simply MEN teaching other men (and women) how to be exceptional.

Up and Up Presents Gods'Illa: The Album isn't preachy or redundant, just truthful, straightforward and enjoyable. And there is a tangible liking for every listener, no matter their musical taste. "Stuck" appeals to couples in limbo while "Protect It," the most commercial of the album's 17 tracks, appeals to more hardcore hip-hop listeners. "Times Is Hard" pulls on the interests of music realists; those that seek out the true emotion behind the artist. And "Winner," allows listeners to recognize the influence of a beautifully worthy woman coupled with the ego of even the most humbled cat.

Gods'Illa didn't go about conducting the business of music without the support of some local, veteran musicians and Maryland/D.C. "big wigs" for its debut album. Those artists include: international hip-hop artist Substantial, Joe D., The Five One, Diggz, Tre of UCB, and Black Boo of Mambo Sauce. Although some of these names may not be world-renowned, they pack one hell of a punch on this album, introducing Maryland's most established newcomers.

Failing to cop this album would be a melodic disservice. For music lovers who seek to support up-and-coming artists, this is the album for you. Not only are these young brothas humble, they're tangible, approachable, and down-to-Earth.

All of DMV (D.C./Maryland/Virginia) can't be wrong about this one. This group is definitely D.C.'s best kept secret; "the Great Unknown." So grab the album and hear some truth for a change. - DMVSpectrum.com

The reemerging Hip Hop scene in the Washington metropolitan area, typically referred to as the DMV (short for the District of Columbia, Maryland, and Virginia), owes a great debt to the high profiles of artists such as Wale and the potent trio Diamond District. However, an entire crop of unknowns possessed of their own signature and polished styles bubble quietly under the surface. Of the many acts who have yet to crack the first ballot, the trio of physical brothers Truth, Acem and Powerful – known collectively as Gods’Illa – deserve much attention. Their debut album, Up and Up Presents Gods’Illa: The Album, is a refreshing throwback to when the flow of an album still mattered and that message driven Hip Hop could be entertaining without being overbearingly preachy.

The album begins with a brief intro produced by frequent collaborator Joe D. (who produces all but six tracks on the album). Setting the tone well, the LP launches into action with “Glory” and Joe D.’s excellent track is elevated by confident rhymes from the brothers. This early highlight captures much of the LP’s aim and serves as a perfect introduction to their varied vocal styles. “Who Is…” is another incredible Joe. D track featuring Acem, who delivers a strong verse with hints of frustration of not being lauded or well known amongst the throng. The track is far too short and Joe D.’s versatility impresses. The track “Stuck” is a welcome, smooth switch of the LP’s direction. The mellow production from Beggah Ooh (and co-production from Def.nition) boosts the relationship theme and Acem’s well-placed hook is stellar. “Another Day” ventures into grittier territory with the MCs’ graphic depiction of the streets matching well with AOF Music’s driving beat. The track “Protect It” continues the string of Acem’s excellent hooks, Powerful’s distinctive style and Truth’s bare honesty. Acem wisely allows his brothers to carry the bulk of the record and the beat from 8Trix Music is perhaps the strongest of the disc thus far.

The LP thankfully has very few dull moments. The well-meaning “Times Is Hard” is evidence of this fact. The song, while not entirely terrible, drags the energy down to a snail’s pace. Producer Algorythm offers heaping doses of smoothness and the positive rhymes from the brothers are thoughtful. However, the track just doesn’t fit with any of the others preceding it. “Helping Hand”, which features Substantial, corrects things quickly and Joe D.’s track adds another superb melding of beats and rhymes; the theme of unity and collaboration resonate well within the track. “Decisions” is another track that threatens to derail the LP’s momentum. The production from Chris Wright is decent enough but the rhymes from the brothers (and the features from Diggz and Tre of the Go-Go band UCB) are unmemorable.

The last full track, “Run On”, features Joe D. and Black Boo of the Go-Go Band Mambo Sauce. Saving the best for last, Joe D.’s horn-laced track is just busy enough in the background to give the MCs and vocalist space to work. As throughout most of the LP, the recurring themes of positivity and accomplishment over struggle are at the core of this track. The MCs of Gods’Illa do an excellent job of matching strong messages within their rhymes that never stray far from their Nation of Gods and Earths influence. However, it never feels misplaced or unnecessary. With one of the stronger debut LPs to be released in recent time, Gods’Illa appears ready to take their place as one of the DMV’s most talented acts. - Potholes In My Blog

The reemerging Hip Hop scene in the Washington metropolitan area, typically referred to as the DMV (short for the District of Columbia, Maryland, and Virginia), owes a great debt to the high profiles of artists such as Wale and the potent trio Diamond District. However, an entire crop of unknowns possessed of their own signature and polished styles bubble quietly under the surface. Of the many acts who have yet to crack the first ballot, the trio of physical brothers Truth, Acem and Powerful – known collectively as Gods’Illa – deserve much attention. Their debut album, Up and Up Presents Gods’Illa: The Album, is a refreshing throwback to when the flow of an album still mattered and that message driven Hip Hop could be entertaining without being overbearingly preachy.

