Aficionado

It's written pretty clearly in the record books that punk rock started as a simplified movement in response to the bravado and over-the-top shenanigans rock had begun to dabble in at the time. Aficionado must be some fantastic mediators in that sense, because they've forced both styles into the room and made them settle their differences over the course of the band's promising sophomore EP, When It Comes To Creation.

Aficionado take those classic-rock influences—dig those incredibly Who-esque keys—and wed them with a punk-rock aggression and abandonment that sounds more celebratory than anything. Think Kay Kay And His Weathered Underground with a few faster moments and an indelibly energetic spirit. In fact, lead vocalist Nick Warchol sounds a bit like mid-period Cedric Bixlar Zavala—you know, the guy who moved swiftly from post-hardcore heroes At The Drive-In to progressive rock behemoths the Mars Volta. It's a pretty similar juxtaposition.

The result is five impressively creative tracks with moderately catchy hooks and layers of quirky yet controlled frenzy. And we're talking layers: three guitars; horns; flute; female vocals; and the aforementioned keys. Through it all, the band manage to unravel spastic verses (the title track), culminate things in a brassy bridge a la Cursive's Happy Hollow ("Do Nothing, Be Nothing"), and plod with deliberate, intense melodies and total guitar shredding set subtly in the background ("Naysayers"). When it comes to Aficionado's creation, it seems they're bringing punk through a minor evolution of sorts. - Alternative Press

...Opening up for the indie luminary is Albany, NY’s post-genre group Aficionado. They are a blend of all the things you love about indie rock and punk rock; charging riffs, audacious melodies, trouncing percussion, and lyrical quips that urge sing-alongs. With 7-players in the group there is an immeasurable well of inspiration and creativity that ensures melodious surprises in every song. As of 2010 they have signed with No Sleep Records, releasing their EP When it comes to Creation. After releasing that incredible extended play they wrote, recorded, and released their No Sleep debut LP this past month, aptly named Aficionado. With comparisons to At the Drive In, Cursive, The Hold Steady, and many other prodigious indie groups it’s no snap-judgment to expect BIG things for this band.
- Do312

Dentro del catálogo de novedades Premium para el 2011 se encuentra Aficionado, quienes hicieron su debut en este casi finado agosto con su primera larga duración bajo su mismo nombre. Una producción que de por si rebasa como atrayente cuando se escucha la cantidad de instrumentos que el acto de Albany New York desprende en sus componentes, de los que destacan el cuerno, la flauta y los teclados en adición a los instrumentos convencionales dentro de la música punk.
Subraye y repinte el vocablo convencional, término que se contrapone con los ideales reformistas dentro de un trabajo que no solo se autopresenta como una propuesta fuera de la base trend, sino que además cumple con lo establecido. Quien los viera tan aplicados.

“Es muy fácil ir a lo seguro y saltar al borde de la última tendencia, imitando el estilo exacto y el sonido de la banda favorita de todo el mundo de la semana. Es muy fácil de tocar en las manos de un grupo demográfico específico, sabiendo sin lugar a dudas en su mente que los chicos consumirán cada sonido y tinte en cada sing along. Pero ¿cuántas veces podemos caminar por los mismos rumbos de siempre? En algún momento, tenemos que romper con esa monotonía y hacer nuestro propio viraje. Tenemos que crear algo por nosotros mismos que es más que una venta rápida, barata y fácil. Algo que tenga muchas capas de diseccionar, descubrir y disfrutar. Esto es lo Aficionado se ha dedicado a hacer.”
Justamente el disco debut de Aficionado se compone por diez espectaculares temas de indie punk experimental, con el agrado de no solo escuchar la típica voz masculina inserta en la mayoría de bandas famosas, sino también de notar la presencia femenina en cuerdas con cada una de las canciones en modo dual, recordando de pronto actos como Lemuria o Rvivr.-La voz de Nick Warchol es fresca, sagaz y muy emocional, anuente a encajar desde temas rápidos y movidizos hasta los downtempos más desgarradores. La voz de Laura Carrozza es más dulce, suave y melosa, dando como resultado un integramiento real y encantador en cada una de las estrofas que componen.


El disco inicia con “The Things You Like”, el cual abre la clara brecha de un disco que no tiene absolutamente nada de gandul, con exquisitas composiciones melódicas que no recaen en ningún momento en modo hastiado. Mientras tanto”Stirk Like Hell” muestra su esencia más punk rock al ser uno de los temas más rápidos y fértiles en presteza, y asimismo por hacer brillar por primera ocasión con mayor detalle la apasionante voz de Laura. Posteriormente, al material le prosiguen una serie de temas más compuestos y ricos en experimentación, como”Evertything Was Right” donde destaca la batería más que nunca, en suma de la aparición de la flauta que le abre flote al disco, como diciendo Aquí hay algo más que interesante. “Grandfather” por su parte se caracteriza por ser uno de los temas más desgarradores en lírica y más apasiguados en velocidad. El bajo y la guitarra siguen predominando en tracks como “Confidence Is Intimidating” en complot con el teclado, el cual aparece como colado esporádicamente entre estrofas, mientras “Honesty” hace de las suyas con las guitarras y el canto de la flauta. El fragmento número 7 por su lado exhibe una de las composiciones más gustosas de todo el disco en cuanto a guitarras y que en conjunto con el sucesor ”permanent” y unos cuantos más me evocan de pronto a los melancólicas entonaciones de Adam McIlweede de Tigers Jaw. Antes de que se despida el álbum, el potente track ”Characters” destapa una vez más la sustancia de hardcore melódico en sus venas, entretanto, “Open Doors” parádojicamente cierra la puerta del material en su porción más rica y experimental.

Hoy Aficionado se presenta al mundo como una de esas bandas nuevas que se tienen que escuchar, mañana se recordará como una de esas bandas claves para reedirecionar cuando se necesiten cartas de referencia.

