Brianna Gaither

Piano-based singer/songwriter is a pretty crowded genre, but Brianna Gaither stands head and shoulders above the competition. Her dynamic mezzosoprano can hit dusky lows and electrifying highs, while her melodic songwriting is hard to forget. Her set at the Buffalo Lounge featured her on piano accompanied only by a cajon, and it was still a riveting performance.

She played through several tunes from her debut album Love is Patient, then treated the audience to a new tune. Most of the songs on Love is Patient are pensive, moody pieces, but the new tune was upbeat, more in the vein of Ingrid Michaelson or Regina Spektor. I enjoyed it immensely, and am looking forward to its recorded version (which can't come soon enough)!

Even though the first few songs of the set were quieter, darker pieces, Gaither and percussionist Kelcy White were consistently smiling. It's fun to be at a set where the band is having fun, and there's no question that Gaither and White were loving the experience. They probably smiled a bunch during the last song too, but I was bouncing about and smiling and having a great time myself; I wasn't paying as much attention to the band. It was an incredibly fun set, and that's rare in singer/songwriter sets, which are often all about the self-expression and self-discovery and stuff. And if Gaither's songs are about that, she's inviting people in for the party, not for the cryfest. Fans of Spektor, Michaelson, and other bouncy pop songs should be intrigued. - OKSee

#21 There are few artists who hook me from the opening seconds of a release, but Edmond native Gaither's astonishingly mature “Love Is Patient” puts delicate piano playing, a shuffling snare and an evocative alto voice on full display before a minute is up in "Find You." Her attention to detail creates a consistent mood throughout that is rare for a debut album; if this is what she can do on her first LP, she's got my vote for best new artist. - OKSee

#21 There are few artists who hook me from the opening seconds of a release, but Edmond native Gaither's astonishingly mature “Love Is Patient” puts delicate piano playing, a shuffling snare and an evocative alto voice on full display before a minute is up in "Find You." Her attention to detail creates a consistent mood throughout that is rare for a debut album; if this is what she can do on her first LP, she's got my vote for best new artist. - OKSee

I’m incredibly excited that I’ve finished my year-end lists actually correspond with the end of the year. Without further pontificating, here’s the first half of the year’s best.

Honorable Mention: LCD Soundsystem - Madison Square Garden Show. It’s not an official release, but it proves that the tightest live band in the world only got tighter with time. “Yeah” is an absolute powerhouse.

20: Beirut – The Rip Tide. The mellower, less brash Zac Condon won me over.

19: The Antlers - Burst Apart. Mostly because “Putting the Dog to Sleep” is my favorite song of the year, although the rest of the album stands up well.

18: Gray Young – Staysail. Post-rock with heart and technical abilities.

17: Bon Iver - Bon Iver. It took a while to grow on me, but now I think that Vernon out-James Blaked James Blake.

16: David Ramirez – Strangetown EP. Moving songwriting, evocative lyrics and a beautiful voice make this a brilliant collection of tunes.

15: Restorations – Restorations. The sound of punk rockers growing old without giving up.

14: Battle Ave. – “War Paint.” A more indie-fied Titus Andronicus? Sign me up twice.

13: Brianna Gaither – Love is Patient. Piano-led singer/songwriter fare rarely sounds this confident, powerful or memorable.

12: Pete Davis – The Pottsville Conglomerate. The instrumentation of Sufjan Stevens meets the acrobatic enthusiasm of a pop-punk band. Fireworks ensue.

11: Oh Look Out! – Alright Alright Alright Alright Alright. Electrifying, intricate indie-pop that loves video games just as much as music. “Kam” is brilliant.
- Independent Clauses

I’m incredibly excited that I’ve finished my year-end lists actually correspond with the end of the year. Without further pontificating, here’s the first half of the year’s best.

Honorable Mention: LCD Soundsystem - Madison Square Garden Show. It’s not an official release, but it proves that the tightest live band in the world only got tighter with time. “Yeah” is an absolute powerhouse.

20: Beirut – The Rip Tide. The mellower, less brash Zac Condon won me over.

19: The Antlers - Burst Apart. Mostly because “Putting the Dog to Sleep” is my favorite song of the year, although the rest of the album stands up well.