The album begins with a brief intro produced by frequent collaborator Joe D. (who produces all but six tracks on the album). Setting the tone well, the LP launches into action with “Glory” and Joe D.’s excellent track is elevated by confident rhymes from the brothers. This early highlight captures much of the LP’s aim and serves as a perfect introduction to their varied vocal styles. “Who Is…” is another incredible Joe. D track featuring Acem, who delivers a strong verse with hints of frustration of not being lauded or well known amongst the throng. The track is far too short and Joe D.’s versatility impresses. The track “Stuck” is a welcome, smooth switch of the LP’s direction. The mellow production from Beggah Ooh (and co-production from Def.nition) boosts the relationship theme and Acem’s well-placed hook is stellar. “Another Day” ventures into grittier territory with the MCs’ graphic depiction of the streets matching well with AOF Music’s driving beat. The track “Protect It” continues the string of Acem’s excellent hooks, Powerful’s distinctive style and Truth’s bare honesty. Acem wisely allows his brothers to carry the bulk of the record and the beat from 8Trix Music is perhaps the strongest of the disc thus far.

The LP thankfully has very few dull moments. The well-meaning “Times Is Hard” is evidence of this fact. The song, while not entirely terrible, drags the energy down to a snail’s pace. Producer Algorythm offers heaping doses of smoothness and the positive rhymes from the brothers are thoughtful. However, the track just doesn’t fit with any of the others preceding it. “Helping Hand”, which features Substantial, corrects things quickly and Joe D.’s track adds another superb melding of beats and rhymes; the theme of unity and collaboration resonate well within the track. “Decisions” is another track that threatens to derail the LP’s momentum. The production from Chris Wright is decent enough but the rhymes from the brothers (and the features from Diggz and Tre of the Go-Go band UCB) are unmemorable.

The last full track, “Run On”, features Joe D. and Black Boo of the Go-Go Band Mambo Sauce. Saving the best for last, Joe D.’s horn-laced track is just busy enough in the background to give the MCs and vocalist space to work. As throughout most of the LP, the recurring themes of positivity and accomplishment over struggle are at the core of this track. The MCs of Gods’Illa do an excellent job of matching strong messages within their rhymes that never stray far from their Nation of Gods and Earths influence. However, it never feels misplaced or unnecessary. With one of the stronger debut LPs to be released in recent time, Gods’Illa appears ready to take their place as one of the DMV’s most talented acts. - Potholes In My Blog

Hip-hop fans are sick of both overly preachy and hard-partying rappers -- most artists are aware of this, but the trio Gods’Illa actually tackles the problem. On their debut album, “Up and Up Presents…Gods’Illa the Album,” brothers Acem, Truth and Powerful, who hail from the DMV and New York, address the issue head-on and attempt to bring a bit of fun and humor to social commentary.

“So who is Gods’Illa?/Cause I ain’t never heard ‘em/Prolly just another group of rappers talkin’ murder/And I ain’t tryna hear that/If they fake pro-black, they can take their [expletive] back to Africa with all that,” goes the opening line of “Who is...”

“Stuck” is a break-up to make-up song that recalls Slum Village, while “Run On” takes the Burt Bacharach-penned “This Guy’s in Love With You” and remarkably turns it into a super-charged hip-hop burner. The album, released digitally today, also shows love to go-go, but not by merely borrowing its distinctive percussion, as so many artists have done--instead there are guest verses from D.C. heavy-hitters Tre of UCB and Black Boo from Mambo Sauce.

When it comes to hip-hop, no album ever truly offers something for everybody, but Gods’Illa has impressively created something that should appeal to almost anyone.

Gods’Illa performs Friday at LIV.

By Sarah Godfrey | March 2, 2010; 3:00 PM ET
Categories: Really quick spins | Tags: Acem, Black Boo, Gods'Illa, Gods'Illa the Album, Powerful, Truth, UCB - The Washington Post

The mostly-DMV group Gods'Illa has been puttin' in the work lately. "Grey Skies," its contribution to the Beats and Lyrics 2 Go mixtape—from Atlanta's A3C organization—has a nice combo of golden-era jazz-action, trippy synth accents and dense, talky lyrics: - Washington City Paper

The mostly-DMV group Gods'Illa has been puttin' in the work lately. "Grey Skies," its contribution to the Beats and Lyrics 2 Go mixtape—from Atlanta's A3C organization—has a nice combo of golden-era jazz-action, trippy synth accents and dense, talky lyrics: - Washington City Paper

Whatup World…

The following artists are who I consider the “The Future”….the torch carriers that will carry us into the next generation of hip-hoppers(I aint puttin my team because I’m biased, lol)…..just my thoughts man…..just my thoughts