Veredicto: 9.5/10
- Surfing the Crowwd

Nestled neatly in between the punk, hardcore, thrash, Troy-core, and pop-punk genres that make up the Albany, NY music scene, you will find Aficionado. Part indie, part rock, and a little bit of experimentation, Aficionado are set to release their new full-length on the world and we have a new track to premiere for you.
After listening to and downloading "Falsified Inspiration," you will most likely figure out why No Sleep Records has taken interest. Their style is a mix of big guitars, male/female harmonies, anthematic choruses and a rock hook that you just can't shake off. It's a refreshing sound, boasts upbeat energy, and should get you excited for the forthcoming full-length.

Their new self-titled album was produced and recorded by AJ Mogis (Bright Eyes, M. Ward, Cursive) and will arrive July 26th via No Sleep Records.

You can pre-order a copy right here.

Be sure to catch Aficionado on the road this August-September with Tim Kasher. - FILTER MAGAZINE

A seven-piece from Albany NY you say? And they use lots of instruments and don’t sound like Arcade Fire? Do tell. On first listen, Aficionado’s sound is a bouncy uplifting style of emo. But underneath, like every tasty dessert, you’ll discover layer upon layer of goodness. Hello flute. Hello mandolin. Hello trumpet. Pleased you could make it. And across the record there is a fun whimsy to their instrumentation, the sound of Los Campesinos! meeting up with Bear Driver in a back alley for a dance contest.

They lull you into a false sense of rock security with tracks one and two, the fairly straight-up ‘The Things You Like’ and ‘Stir Like Hell’ and then gradually dip you further into the multi-layered soundscape as the album progresses. The flute on ‘Everything Was Right’ lifts it from being a good pop song into a cloudburst of sunshine and Wizz Fizz. You just can’t go wrong with woodwind instruments in popular music. They own this sound much like the Magic Numbers did with the melodica.

‘Honesty’ is a buzzing bundle of quirky riffage, while ‘Permanent’ re-defines the word ‘epic’, a searing forget-what-you’re-doing moment and unlike anything else here. Aficionado’s second trump card is their boy/girl harmonies, an absolute delight, especially on ‘Grandfather’ where their back-and-forth vocals float beautifully across driving percussion. Singer Nick Warchol (he be the boy) has perfected a snotty punk sneer, somewhere between Billie Joe Armstrong and Robert Smith while Laura Carrozza is part cutesy-pie part slap-you-in-the-face a la Hayley Williams, a ballsy chick with the voice of an angel.

Aficionado somehow manage to fall between Kerrang and 6 Music with their clever multi-instrumental folk-emo (femo?) – the problem is are they too high-brow for the indie kids and too low-brow for the middle-aged beardies? Either way this is a shiny happy collection of music.
- Midnight Mixtape (UK)

It does seem that usually when bands are disillusioned with their surroundings, music scenes or crowds unwilling to think for themselves, that frustration and anger manifests itself in angsty, unrelenting music. And then there is Aficionado, who are not so aggressive and cathartic, who take a more positive approach to writing music, but one that is no-less passionate or meaningful.

This passion is most evident in the lyrical basis of the album. Aficionado write about themes such as learning to deal with change, accepting ageing, thinking for yourself and trying to become a charismatic person, but they do so without presenting themselves as preachy or pretentious, instead they are the opposite, you can tell they're coming from a place of caring - they want things to be better; moreover, they are unafraid to question themselves, making their lyrics at all times tinted with an endearing humility and crafted with intelligence and sharp wit that makes the entire lyrical experience wonderful.

Right off the bat "The Things You Like" wastes no time in getting to point with all the dynamism and urgency of Rise Against, in a scathing indictment of the mainstream music industry. However, as this band has seven members, the punk-edge has been considerably toned down in order to give freedom to a wider array of instrumentation and influence.

As engaging as the lyrical aspect of this band is, and as infectious as the male/female vocal relationship that Nick Warchol and Laura Carrozza share is, the musicianship is arguably the most impressive facet of "Aficionado". With influences as diverse as Sunny Day Real Estate, At The Drive-In, Cursive and The Hold Steady, and I'm sensing some Hot Water Music, Queen and Jimmy Eat World, too, Aficionado's sound would fit into the parameters of what has become 'alternative', but they incorporate more unorthodox elements, such as the use of a flute, horn-parts and the organ to create a unique approach to walking on a familiar road. This is where this seven-piece set themselves apart; they've managed to marry experimentation with immediacy. They don't quite sound like anything else out there, but it only takes one listen to songs as catchy as "The Things You Like" and "Confidence is Intimidating" to become hooked.

You get the feeling the album deliberately builds towards the final three songs, ensuring it ends on a high-note. "Permanent" breaks from their more up-tempo format, instead opting for a stripped-back acoustic affair that gives Warchol's sincere voice - somewhere between Adam Lazzara and Chuck Ragan - room to shine, backed by layers of sweeping textures. "Characters" acts as little more than a jazzy introduction to the seven-minute closer "Open Doors", and isn't a song that can really be taken without leading into the closing epic, but that doesn't matter when the closing epic really is an epic. It combines the energy and passion of the previous nine tracks, however, it plays with the listener, in the sense that it threatens to spill the emotions over into a theatrical, Queen-esque climax a number of times, but when the finish actually does come it is more than worth the build-up it took to get there.

