Darry Miller & The Veil

Fly Magazine is distributed free to more than 820 locations throughout Central PA. See our distribution list for a location near you.



Darry Miller
Published: October 2009
Story: Jeff Royer
Photo: press photo

Lancaster native Darry Miller’s development into a musician seems to have been a matter of both nature and nurture.
The son of a musician (his dad played in early ’90s band Hidden Faces), Miller was pounding away on his first set of mini-drums by the age of 3. The drums were followed by piano, which was followed by saxophone. But it wasn’t until his 8th grade year, when Miller learned his first few chords on guitar, that he started to blossom into the curiously seasoned-sounding musician he is today.
“I became very interested in the instrument, its versatility,” Miller says. “It was the perfect medium. However, I was shy about singing throughout high school.”
A breakout performance at a school battle of the bands soon cured Miller’s bashfulness, and before long he was gigging around Lancaster at whatever cafes and coffeehouses would have him. His career gained almost instant momentum thanks to Miller’s pop-smart, AAA radio darts, tossed with John Mayer-like precision at the hearts of both teenage girls and the moms that drive them to the record store. Polished, yet antsy with youthful passion, Miller’s music has the winning boyish charm of the football captain that even the haters secretly admire.
“I’m drawn to bands with powerful and honest lyrics,” Miller says. “I’m also hung up on the use of instrumentation and the dynamics and composition of a song. Things like banjo, strings, brass, mandolin, that hold tradition within certain genres but can be used in styles that people don’t always expect. A well-planned surprise is always nice.”
Among Miller’s earliest fans was the head of indie label Ripple Records, who signed the young lothario and send him into the studio with a supporting cast that included a former member of Lifehouse and a session drummer who’s played with everyone from Black Eyed Peas to Pat Benatar. Miller’s also been shuttled around between L.A., New York and Austin to work with various producers on his forthcoming debut album.
“I’m taking this 110 percent seriously. With the right resources, and presenting oneself with the right opportunities, coupled with an ungodly amount of hard work, the sky’s the limit,” Miller says. “I’ll take this way farther that most skeptics think is possible. Regardless of where this journey takes myself and whoever’s along for the ride, it’s gonna be a ton of fun, and that’s the most important part.”



- Lancaster Barfly Magazine

Fly Magazine is distributed free to more than 820 locations throughout Central PA. See our distribution list for a location near you.



Darry Miller
Published: October 2009
Story: Jeff Royer
Photo: press photo

Lancaster native Darry Miller’s development into a musician seems to have been a matter of both nature and nurture.
The son of a musician (his dad played in early ’90s band Hidden Faces), Miller was pounding away on his first set of mini-drums by the age of 3. The drums were followed by piano, which was followed by saxophone. But it wasn’t until his 8th grade year, when Miller learned his first few chords on guitar, that he started to blossom into the curiously seasoned-sounding musician he is today.
“I became very interested in the instrument, its versatility,” Miller says. “It was the perfect medium. However, I was shy about singing throughout high school.”
A breakout performance at a school battle of the bands soon cured Miller’s bashfulness, and before long he was gigging around Lancaster at whatever cafes and coffeehouses would have him. His career gained almost instant momentum thanks to Miller’s pop-smart, AAA radio darts, tossed with John Mayer-like precision at the hearts of both teenage girls and the moms that drive them to the record store. Polished, yet antsy with youthful passion, Miller’s music has the winning boyish charm of the football captain that even the haters secretly admire.
“I’m drawn to bands with powerful and honest lyrics,” Miller says. “I’m also hung up on the use of instrumentation and the dynamics and composition of a song. Things like banjo, strings, brass, mandolin, that hold tradition within certain genres but can be used in styles that people don’t always expect. A well-planned surprise is always nice.”
Among Miller’s earliest fans was the head of indie label Ripple Records, who signed the young lothario and send him into the studio with a supporting cast that included a former member of Lifehouse and a session drummer who’s played with everyone from Black Eyed Peas to Pat Benatar. Miller’s also been shuttled around between L.A., New York and Austin to work with various producers on his forthcoming debut album.
“I’m taking this 110 percent seriously. With the right resources, and presenting oneself with the right opportunities, coupled with an ungodly amount of hard work, the sky’s the limit,” Miller says. “I’ll take this way farther that most skeptics think is possible. Regardless of where this journey takes myself and whoever’s along for the ride, it’s gonna be a ton of fun, and that’s the most important part.”



- Lancaster Barfly Magazine