In No Particular Order

J.Cole-Fayetteville, NC

Pac Div-Los Angeles

Cyhi Da Prynce-Atlanta, GA

Kendrick Lamar-Compton, California

Kourvosier-Durham, NC

Skewby-Memphis, TN

Gods’Illa-Washington, DC

Big K.R.I.T.-Meridian, MS

Laws-Tampa, FL

ADD2TheMC-Chicago, IL

Wreckin’ Crew-Durham, NC

Fashawn-Fresno, CA

D Black-Bronx, NY

that is all…..I think…. - 9thWonder.com

A glacier could never survive in this weather, right? Tell that to Gods’Illa, a Forestville trio whose new single, “Glaciers,” is a heater focused on delivery, not depth. The three-minute track, with a driving bass drum provided by Joe D., is full of memorable verses, none more remarkable than those of Powerful Rasheem and Acem Eternal Mind. “If you’re following fads, I’m glad/If it wasn’t for y’all, I wouldn’t be God,” Powerful raps. “My brother’s graduatin’ higher education/ miminal celebration/ eviction’s what we facin,” Ace says.

“Glaciers” is a standout track on an impressive album, and a small reason to hang on to hip-hop. Hell, even the group’s brother Victorious Jihad (who doesn’t rap) tries to get a little as the album version concludes. - Washington City Paper

A glacier could never survive in this weather, right? Tell that to Gods’Illa, a Forestville trio whose new single, “Glaciers,” is a heater focused on delivery, not depth. The three-minute track, with a driving bass drum provided by Joe D., is full of memorable verses, none more remarkable than those of Powerful Rasheem and Acem Eternal Mind. “If you’re following fads, I’m glad/If it wasn’t for y’all, I wouldn’t be God,” Powerful raps. “My brother’s graduatin’ higher education/ miminal celebration/ eviction’s what we facin,” Ace says.

“Glaciers” is a standout track on an impressive album, and a small reason to hang on to hip-hop. Hell, even the group’s brother Victorious Jihad (who doesn’t rap) tries to get a little as the album version concludes. - Washington City Paper

“If I’m not nice on the mic, then show me somebody who might… give me some competition/let me hear something that’ll make me wanna listen/’cause everbody hustlin’ and everybody spittin’/everybody smokin’ and everybody sippin’/I’m powerful, I strive to do different (listen)/So who readin’, who writin’, who teachin’/who keepin’ all of you out the streets when/guns and drugs is giving them a reason to run around acting like a heathen (damn!)/I’m still in B’more, so yeah, I’m still believin’ that wack rap cats’ll fall back (and) stop speakin’”

Not even half way through the first full-length song on this album and I was sold. You’ll see their name and think “okay, they’re a spiritual group because they feel that God is illa (iller) than all.” While that may be true, being spiritual or even Christian is not the running theme. Now others might be saying “aah, just like Ol’ Dirty Bastard once said, the black man is God, so does that mean that these guys feel that being a self-proclaimed God is iller than most, and if so, more than who?” Whatever the proper definition of their name is, what I do hear on Gods’illa: The Album is the kind of rhymes, flows, and production that brings to mind the best of groups like Heltah Skeltah, Originoo Gunn Clappaz, Smif-N-Wessun and Black Moon. In other words, there’s a sense of brotherhood and friendship that comes from being together for a few years, it doesn’t sound like a rush job or something manufactured. Each of the guys have distinct voices so it’s not like you’ll hear this and go “now is this verse from the same guy I just heard rhyming for the last 45 minutes”, I myself like hearing individuality in their deliveries and I do hear it here. As they say in “Glaciers”, it’s all about blasting “verbal shots” because they may be “slaving for paper” due to the fact that they still have to be grinding in order to survive. They are willing to fight in order to make a living, and that fight is done in the means of writing intense lyrics.

With that said, don’t expect them to come off as 24/7 street soldiers or anything like that, they do manage to have a bit of fun and spirit in a Pharcyde sense, but also don’t take that to sound like they’re rhyming nothing but jokes in high pitched voices. There’s just an attitude that I like because it sounds as if they’re all in the same room, making smirks at each other, and going “yeah, I wanna out do you for the love of what we as a collective represent.” When you have special guests dropping rhymes with Acem, Truth and Powerful, they become a part of the family too, it doesn’t sound like any of them are trying to 1-up on each other for the sake of future credibility on their resumes.

Gods’illa will hopefully continue to do what it takes to get themselves heard, but I hope this i no way diminishes the united spirit I hear here. They sound hungry, and that makes this even more of a vicious attack on the senses, as the verse I quoted above shows. What’s the time? Yes, it’s time to get Gods’Illa.

- This Is Book's Music

Gods'Illa featured in Aug/Sept. 2010 issue of The Source magazine. - The Source

Gods'Illa featured in Aug/Sept. 2010 issue of The Source magazine. - The Source