It's almost difficult to believe that "Aficionado" is only their debut, but it's not without fault. The final three tracks - the ones that experiment the most - are by far the stand-out songs. Whether this is due to the previous songs sounding similar, thus blending in together, or because they really are just great songs on an otherwise very good album, is up for interpretation. Despite the former point, Aficionado don't actually sound like anyone else out there. They've penned one of the most energetic, infectious, passionate, and thought-provoking records of 2011, and in doing so have innovated a niche for themselves in an overcrowded music scene.
- RockFreaks.net

My favorite band of 2010, Six Gallery, did a good deal of raving about a band from New York during their trips to Dayton last year. Little did I know that they were recommending the band that might top 2011’s favorites list. If Kansas’ The Anniversary had stayed the course of their debut, Designing A Nervous Breakdown, instead of dabbing on the patchouli and deciding they were indie rock’s answer to the Mamas and the Pappas or Fleetwood Mac, I imagine their output would have sounded a lot like Aficionado’s latest self-titled. They’ve delivered a real barn burner here – the album is fun, hooky, inventive and runs a gamut of influences from pop to post punk. Co-vocalists Laura Carrozza and Nick Warchol are a dynamic duo of sorts; her chirpy vocals are reminiscent of Stars’ Amy Millan, while his land somewhere between Against Me!’s Tom Gabel and The Bravery’s Sam Endicott. The lyrics cover a range of topics from people putting on a hipster facade (“The Things You Like”), a grandfather’s advice about where “home” is (“Grandfather”), and aging (“Permanent”). The band is known for their kitchen sink approach to music making as they’ve added brass and tripled up guitar lead guitar lines in the past so I was completely unsurprised to read that AJ Mogis (Bright Eyes, Cursive) produced and recorded the record. And I wonder if he guided the band towards some of their more risky choices here. For instance, a flute plays what would normally be a lead guitar line during the bridge of “Everything Was Right.” Although it conjures flashbacks to Jethro Tull, which is a little hilarious, it also works. Kudos to No Sleep for taking a chance on this band. They’re making music that people are going to remember and lyrics that people are going to keep under their pillows. Catch them out on tour this year with Tim Kasher and make Aficionado your favorite band too.

Recommended For Fans Of: The Anniversary, Against Me!, Stars, At The Drive In - You Indie

It’s not very often that an album is released that can really “wow” people. But on occasion, there is that one mind blowing album, something fresh, something new. This year, that album is presented to us by No Sleep Records’ Aficionado. Their debut self-titled full length is one of the most impressive albums of 2011. There is a ton of experimentation on the album, but it still maintains a catchy aspect to it, and that’s what makes it such a great album.

The band is one of the few seven pieces that utilize all members to their full capacity. The album is lead by frontman Nick Warchol’s vocals, which on occasion bear an Adam Lazzara-esque sound. Tracks like the opening duo “The Things You Like” and “Stir Like Hell” show off how great his voice works over the style of experimental-indie-punk instrumentation the remaining members of the group create.

But don’t assume Warchol’s voice is the only thing that carries this album. The brightest moments are actually in the musicianship. Flautist/vocalist Laura Carrozza demonstrates how much the flute can bring to a song on “Everything Was Right”. Not only does she steal the show on the track, Carrozza may have in fact performed the best piece of music Aficionado has ever written. “Confidence Is Intimidating” allows guitarists James Kehoe and Christopher Tenerowicz to show off their skill at it’s best, especially in the outro.

“Honesty” benefits greatly from the guest spot by Travis Shettel (TS and The Past Haunts, ex-Piebald). His vocals make the song one of the many bright spots on Aficionado, and add to what is probably the catchiest song on the album. The group slow down their near schizophrenic sound on “Permanent”. While the song doesn’t have the energy of the previous tracks, it’s still a powerful track. It’s during this song that keyboardist Craig Dutra is at his best. The keys are the most essential part of the song, and work greatly with Warchol’s vocals over them. One of the other highlights of “Permanent ” is the lyric “And I remember hearing fables about a fountain to make us ageless / A phony sense of security and confidence / We are not permanent / And for a while I didn’t give a shit, and I wasn’t scared of anything / Yeah, being naive sure had it’s benefits”, which is the most relatable and one of the most honest lines on Aficionado.

The musicianship is truly excellent on this album. Aficionado are experimental, but it still has emotion. It doesn’t feel like the members are showing off. It doesn’t feel like a competition. Every aspect of the album is super cohesive. The occasional dual vocals between Warchol and Carrozza works great for each vocalist, but isn’t so used that it makes those moments even better. Simply put, Aficionado have released one of 2011's best records.

Aficionado is available now on CD, vinyl, and digitally though No Sleep Records.

Tracklist:

1. The Things You Like
2. Stir Like Hell
3. Everything Was Right
4. Grandfather
5. Confidence Is Intimidating
6. Honesty
7. Falsified Inspiration
8. Permanent
9. Characters
10. Open Doors

For fans of: Cursive, I guess. It’s super unique and you should just listen to it.