18: Gray Young – Staysail. Post-rock with heart and technical abilities.

17: Bon Iver - Bon Iver. It took a while to grow on me, but now I think that Vernon out-James Blaked James Blake.

16: David Ramirez – Strangetown EP. Moving songwriting, evocative lyrics and a beautiful voice make this a brilliant collection of tunes.

15: Restorations – Restorations. The sound of punk rockers growing old without giving up.

14: Battle Ave. – “War Paint.” A more indie-fied Titus Andronicus? Sign me up twice.

13: Brianna Gaither – Love is Patient. Piano-led singer/songwriter fare rarely sounds this confident, powerful or memorable.

12: Pete Davis – The Pottsville Conglomerate. The instrumentation of Sufjan Stevens meets the acrobatic enthusiasm of a pop-punk band. Fireworks ensue.

11: Oh Look Out! – Alright Alright Alright Alright Alright. Electrifying, intricate indie-pop that loves video games just as much as music. “Kam” is brilliant.
- Independent Clauses

With thousands of votes submitted, the people have spoken! These winners are your winners of Oklahoma Gazette’s Woody Awards for 2011!

BEST IN ROCK
The Non
The Non describes itself as “experimental,” and obviously, its four members’ willingness to stretch boundaries has paid off. That the band does it without words — being instrumental — makes it all the more amazing, crafting melodic soundscapes that move listeners’ minds as they quicken the pulse — from 2007’s debut, “Paper City,” to the recent “Tadaima.” That means “I’m home” in Japanese, and we’re fortunate that our home of Oklahoma City is also The Non’s.


BEST IN POP
Brianna Gaither

Brianna Gaither’s piano-based pop songs have an unusual depth to the songwriting, arrangement and lyrics. The tracks on the OKC songstress’s new debut album, “Love Is Patient,” have made many around the metro impatient to see and hear more from this young talent. With a tempered optimism powering her tunes, Gaither doesn’t fly a feminist flag or sell boy-crazy antics. Count us in, impatiently.

BEST IN FOLK
Samantha Crain

Shawnee is known for creating flour, not music-blog darlings, but the Crain dropped one off when the stork was on vacation. Samantha Crain’s emotive tunes have propelled her to real-world recognition in and out of the state, touring with national and international acts First Aid Kit, Murder by Death and Thao Nguyen. Her acoustic sound is occasionally fleshed out by her band, The Midnight Shivers, which are what you get when you hear her unique voice.

BEST IN METAL
Rainbows Are Free

Remember all that recent online hoopla over the “double rainbow” video? We’re more inclined to flip out over Norman’s men of metal, Rainbows Are Free. The riffs behind RAF recall classic stoner rock of yesteryear, but with a touch of the today. The band’s latest album, “Believers in Medicine,” is out now on homegrown label Guestroom Records Records, and may be just what Dr. Feelgood ordered to wake you the hell up.


BEST IN JAZZ
Jacob Fred Jazz Odyssey

As its name suggests, the Tulsa-based Jacob Fred Jazz Odyssey has taken listeners in unusual directions to interesting sonic destinations since its inception in 1994. That continues with the progressive quartet’s recent recording of a suite based on the historic Tulsa race riot of 1921, which it will premiere live in May. Think Michael Bublé has the balls to do that? (That’s rhetorical, but the answer’s still “no.”)


BEST IN BLUES
Blues Tiger Band

Blues Tiger Band shows its stripes, bringing its Oklahoma-fried version of bluesy rock to the metro’s masses. And those masses respond to Blues Tiger Band’s energetic live shows with gusto. These aren’t “so that’s why they call it the blues” blues. These are gritty, loud, crowd-interactin’ blues that will take your breath away and make you wanna pounce. Rawr!


BEST IN COUNTRY
Camille Harp

Camille Guitar might be a better moniker for this OKC songwriter, as the six-string and strong vocals are the building blocks of her sound. She writes everything from drinkin’ honky-tonk to drinkin’ ballads. If you’re able to do something else while you’re listening to her riveting voice, you’re probably deaf. And we mean that, too, but in a nice way. *Hic!*


BEST IN RAP/ HIP-HOP
Jabee

The 405 rapper Jabee is nothing if not prolific. Last December, he gifted the rhyme-hungry among us with his “Lucky Me” mixtape for free. Ever since, he’s filled our inbox with links to sweet new music on a regular basis. He calls the tracks “joints,” so smoke ’em if you’ve got ’em. Plus, anyone who appears on the cover of his album eating a bowl of Froot Loops is A-OK with us.

