Bonnie Ste-Croix
Halifax, Nova Scotia, Canada | AFM
Music
Press
“With her rich voice and evocative lyrics, Bonnie Ste-Croix is about to cement her position as one of Canada’s premier singer/songwriters with her new CD…Ste-Croix blends emotions and imagery in a way that feels both universal and intensely personal. There are subtle flavours of Canada’s varied and rich musical culture, while the overall whole remains distinctly folk and roots Canadiana.” - Serafin LaRiviere, Xtra National
“…a great album … Ste-Croix captures the character of each region. Thus, “You’ve Already Got What You Need has some thrilling aboriginal vocals by the Northwest Territories’ Leela Gilday, and the track, “Harvest,” recorded in Prince Edward Island oddly sounds like something Stompin’ Tom Connors would have done. Her best album.” Tom Harrison, The Vancouver Province - Tom Harrison, The Vancouver Province
Ste-Croix is “…blessed with a warm, inviting alto and an intuitive feel for how the human heart works.” Stephen Cooke, The Chronicle Herald - Stephen Cooke, The Chronicle Herald
“Bonnie Ste-Croix's wonderful new album, Canadian Girl, ..(has) 46 musicians featured on the album but the sound is remarkably cohesive, based on Ste-Croix's strong melodies, thoughtful lyrics and appealing voice........the songs flow easily and naturally.” Lynn Saxberg, Ottawa Citizen - Lynn Saxberg, Ottawa Citizen
"...the songs are of strong quality throughout. In the end, it turns out to be a high-quality celebration of the folk and-roots community of the country...right up there with "Something to sing about, this land of ours." Bob Mersereau, CBC - Bob Mersereau, CBC, author of two national best-selling books, The Top 100 Canadian Albums & The Top
“The entire album is incredible. People just don't make albums like this anymore.” Glenn Misner, CBC, Atlantic
Airwaves - Glenn Misner, CBC
Here I Am is easily one of the best albums of 2007, period
author: John Book, Music For America
If you've made it through this point in the column so far, you will notice that there's a lot of Canadian music being reviewed. Let's add another by a woman who has been making music since the early 90's, but was unfamiliar to my ears until recently. I will have to say this, the reason by Bonnie Ste. Croix has been around for so long is due to how moving and powerful her music and voice is. Here I Am (self-released) may become one of my favorite albums for a few reasons. Her voice is very moving in the Sarah McLachlan sense, but that was a first impression. As one takes a more intense listen to her music, one gets a better impression of her as a singer, and perhaps as a person. When the album begins with the title track, the listener is off for a ride that is a joy to be a part of. She's a woman who doesn't like to stay around in one musical place at any given time, one song may be awash in lush keyboards, another may have crispy beats sampled and looped while a mandolin and slide guitar dance with each other, other times she may reach for the heartstrings with a country song, as she does in "Stay". Then she'll turn around and head towards the darker depths of electronica in "Another Day", and that's the exception to the rule, most of her music is rootsy and organic Even when she does go electronic or does a song that may display a bit of Pink Floyd's "Welcome To The Machine" in the shadows, her voice remains the same in any texture, sounding comfortable in each one. There's a confidence in her voice that is very warm, and while she may reveal lyrics that touch on uncertainty and fear, Here I Am proves that this is her on her own path, walking down fearlessly.
- Music For America
¡° Ste-Croix is a talented singer-writer whose latest CD, Here I Am, neatly balances serious pop with a rootsy type of rock. Nicely done.¡±
Tom Harrison
The Province Newpaper
Vancouver, BC - Tom Harrison
Review by William Ackerman
"I met Bonnie Ste-Croix when I attended the Music West Conference in Vancouver as a speaker and a panelist. By far the most promising talent I heard that day was Bonnie Ste-Croix and the feedback from the other panelists confirmed that my opinion was shared by the others. Her focus and discipline toward this endeavor is not less important in the real world than her talent. As a producer for artists such as Patty Larkin and John Gorka, among others, I feel qualified to offer the observation that Bonnie Ste-Croix is deserving of whatever resources will add to the momentum of her work and her career?I consider myself a fan."
Will Ackerman, CEO Imaginary Road Records, Founder of Windham Hill Records
- Music West Conference Follow Up
"Ste-Croix wanders around soul-deep like Christine McVie but with a rain and sunshine coast Shari Ulrich-like sensibility."
Warren Footz, SEE Magazin. Edmonton
- SEE Magazine
"Bonnie's thoughtful, self-penned creations blend contemporary and soul music, delivered in a voice possessing the anguish of Annie Lennox, the passion of Chrissie Hynde, and the tender innocence of Janis Ian."
B. L. Whitehall,
The Georgia Straight.
Vancouver BC
- Georgia Straight
"Bonnie Ste-Croix evokes big-city paranoia and does a credible Fiona-Apple-in-detox on "Another Day."
Shawn Conner,
The Georgia Straight.
Vancouver BC
- Georgia Straight
Bonnie Ste-Croix's songs are "... strong, personal, intense, introspective and spiritual all at once... Jann Arden fans take note." Ralph Alfonso, Monthly Music Publication. Vancouver - Ralph Alfonso
"The Gaspe Quebec native possesses the songwriting prowess of storytellers Dar Williams, Shawn Colvin and Tom Waits, with an immediately recognizable, smoky voice that fluctuates between a sensual bluesy Bessie Smith, an assertive country-tinged Mary Chapin Carpenter, and a heartfelt acoustic rocker Sarah McLachlan."