Rating: 9/10 - I Am The Trend

Webster defines an Aficionado as a person who likes, knows about, and appreciates a usually fervently pursued interest or activity; a devotee. This month ESBMusic suggests all you music aficionados become a fan of November’s Artist of the Month Aficionado.
Aficionado is a talented 7 piece band, hailing from Albany, NY with roots in punk music but have developed a unique style that they are happy to call their own. The band mixes organ, flute, and occasional horn arrangements into it’s unorthodox blend of post-punk. Upon their inception in 2004, Aficionado began touring and self-releasing demos, but flew under the radar until signing with No Sleep Records early last Summer. In Fall of 2010, they had their first official release, When It Comes to Creation which included an everything-but-the-kitchen-sink instrumental approach.
When creating their newest record, they drew influence from an array of bands ranging from At the Drive-In, to Cursive, to the Hold Steady. Using these band’s influences combined with their own original sound, Aficionado has crafted a superb album for their self titled full length effort. Produced and recorded by AJ Mogis (Bright Eyes, M. Ward, Cursive), they have crafted 10 songs that are sharp and more compact then previous efforts, with less of an emphasis on wowing people with over the top antics and more of a focus on the songs themselves. Their label tout’s this album as having a lyrical basis that is centered on expositions of thinking for yourself, attaining what it takes to be a charismatic person, heeding to the realities of aging, and acceptance of change.
The record begins with “The Things You Like,” a track with emotionally charged lyrics, a catchy chorus and a tempo that constantly keeps you on your toes. It provides a good introductory track for the band, introducing you to the complementary vocals of Nick Warchol and Laura Carrozza, over a experimental indie-punk instrumentation provided by band member – Craig Dutra (Keys) James Kehoe (Guitar), Chris Tenerowicz (Guitar/Horns), Chris Kehoe (Bass), and Mark O’Brien (Drums).
The opener leads seamlessly into the next track “Stir Like Hell” possibly one of the best songs on the album. Blending piano, pivoting drum beats, quality guitar harmonies, and clever lyrics. The female only vocals that sweep in during the latter half really help the track shine.
“Everything Was Right,” my personal favorite and one of the strongest tracks, has a killer start with soft clean guitars before leading into Warchol’s aggressive vocals with piercing guitars riffs and then building into an energy filled chorus. This haunting ballad best showcases what the band is capable of solid lyrics, incorporating different tempos and a variety of vocal styling’s, with a multitude of instruments (including a stellar flute solo) all while leading you in unexpected directions.
Other standout tracks include: “Honest” a fun, catchy punk rock song with great instrumentals, and guest vocals by Travis Shettel of Piebald. “Confidence is Intimidating” which feature a strong ending consisting of dual vocals and a very interesting musical accompaniment. “Permanent” the slowest track of the album which features stand out lyrics and honest vocals that really make you connect to this powerful track. This song is unlike the other tracks and conveys a Dashboard or Against Me! like vibe really making you feel the emotion especially during the heartbreaking group vocal that brings the heavily acoustic track to a climax. This song also showcases keyboardist Craig Dutra at his best with the keys playing an essential part of the song, really complimenting Warchol’s vocals.
The album closes with “Open Doors” two minute long guitar riffs that fade the record out and leave you with feeling that you just discovered a new band worth following.
Overall the albums production is superb, with guitar tones that are satisfyingly gritty yet clear and good bit of experimentation that is sprinkled throu - EatSleepBreatheMusic.com

It must be mighty pleasant around the No Sleep Records headquarters. The indie label, stationed out of Huntington Beach, California, has been on quite a roll recently with the success of bands such as Balance And Composure, Into It. Over It., Koji, La Dispute, Tigers Jaw, and Touché Amoré. One can consider Albany, New York indie rock septet, Aficionado, a member of that aforementioned list. With the release of their new self-titled record, Aficionado is poised for an indie-rock takeover.
It becomes quite evident after one listen to Aficionado’s first track, “The Things You Like,” that the group is a full septet, as all seven members show off their chops. “The Things You Like” is anchored by the quick percussions of Mark O’Brien, the blazing guitar riffs of James Kehoe and Chris Tenerowicz—who also happens to be the band’s official mandolin and trumpet player—as well as the smartly placed keys of Craig Dutra and soulful groove courtesy of bassist Chris Kehoe, all supporting the wonderful harmonization of Nick Warchol and Laura Carrozza. This multi-instrumental attack is present on every track on Aficionado. Yet, the listener is often caught off guard by what the group presents. Whether it is a flute breakdown courtesy of Carrozza (“Everything Was Right” and “Confidence Is Intimidating”) that is straight out of the Jethro Tull playbook or a glam rock guitar solo (“Honesty”), there is never a dull moment on Aficionado.
Lyrically, themes ranged from hipster-bashing realism, found on tracks such as the aforementioned “The Things You Like” and “Honesty”, to life advice (“Grandfather”) and everywhere in between. “Confidence is intimidating // don’t give yourself to the things you’re saying to me // and when you talk, talk soft // you’ll be better off,” Warchol croons on “Confidence Is Intimidating.” It’s the hauntingly honest acoustic track “Permanent” which is worth the price of the entire record. Over a modest guitar, Warchol delves into his childhood and his insecurities. “When I was just a kid // I wished that I could be permanent // and my bones would shake // at the thought of change,” Warchol sings, “I remember hearing fables // about a fountain to make us ageless // a phony sense of security and confidence // we are not permanent.”
Aficionado is a heady, yet heavy, experience from start to finish. While some may consider it too avant-garde for one specific scene, the true beauty of the record is hidden beneath its copious layers. Now, this is not to say that the album is without faults. On the contrary, Aficionado’s missteps help remind the listener of the room for improvement that the band faces. For instance, the group would benefit from tightening their sound a bit as they can become a slightly eccentric and unruly at times. As well, it would be downright lovely to hear more of Carrozza’s unique and refreshing vocals. However, these faults are found by nitpicking the intricate strands of the album. With the release of their self-titled record, Aficionado can firmly assert that they have released a triumphant piece of art that will solidify the group as a beacon of hope in an ever-diluted musical world—not to mention continuing those pleasant vibes back at the No Sleep Records offices.
????? - Property of Zack

There are some things that are particularly difficult for a band to master (or a reviewer to describe), but their presence can make or break an album. Refusal to stick to the boundaries of a genre, conveying genuine passion, and commitment to artistry are some of these nebulous traits, and Aficionado's self-titled LP has all of these.

They're genre-busting: Aficionado blends post-punk and post-hardcore in a unique way; songs are frantic and intense without relying on screams, and the instrumentation is refreshingly varied (you'll hear a flute and organ on multiple occasions). They're passionate: Nick Warchol's desperate (if slightly off-key) yelps give the album a welcome sense of urgency. They're committed artists; the lyrics are genuinely thought-provoking, the musicial skill is obvious, and they're offering something very much their own.

The unique approach is evident from the get-go with “The Things You Like.” A somewhat somber introduction erupts into a rocking verse which erupts again in a piano-heavy, up-tempo chorus. The harmonies between Warchol and fellow vocalist Laura Carrozza shine, and drummer Mark O'Brien's considerable talent is prominently featured. “Stir Like Hell” lets the clever lyrics take center stage in the chorus,(“To go seven days without eating makes one weak”), but a raucous bridge is a perfect touch on a solid song.

