Famey
Philadelphia, Pennsylvania, United States | Established. Jan 01, 2014 | INDIE
Music
Press
Philly’s Famey Miscellaney may be a relative greenhorn in the game (and a newcomer to The DJBooth), but his allegiances lie with a bygone era of pop culture. In fact, he considers himself a Poster Child for 1990s revivalism. On this freshly-minted mixtape standout, the WondaMusic signee looks back on a childhood steeped in the music, fashion and television of rap’s Golden Age. Feeling it? More retro-informed bangers await on MCMXC (1990) Vol. 1, available online as of May 27. - Dj Booth
We can all stop complaining about how much we miss the 90’s and how much better everything was “back in the day” now, because Philadelphia’s own, Famey Miscellany has just satisfied so much nostalgia with his MCMXC (1990 for those of you who can’t read Roman numerals, like me) Vol. 1 mix-tape. This project is pretty dope, not only because of the whole return of the 90’s concept that every rapper under 25 has adopted, but because Famey (or B as he’s known) created a story out of this mixtape. To quote his website, “MCMXC Vol. 1 is beginning of the nostalgic journey” using the “Nickelodeon Days” as his setting.
Y’all remember waking up on the weekend, being geeked to spend half of your day watching Nicktoons and eating Frosted Flakes, and the other half outside playing in the streets with your friends? Well the “Cartoons and Cereal (Intro)” is exactly that. The second track, “Posterchild” plays out like something from the Illmatic cutting room floor. Don’t assume that’s a diss either, not too many rappers could make a track worthy of being a Nas throwaway, Posterchild has everything it needed to be great in ’94, except actually being around in ’94.
“Sega Genesis” is where MCMXC Vol. 1 gets lit, as the sound of Famey blowing into that Sega cartridge to make the game work filled my 24 year old body with so much joy, I may just hit a pawn shop after work to cop one. The game in question by the way, is Sonic 2 and between Famey’s slightly morose, yet sentimental lyrics and the background noise of video games mixing in with the production, it’s a bit much. Not necessarily in a bad way, but B touches on a lot of the oft-ignored memories of 90’s babies: broken households and being raised by grandparents due to the crack epidemic that left many of our 80’s era parents absent; and our codependency on video games and entertainment as a way to cope with the violence that urban neighborhoods were notorious for back then.
Speaking of urban neighborhoods in the Pac and Biggie era, there was nothing better to me as a kid than being able to go outside. Maybe I was being fast, maybe I was sick of my grandmother, I don’t know, but walking up and down the road everyday in the summer with my crew was the highlight of my childhood. We ate seeds, we posted up at the courts, and we got in trouble. While “Peachfuzz” isn’t necessary about those things, in that order, it does chronicle Famey’s adolescence, a time for him when he was busy being out and about, and becoming a man.
Not only does he accomplish this, but by the end of the mixtape, Famey gets the girl (“Go Head Girl”) by hopefully, singing Blackstreet’s No Diggity, No Doubt to her in front of all his homies. What makes MCMXC Vol 1 so wonderful, is that it isn’t necessarily a story about how a boy becomes a man, but in Famey’s case, it’s about how a boy becomes the man. The best part about this project is the length. It’s only six tracks long, including the two intros. MCMXC works despite this, and I think Vol 2 has the potential to be dope as well, if and only if, Famey stays succinct. Too much nostalgia and stale, repetitive 90′s- sounding beats have crippled rappers before. Don’t mind me though, check it out for yourself; I was sold on the Hey Arnold! references alone.
B-
Best Tracks: *It’s six tracks long, they’re all pretty decent. - Sophisticated Ignorance
If you remember blowing in your Goldeneye 007 cartridges to play on your Nintendo 64, this mixtape is for you. Phildelphia's own Famey Miscellaney has got the 90's concept down pat in all 6 tracks on debut mixtape MCMXC (1990) Vol. 1. Take a good listen and tell us what you think. - Hot97
BET Music brings you the newest and hottest artists every month performing live from NYC. This showcase features Trevor Jackson, Detroit Ché, Famey, Eddie White and Yah Yah. This stream contains explicit language. Viewer discretion is advised. - Bet.com
Discography
Still working on that hot first release.
Photos
Bio
Born and raised in Philadelphia, “Famey” has been making music since the age of ten.
In 2001, Famey auditioned and was named a finalist on the syndicated music television
show “Showtime at the Apollo” in Philadelphia. Famey struggled his way to graduation
from Pennsauken High School in 2008. After graduation, his career gained considerable
momentum in 2008 when he sold out a series of local venues and two of his songs were
played on rotation by Sirius XM, Philly’s Power 99 and Brooklyn College Radio.
Nominated for “Best Local Album” at the 11th Hour Readers’ Choice Awards.
In 2011, Famey versatility and passion for music and visual arts landed him a recording
contract with Grammy award winning producer Jerry ‘Wonda’ Duplessis. In August
2011, Famey founded the Miscellaney Music Group incorporating artists, music
producers, songwriters, graphic designers, poets and talented speakers with a common
goal to “open people’s eyes and ears to a greater experience of music and art.” In the
midst of the 2011 Occupy Wall Street movement, Famey "Miscellaney" released his
music video for “Change the World” featuring esteemed singer/songwriter Sean McGee. The song preached to youngsters, urging “hustlers in the ghetto to the babies in Haiti to
the kids who never settle for the word ‘maybe’” to make the world a better place.
“Change the World” received over 29,000 hits on YouTube. In 2012, he released a
video for “Somebodyish Nobody” that has gained over 65,000 hits. Famey's music does
not reflect that of the average urban rapper replacing clichés, violence and materialism
with soulful melodies & sincerity. Most of his music reflects his talent, edginess and the
struggle of anything but ordinary lifestyle.
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