B. Whitehall
XtraWest
- B. Whitehall
"Produced by Vancouver's Bill Buckingham and featuring some of our best players, this is a rich amalgam of writing styles from a fine singer...songs like 'Berry Point Road" show loving attention to craft."
J.P. McLaughlin
The Province Newspaper
Vancouver, BC - John McLaughlin
Discography
Canadian Girl; Produced by Bill Buckingham & Bonnie Ste-Croix, 2011
Here I Am; Produced by Bill Buckingham 2007
Summer June; Produced by Ste-Croix/Zurba 2002
Flying High; Produced by Ste-Croix/Zurba
Love You Always; Valentine Records (Singapore)
Distribution: Taiwan, Thailand, Indonesia, Philippines, China, Korea.
Vancouver's New Music CD Z95.3 FM Compilation
Earotica; Music West Compilation
Grrrls with Guitars, Grrrls with Guitars Records
Photos
Bio
Traveling across Canada is something many artists do, but traveling across Canada to record one song in each Province & Territory with guest artists from each area, is quite another thing. Bonnie Ste-Croix has done just that. And all under her own steam. Her guest artists on the album include a veritable who's-who of Canadian Folk-Roots music including Stephen Fearing, Natalie MacMaster, Leela Gilday, The Once, the Inuksuk Drum Dancers, Laura Smith, Catherine MacLellan, Shari Ulrich, Joel Fafard, Lynne Hanson, Kate Reid, Kim Beggs, Marie-Josee Dandeneau, The Fates, Brent Tyler, Dentdelion and Dale Boyle.
See Youtube for the 'Canadian Girl' Video depicting the recording process across the country http://youtu.be/cPt6NV-NVBg
“Blessed with a warm inviting alto and an intuitive feel for how the human heart works,” (Chronicle Herald) Gaspe-born Ste-Croix has indeed captured the heart and attention of the nation with her new concept album. In it, Ste-Croix’s mellifluous, honeyed vocals are layered over gorgeous harmony tracks and sweet, homespun acoustic roots instrumentation. If there’s such a thing as a timeless, classic, Canadian-sounding folk/roots album, Canadian Girl is it.
Having lived in Gaspe, Montreal, Banff, Vancouver and Halifax, Ste-Croix began to feel that all of Canada was her hometown. Wanting to capture that concept and preserve the idea by having it embedded in her musical history she created an album that weaves a strand of music across the country. For years, critics have lauded Ste-Croix's songwriting, stage presence and rich vocals; recognizing her proficiency in her craft, her charismatic presence, natural ease, and “…a voice that will stop you in your tracks.” Vancouver Courier. But 'Canadian Girl' not only exemplifies all those but puts her on a playing field with Canadian Greats, being compared to Gordon Lightfoot, Stompin' Tom Conners and Anne Murray. The album has done nothing but reel in rave reviews as an 'outstanding contribution' and 'inevitable essential in the fabric of Canadian folk music for years to come': “The entire album is incredible. People just don't make albums like this anymore.” CBC Radio “Wonderful new album...strong melodies, thoughtful lyrics and appealing voice...the songs flow easily and naturally.” Ottawa Citizen "...the songs are of strong quality throughout. In the end, it turns out to be a high-quality celebration of the folk and-roots community of the country...right up there with "Something to sing about, this land of ours." CBC Radio “...a great album (that) captures the character of each region. Her best album.” Vancouver Province.
The Details:
In September 2011, Ste-Croix launched 'Canadian Girl,' a collection of 13 timeless-sounding roots songs recorded in 14 different studios in 14 towns with a total of 46 musicians and singers from all corners of the nation.
Canadian Girl was conceived when the Gaspe-born singer-songwriter, whose roots-pop songs have several times crossed over to commercial radio, decided last year to move her family from Vancouver to Halifax to be closer to her ailing mother. As she contemplated the impending road trip, she realized just how at home she felt in each city of Canada and how much she looked forward to seeing her old friends and visiting her favourite landmarks. She began to see all of Canada as one big home town and decided to make an album to celebrate that idea.
While Ste-Croix and her family cleaned out the old home, packed boxes and filled their trailer with camping gear, she also began making phone calls – booking studio time in each province and inviting artists to join her there. Traveling across the country, she stopped in the Western Provinces and recorded. Then, as soon as she’d settled into Halifax, she went back out on the road, hitting the provinces and territories she missed along the way and recording tracks with some of those regions’ best-known exports.
The players include multiple Juno-winning fiddler MacMaster, WCMA-winning guitarist Joel Fafard, Juno-winning singer-songwriter-guitarist Fearing (on the Six String Nation guitar), and legendary Quebec fiddler Claude Methé – along with his family band, Dentdelion. The voices include ECMA-winner MacLellan, B.C. Entertainment Hall of Famer Shari Ulrich, Juno-winning Yellowknife artist Leela Gilday, two-time CFMA-winning Newfoundland singers The Once, and WCMA-nominated Yukon songwriter Kim Beggs.
Ste-Croix eschewed writing pieces that would mimic regional styles, choosing instead to stick with her time-tested blend of story songs and personal narratives with messages as enduring as the album’s sound. Throw in plenty of lyrical references to local landscapes and you get a pure, sweet, joyful-sounding collection of Canadiana.
Ste-Croix was born into a musical family in Gaspe, Quebec and showed promise as a vocalist from the age of six. Her debut album, Flying High, released in 1996, was in heavy
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