“Everything Was Right” is one of the album's most intense songs; the passion on Warchol's cries of “I'm not a pessimist, but I know better than to believe” is undeniable. Even the flute solo takes nothing away from the intensity and raw emotion. “Confidence Is Intimidating” lets ups on the gas for a slow dramatic bridge...before a frantic, flute-driven final stanza wraps things up.

Considering the incredible amount of energy present on this album, it may be surprising that two of the album's best songs are the slowest. “Permanent” begins like a typical acoustic track, but the hints of piano and sparse percussion give it a sweeping air. Warchol's lyrics are impressive as well (“I remember hearing fables about a fountain for the ageless/ to instill in us a phony sense of security and confidence”), and his unbridled passion makes them all the more effective. “Open Doors” masterfully blends sweeping slower sections with driving punk, all culminating in repeated, increasingly emotional cries of “Open up these doors for me!”

Remarkably, not a single track on this album is bad or even just 'okay.' It's rare that a debut LP is so polished, mature and unique, and just about anyone can find something to enjoy here. Fans of Brand New, Thrice and At The Drive-In, in particular, should enjoy this.
- Live Music Guide.com

It seems as though Victory Records could really use some consultation in the area of signing bands as of late. I’d recommend No Sleep Records preach on the issue. In the past few years, No Sleep has given a start to some amazing bands in the music industry, which recently include Touche Amore, La Dispute, and The Wonder Years- and now, the 7-piece band out of New York, Aficionado. With their first full album, the band has managed to put something out that could set them apart from all else in the No Sleep family. This could even be the album that helps them pass some of the No Sleep Alumni.
There is an array of bands to which they have some similarities, covering everything from The Hold Steady and At The Drive-In to Taking Back Sunday (specifically the Tell All Your Friends-era). All of these bands have received acclaim because of the uniqueness of their sound in rock music, and although they are similar to these bands, Aficionado adds a unique twist to the rock scene with their sound. On their first album, the band has put out an album that is fast paced, yet beautifully melodic.
Of all of Aficionado’s unique elements, the largest would probably be that they actually have a flute player. Previously, it seemed as though it would be impossible to ever combine such an annoying instrument with rock music, but the band does so well each time they do. Tracks like “Falsified Inspiration” and “Everything Was Right” show exactly how ingenious the odd combo truly is.
Laura Carrozza, the flute player for the band, also sings. The combination created between her voice and frontman Nick Warchol’s is absolutely incredible, and like no other vocal duo currently out there. Although this is a driving factor throughout the album, the combination shines through exceptionally on the tracks “Confidence is Intimidating” and ‘ “The Things You Like,” a song which is all about the band’s dislike of the lack of originality, and possibly even talent in pop culture.
The album also features horns, occasionally. What was once given simply to the genre of ska is an excellent addition to tracks such as “Grandfather.”
It is almost impossible to point out the best tracks on this album, because this album is meant to be played as a whole. On their first full length and self-titled release, Aficionado has managed to put out an album that is so excellently crafted that it is impossible to point out hits/best tracks. The album plays like one big thirty-five minute hit.
In a music industry that sometimes lacks originality, it is easy to become bored with what is out there. Aficionado is bringing excitement back because of their unique sound that is easy to fall in love with. This album might have been released on an indie label, but because of the band’s originality, this album has the potential to bring the band success. People who are dying to hear something that isn’t a hideous cliché will love this album.
- Mind Equals Blown

‘How many times can we walk down the same old roads? At some point we need to break free of monotony and make some new roads’ – This excerpt from Aficionado’s bio is a perfect example of what this band is all about.

Even their label: No Sleep Records; preaches this musical revolution, flying the flag of originality, and displaying what it truly means to be an independent label, proudly playing host to hip-hop, hardcore and indie acts all under one roof.

It should be no surprise then that even in the first few seconds of opening track: ‘The Things You Like’, scores of influences are revealed and a plethora of creativity is unleashed.

The chord changes and pivoting drum beats are both unexpected and pleasant and the quirky atmosphere they can create with simple diversity is nothing short of incredible. There are guitar harmonies, piano intervals and drum patterns that can fit any and every genre, from the indie-like styling of the aforementioned opener, to the almost Rise Against-esque pre-chorus of ‘Stir Like Hell’, a pre-chorus that leads into an incredible organ-backed climax.

If At The Drive-In, Cursive and The Hold Steady were among any band’s influences you would be pushed to not be curious, and what this band proves is that their capacity for diversity and musical elegance goes even beyond these bands, beyond bands like The Mars Volta and more potent than any of those previously mentioned in an industry that often struggles with originality, far beyond any of their contemporaries. ‘Honesty’ in particular breaks the genre boundaries between the many layers of sediment rock has gathered over the years.

There are elements of everything from The Ramones to Thin Lizzy to My Chemical Romance and the marriage between these varying entities appears to be far from heading towards divorce, especially considering the powerful, complementary vocals of Nick Warchol and Laura Carrozza. Now I’m a vocal harmony addict and even I would go as far as to say that this particular pairing is about as good as they come. Listen to ‘Falsified Information’ for instance and to ‘Permanent’ for a heartbreaking group vocal that brings the heavily acoustic track to an almost orgasmic climax.

I could truly go on forever about this album, having come into the review somewhat skeptical and emerging as Aficionado’s newest fan, I can proudly profess that there are many layers to this album that it will likely never get old, each song contains so many musical Easter eggs that this record is guaranteed to keep you hooked for years to come.

5/5

Edward Strickson

'Aficionado' is released July 26th on No Sleep Records. - Alter the Press!