BEST IN R&B
Shortt Dogg

Shortt Dogg’s soulful take on R&B never comes up short. The ninemember band pulls off slinky, soulful R&B, as well as upbeat funk, smooth jazz and more. Lead by bassist Johann Kimbro, the group’s tight sound purrs and hums more than barks. With three- and four-part vocal harmonies above the instruments, this pack knows how to beat the dog days of summer: with cool songs.


BEST IN ELECTRONIC
Kite Flying Robot

Behind one of the most headscratching names in the metro lies subtle, smooth, electronic-based tunes for this Tulsa/Oklahoma City group. But past the Robot’s beats and keyboards exists a human heart of trumpet, violin and more. Hey, robots have feelings, too, right? Even if they’re “Solid Gold,” as this robot’s latest album was? Yes. Yes, they do.

BEST DJ
Crystal Vision

You’re not blind to the truth if you can imagine yourself on the coasts during a Crystal Vision set. The DJ duo’s bassheavy, wobbly tracks and remixes fit in right on the edge of what’s happening in electronic music these days. Things are looking up for the act, as it has a sweet gig at XIIIX Lounge’s Robotic Wednesdays, a full lineup of remixes to its name, and a WTF website at catspank.com. Here’s to hoping Crystal Vision tours with Crystal Method, to - Oklahoma Gazette

Piano-based singer-songwriters are a dime a dozen, so it’s always a shock when one immediately jumps out from the first seconds of a track. Edmond native Brianna Gaither’s “Find You” does that immediately, kicking off her brilliant “Love Is Patient” album with a bang.

“Find You” opens with a pensive piano line, haunting guitar and a propulsive snare/ kick beat that creates intriguing tension between the urgent rhythm section and the casual melodic instruments. Then, her lilting voice comes in, residing somewhere between the songbird tone of a true soprano and the dusky tones of an alto. It’s a jaw-dropping voice, commanded with a maturity that ignores the fact that this is a debut album.

Most singer-songwriters can’t pull of a five-minute tune without getting repetitive, but Gaither does it four times in eight tracks. Impressively, the two longest tracks (“Find You,” “Faithful”) are the strongest. Her lyrics are taut as well; she pulls off timeworn themes — “Home” describes a lover as her residence, while “Harvest Moon” is a “get over that boy” tune — with an earnestness and clarity that makes them feel new and vital. It’s icing, however; with a voice this strong, she could sing the phone book.

From the upbeat, lyric-intensive “Let It Go” to the pensive “Dreamer” and the brilliant “Faithful,” this disc doesn’t disappoint once. “Love Is Patient” is on my short list of the year’s best albums, local or no. More, please? Thanks. —Stephen Carradini - Oklahoma Gazette

Piano-based singer-songwriters are a dime a dozen, so it’s always a shock when one immediately jumps out from the first seconds of a track. Edmond native Brianna Gaither’s “Find You” does that immediately, kicking off her brilliant “Love Is Patient” album with a bang.

“Find You” opens with a pensive piano line, haunting guitar and a propulsive snare/ kick beat that creates intriguing tension between the urgent rhythm section and the casual melodic instruments. Then, her lilting voice comes in, residing somewhere between the songbird tone of a true soprano and the dusky tones of an alto. It’s a jaw-dropping voice, commanded with a maturity that ignores the fact that this is a debut album.

Most singer-songwriters can’t pull of a five-minute tune without getting repetitive, but Gaither does it four times in eight tracks. Impressively, the two longest tracks (“Find You,” “Faithful”) are the strongest. Her lyrics are taut as well; she pulls off timeworn themes — “Home” describes a lover as her residence, while “Harvest Moon” is a “get over that boy” tune — with an earnestness and clarity that makes them feel new and vital. It’s icing, however; with a voice this strong, she could sing the phone book.