Aficionado are a five piece band from upstate New York who serve up a very modern sounding form of progressive rock that has plenty of characteristics of the great bands of the 70's, but injected with a healthy dose of hard rock and even punk attitude that gives the music an edge that you don't often hear in the prog genre. This four song EP is a very positive statement and shows the talents that these youngsters from Albany possess. The band is Nick Warchol on lead vocals and keyboards, guitarists James Kehoe and August Rosa, Eric Margan on bass, flute, and keyboards, and drummer Mark O'Brien. The band firmly has an understanding of classic prog, which you can easily hear on the vibrant and symphonic opener "Said the Elephant to the Snake", an upbeat track that hints at vintage Yes, Gentle Giant, King Crimson, and Aviary. The complex interplay between the guitars, keys, bass, and drums on this piece is uncanny, almost like some long lost track off of Gentle Giant's Octopus. However, the vocals of Warchol keep things firmly rooted in modern world with his vocal style, which has a slight new wave/metal/punk edge to it, with just the right amount of aggression but very melodic. "And the Snake Replied" starts off with some doomy power chords, but it quickly turns into a quirky prog workout, with layers of vocal harmonies and some robust bass lines from Margan. The dark and atmospheric "The Bones You Built On" will instantly appeal to fans of Discipline, Van Der Graaf Generator, and Genesis, with its theatrical vocals, flute, and lush arrangements. This one also gives plenty of space for Kehoe and Rosa to launch into plenty of sizzling electric and acoustic guitar passages, but also check out the intricate grooves supplied by Margan and O'Brien. The closer "He Said to Mark His Words" is the most aggressive piece here, sort of like what King Crimson would sound like they went punk, complete with jagged metal guitar licks, aggressive vocal shouts, and acrobatic rhythms.

This is a very impressive little EP from this promising New York band. I think with a label behind them who specializes in progressive rock and progressive metal, these guys can easily go far. Hopefully that happens in the near future and we can hear a full-length CD from Aficionado that fully displays the potential that is hinted at here. - Sea of Tranquility

On Tuseday, November 20th, Step Up presented The Colour Revolt, Aficionado, The Nightlife and Astronauts at Valentines, on New Scotland Avenue. Astronauts, a
psychedelic/experimental band from Red Hook, New York started up the show. The band formed in 2005 and consists of four members: Mike Tash, Simon Hegarty, Jacob Kolbinski and Steven Markota. They played a good set and were an excellent opening band for the show.

The second act was the Nightlife, who introduced their new drummer, Scottie Francisco. They attempted to liven the crowd but didn't get much of a response from an apathetic audience. The third band, the Colour Revolt, was an indie band from Mississippi. They played most of the songs from their newly recorded CD, which comes out in March or April. The band also played two songs off their demo. Colour Revolt played a great set, getting the audience prepared for Aficionado, a progressive/ experimental band from Albany. The band played a very high energy set with all nine of its members. They're very different from most bands around today but proved themselves
to be entertaining. The band was recently featured in the Schenectady Gazette and voted best progressive band in the Metroland. Overall, the show was one not to miss.

-Melissa Currie - Albany Student Press

Memorial Day weekend got off to an unpleasant start for Capital Region rockers Aficionado. The proudly prog ensemble (Q: How prog? A: They recently added a flautist to their lineup; not to mention the full-time lighting guy) found Saturday morning that their tour vehicle, a 1995 “short bus,” had been torched in what is assumed to be an act of arson. The bus was parked at La Salle School, across from the College of Saint Rose campus on Western Avenue, where the band members had been painting the vehicle blue to avoid it being mistaken for an operating school bus.

August Rosa, the band’s guitarist, said in an interview, “We put newspaper over the windows so the paint wouldn’t get on the chrome or the glass. We wanted to go over [the paint] again, so we left it in the lot overnight. [We think] that somebody lit the paper on the front, on the grill, which led the battery to explode, and inevitably the engine . . . ”

So far, there haven’t been any strong leads from the Albany Police or Saint Rose security, but the band members hope to find out more from security-camera footage.

Nicholas Warchol, the band’s singer (and to whom the bus was registered), wrote in a blog post on the band’s MySpace site, “Saint Rose surveillance cameras have video footage of one person standing near the bus in the minutes prior to the fire. When this video is turned over to police, hopefully the image can be enhanced in order to reveal the identity of the unknown arsonist.”

The bus, which had taken the band on two lengthy tours in the 18-or-so months they owned it, had been recently renovated. Says Rosa, “We’d actually turned the whole inside into pretty much a living room, like, the day before. We were all excited about it.” Now they are left contemplating the next move, their bus totaled and insurance unlikely to cover their losses. Rosa says they have been offered a loan by a friend’s family, and that they are likely to accept, but that this will create debt that the band will have a hard time recouping. On the bright side, the band’s gear was stored elsewhere, so as long as they can find transportation, the show will go on.

Tonight’s (Thursday, May 31) show in State College, Pa., has been canceled, but, says Rosa, Aficionado—who released the rather unfortunately titled One Unfortunate Event After Another CD in early May—have no intention of canceling any further dates. Those dates include an ambitious trek that will take them across the country and back through July and early August; they also have a handful of regional dates scheduled between now and the tour’s July 7 kickoff.

A benefit show, to help the band raise money for a new ride, has been scheduled for June 23 at Basilica Industria in Hudson, and, Rosa says, an Albany benefit is in the works for around the same time. Check back here for more details as they are announced. In the meantime, visit the band at myspace.com/aficionado.

-John Brodeur - Metroland

Monday night (yes, I know it's an weird night for a show), three (mostly) local bands lit up the stage at the Haunt, drawing in an audience despite a long day, piles of work and a looming Tuesday morning. The night started off rather slowly, the floor oddly populated by young girls (we're talking tweens here, maybe 15 years old) and a few punk rockers. But as each band did their thang, the crowd picked up, leading to a rockin' finale by Another Day Late. [1]

The night began with Fairway, a band of local youths, two of whom attended my high school in nearby Trumansburg, N.Y. (woo-hoo, shout out for T-burg!!) — members are Zach Schoedel, bass and lead vocals, Aaron Spinks, guitar and vocals, Travis Methany, guitar and Greg McClure, on drums. As usual, the guys were rockin' out, clearly having a great time going nuts.

Although Fairway has a pretty generic punk-rock vibe, what made this particular show cool was a slew of new songs straight off their soon-to-be-released album (circa April 2008). The new songs had the usual intense, head-banging, noise-making sound, but nevertheless featured really great vocal harmonies, amped-up guitar solos and some stupendous, albeit very, very loud, drumming. I feared, actually, for the drumhead's on Another Day Late's set — Greg has never been known to hold back on the drums, and on Monday he rocked the sticks right out of his own grip several times. Overall, the band's set was really tight, and the new songs included some less pound-y, more complicated and more melodic intros that made for a really cool step out of the genre. Semi-screechy, semi-echoing guitar riffs further added to the rockin-ness, for a really fun performance.

Second up was Aficionado, a ten-piece (yes, really, ten-piece) storm of chaos from Albany, New York, featuring the following: six long-haired guys, one shorter-haired, one mohawked, one who never took his hood off, and one (long-haired) girl, all indie-d out. In real terms the band is Nick, August, James, Dustin, Mark, Richard, Marissa, Craig, Chris and Face, on vocals, guitar, guitar, bass, drums, keyboards, flute, trumpet/synth, trumpet and 'lights,' respectively. Aficionado was one of the craziest and most fun bands I have ever had the pleasure of watching and despite a raging cold and a mountain of work waiting at home, I found myself wishing that the set was longer. This is where Face, the lights guy, comes in. Aficionado brought their own light boards with them, in varying colors, and … wait for it … a smoke machine. It was awesome, so much fun to watch. Adding to the chaos was the fact that 10 people barely fit on stage, and all 10 were bouncing around, in time and in unison.

Music-wise, Aficionado matches it's stage presence — loud, fast and intense, kind-of Decembrists meets Led Zeppelin, meets Metallica. The flute, though, really set these guys (and guy-ette) apart, by accenting and contrasting with the heavy pounding and the unusual vocals. Speaking of vocals, the lead singer was awesome to watch — he had a tendency to bug his eyes and act out the lyrics — but more awesome to listen to. Several of the songs featured really, really cool four-part harmonies (and believe me, folks, that is not easy to do).

The third song, entitled "Deaf Ears" was my favorite, I think. It began with eerie, Middle-Eastern folk-song-esque flute, drums and tambourine, becoming progressively more intense (with more instruments chiming in), but keeping the same eerie melody on the flute. Layered over a constantly pounding bass and two constantly rocking guitars, it really sounded great.

Last but not least was the much-heralded Another Day Late, though I have to say, the stage looked quite sparse after storm Aficionado blew through. Another Day Late also played a great set, though unfortunately, as noted in the interview, two-a-day shows were starting to take their toll, especially on Kohl's voice. Although the vocals were still impressively high, and often neatly a-rhythmic, his voice did sound noticeably strained. Oh, the trials of tour-dom (aka: superstar-dom).

The music was, as per the night's theme, rockin,' though, in this case, slightly more melodic, and with a bunch of neat off-beats, random riffs and complex intros. The music was further enhanced by pounding cymbals (the drummer, by the way, looks eerily like Vinz from La Haine), intricate bass parts, and screaming guitar solos layered over the music in a super-high register … which was awesome.

The band was unfortunately pretty clearly tired, and not as tight as I know they usually are, but their unusual vocal melodies and minor chord progressions still made the music interesting. At the show, they were selling their brand new CD, not available in stores until March, and I, for one, picked up a copy. I would recommend that you do so too. - Cornell Daily Sun

To describe Aficionado as a sudden output of energy would probably the most accurate, as I doubt many bands possess the cumulative energy of this aspiring ten-piece from upstate New York. Ten members who play everything from exotic woodwind instruments to roaring guitars is not a common group composition after all, so when Aficionado takes the stage I can only imagine what goes through the audience’s minds. It would appear to have such a high potential for sloppiness or thematic pretentiousness based on the visual presentation alone. Laura Carrozza, backing vocalist and flute player, stands apart from the rest of her band members, most of them looking like a mixture of truckers and ’70s revivalists with their long bears and sloppy exterior. What resonates from this collective turns out to be to the contrary though, as this group impresses through a series of highly excitable tracks that embody original ideas and delicious hooks without ever treading too long or too intricately.

Taking a cue from punk acts of the early ’90s like At the Drive-In, Aficionado may initially impose whispers of post-hardcore and/or emo that may scare off many listeners accustomed to indie-rock. What I hope is that listeners give Aficionado a chance, as further listening shows that their ambition spreading across several genres makes them more comparable to groups like Slint, The Pixies, and Chavez. These, of course, are all artists that were integral to the development of today’s indie-rock. Aficionado are simply infusing a slight touch of early ’90s punk (though only the good kind). They make it easy for the desperate journalists by calling their special blend “progressive-indie”. Forming in 2004 amongst a group of close friends, Aficionado blended these influences with tight chemistry and emerged with a well-received album, Circus Music, in 2008. Critics noted the release for its enjoyable energy and strong musicianship, even if the songwriting did not correlate with the potential quite yet.
Their new EP, The Myth About Real Life, was produced by Don Fury in Troy, New York, which is about a ten minute drive from their native Albany. The opening, self-titled track is one that possesses the energy of favorites from Circus Music, with an even more expansive approach that results in newly cohesive song structures in alignment with the impressive multi-instrumentation. The initial brass sounds like an intro to a ska track with its thumping progression, only until a saxophone emerges with a seductive whimper to accentuate the jazz influence. The lead vocals of Nick Warchol emit a nasally, whimpery croon that shows a surprising amount of range among the powerfully alternating structures. The group’s ability to sound anthemic is inarguable. Carozza’s backing vocals apply to this standard on both the self-titled cut and “The Same Original Idea”.