From the upbeat, lyric-intensive “Let It Go” to the pensive “Dreamer” and the brilliant “Faithful,” this disc doesn’t disappoint once. “Love Is Patient” is on my short list of the year’s best albums, local or no. More, please? Thanks. —Stephen Carradini - Oklahoma Gazette

Every aspiring musician dreams of producing a full studio album. For senior Brianna Gaither, that dream is now a reality.

Gaither will release her album with a live performance Jan. 29 at Bridgeway Backroom.

“I’ve had to work harder [on this album] than I’ve ever had to work for anything before,” Gaither said. “It’s just been so much work and so much fun; I’ve had more fun doing this than I’ve had doing anything. It’s definitely a huge payoff for the labor.”
Gaither’s passion for music began at a young age and has evolved into more than just a hobby.
“I’ve always been singing, and I’ve always been writing little melodies for as long as I remember,” Gaither said.
Aside from her singing ability, Gaither has also honed a talent for playing the piano.

“I started playing piano about six years ago,” Gaither said. “I took lessons when I was five, but I hated it so much that I never improved at all until I really wanted to improve, which was about six years ago when I started to rediscover the instrument and incorporate it into songwriting.”

She started performing a few months later and has continued to perform for the past five and a half years.

“I used to be terrified to perform,” Gaither said. “It’s been a huge battle with fear, and I accredit the success of that journey to God.”

Gaither took advantage of the opportunity to record a five-song extended play (EP) with drummer Kelcy White about two and a half years ago. They gathered the equipment to make the self-produced project sound as professional as possible.

“Kelcy White has partnered with me in both records,” Gaither said “He and I grew up going to church together, so I’ve always known him. I have been really blessed to come in contact and develop strong friendships with really talented people.”

White and Gaither used the experience making the EP as a springboard into a summer tour and, eventually, into a full studio album.

“There was a release party for the EP two years ago, and that was really my first experience with this type of concert for the purpose of releasing a project,” Gaither said. “But this is definitely a step up from that because it’s 100 percent professional. It’s a little bit different this time around.”

The duo put in countless hours to ensure the quality of the new CD. They began writing for the album about a year ago.

“At the end of [last] summer, we went to the recording studio,” White said. “We spent about a month in the studio and then another month or so of sending the album out to Nashville to be polished and mastered.”

All the time and effort dedicated to the production of the album not only shaped the final outcome but also improved the musicians.

“It’s been a year of the hardest work I’ve ever put into anything with Brianna,” White said. “This CD shows exponential growth for her as a musician and as an artist. Whereas the last album was an acoustic EP, this one shows her with a full band backing her and with really lush orchestral arrangements.”

Spoken word poet David Bowden will open for Gaither and her band at the release party. He will perform two small sets, including the debut of a few new pieces.
Bowden said he looks forward to being a part of the release party.

“Brianna is a passionate and talented up-and-coming artist,” Bowden said. “The music world won’t be able to keep her from being heard. She has an enchanting and unique voice with reflective and inspiring lyrics that fill it out. I have had the pleasure of hearing her new album, and it’s a real treat.”

Gaither finds inspiration from anything of significance in her life.

“As far as inspiration goes, there will be seasons of writing where I will feel like all the time ‘Oh this needs to be written down’ or ‘I need to get to a piano,’” Gaither said. “Then I’ll have seasons where I’m focused on other things. I’m very sure that the seasons, this journey, the ups and the downs, the hills and the valleys are all part of where God has me when he has me there.”

Although her music has Christian themes, Gaither would not categorize it as Christian contemporary because her goal is to simply write truth.

“My music is first and foremost about honesty,” Gaither said. “It’s about presenting something that’s real and something that’s honest. It’s from a very deep part of me, my life, my heart; wherever my heart is, that’s where my music ends up. Because I’m a Christian and because the Lord is so much to me and my life, it ends up being Christian music.”
Throughout the experience, Gaither has grown and changed, but the success has never distracted from her passion for music and performing.

“I’m at a point where occasionally there are doubts and fears and a sense of nervousness before a show, but I really love music and performing,” Gaither said. “I am delighted to share the things that God has shared with me. To have the opportunity to do that and to be in a position where I can express thoughts and feelings in ways tha - The Talon