“The Same Original Idea” increases the dramatics with its introduction as Carozza frequents more solos and verses over the fragile progression of a piano and delicate woodwinds. What sounds like a potential ballad eventually turns into the same balls-out, rock-filled atmosphere of “The Myth About Real Life”’s heightened moments, only this time with more unpredictable guitar-based transitions that resemble the progressive-rock of Yes, King Crimson, and other prog-rock forefathers. “It was a million and one of the same goddamn thing,” Warchol gripes. The intensity is raw and pure, only eclipsed by the powerful instrumentation and angelic interruptions from Carozza. “I Don’t Believe We Met” continues in this fusion of post-hardcore, indie-rock, and progressive-rock, showing some epic ambitiousness in the use of keyboards and guitars similar to “The Same Original Ideas”. And although some ideas on the songs tend to repeat themselves in use, the varying approaches make it impressive enough to enjoy with ease. Catchiness and musical chops may eclipse groundbreaking stylistic intregration for Aficionado, but with the chops of ten similarly-minded musicians at your disposal it is probably for the better.

RIYL: Slint, At the Drive-In, Yes, Kansas, The Hold Steady, King Crimson - Obscure Sound

Either TDP has gained a fast reputation on the basis of my friendliness to the obscure and progressive (O RLY?), or prog is the next big thing… because hell knows I’m hearing a lot of proggy music pass through my office of late. Latest example? Albany, NY’sAficionado, whose bio tells me they started out as an ATDI-influenced hardcore band before glomming on to the big names of seventies prog as fresh influences. This EP is the first recorded result of this alchemical marriage, and you’ve seriously never heard anything like it.

The thing to bear in mind here is that when we talk about prog in terms relevant toAficionado, we’re not talking about Tool and Opeth; we’re talking about Focus and Yes and King Crimson. For example, title track “The Myth About Real Life” starts with bluesy hard-rawk guitar, rattly snare rhythms, weird but catchy melodies… and suddenly gains brass leads, flutes, punk-esque “2, 3, 4!” count-ins, and Farfisa organ tones? Like, WTF, y’know? But it’s a positive WTF, at least for my money. The boldness of it, the sense of high theatre and fun and don’t-care-what-you-think… that’s not something I hear often, and hearing it now reminds me how important a precursor of excitement about a band it is. Aficionado sound like a blast, and now I want to see them do this stuff live. Like, now.

And The Myth About Real Life EP just keeps delivering .“I Don’t Believe We’ve Met” is like a seventies cop-show theme-tune studio band doing The Mars Volta, with momentary background vocal interjections from moonlighting members of the voice cast of Sesame Street. It’s surreal, almost technicolour, but with a sinister subtext… think of the original Willy Wonka movie, and then imagine a missing scene where the Oompah-Loompahs are having some sort of spaghetti-western-themed post-hardcore gig in one of the back rooms. It’s nothing like that at all, of course… but once you’ve heard it you’ll see why I said it. Seriously.

Next, “Naysayers” is the Fraggle Rock Big Band doing desert rock covers in a Broadway stylee, and “The Same Original Idea” is like the climactic end to a movie musical written by Fucked Up and Les Savy Fav in an early and Ecstasy-blurred morning at the fairground cabaret tent. It’s bombastic, silly, epic, grin-inducing… and I want Aficionado to play my wedding reception. And when you consider that I don’t intend to ever marry, that’s pretty high praise. Go find out why.
- The Dreaded Press

Following up their 2008 full length debut album, Aficionado return with a four track EP that contains the same fun infused miss mash of styles to release something that whilst having flavours of everyone from King Crimson or My Life Story to Polyphonic Spree or Jethro Tull, really sounds like no one other than Aficionado! All four of the tracks on the disc are jingly jangly, trumpet parpy, flute filled, quirky romps.

The title track bounds along with shouty vocals and a trumpet line that often apes the guitars without every actually coming together with it. Always sounding like it's a nanosecond away from falling apart this is not a "comfortable" listen, however the jaunty pop vibe and joyous vocal exclamations ensure that this good time, if complicated, music that rewards perseverance.

"I Don't Believe We've Met" has some wonderful keyboard stabs punctuating a dirty meandering riff and vocal wise it's just huge. Goodness knows how many people actually are singing on this at any one time, but it certainly sounds like each one of the eight members is screaming for their lives. Then we get a beautiful gentle passage that calms everything down before we are off on the merry madness again. It's hard not to sing along and harder not writhe around the room to.
Monstrously large guitars introduce

"Naysayers" and they continue to thrive throughout the track while trading licks with the trumpet of Chris Tenerowicz and jostling with Craig Dutra's keyboards. There are hints of jazz, fusion, prog and metal all in the space of a few seconds and the ability to whizz all these styles in the musical blender makes it a track that releases new joys on every play.
Closing "The Same Original Idea" shows a far mellower side to Aficionado, with a flute section that could have been lifted from Lord of the Rings soundtrack making way for another breakneck romp with Yes like guitars, Dresden Dolls like piano and another enigmatic vocal from Nick Warchol whipping up a tasty little concoction.

The Myth About Real Life is an EP that needs more than a couple of listens to digest and appreciate, and it would be fair to suggest that you need a reasonably sunny disposition to cope with extremely "up" nature of the songs, however there is some excellent musicianship and song writing to be discovered if you are willing to give yourself to the music and once you have it's hard to wipe the smile off your face!!
Track list:
1. The Myth About Real Life
2. I Don't Believe We've Met
3. Naysayers
4. The Same Original Idea
- Sea of Tranquility

Song of the Day: Aficionado-"The Same Original Idea"
Aficionado is one of those bands that instantly catches your eye and your ear. Visually, Aficionado are a group of 8 people that look like they belong in a rock band, and they all give off that “I’ve been rocking out since I was 4 years old” vibe. Their vintage, no-frills look makes them appear as if they could have toured with CSNY in the early ‘70’s, and I love them for it. Also, you may have noticed that I said “group of 8 people”. You read that correctly. They’re a large band, but it works out well for them.

Sonically, Aficionado fucking ROCK. Being an 8 piece band, they certainly have a capability to bring the noise. With so many instruments, however, you might think that the band would have a tendency to be too epic, and pack too much melody and instrumentation into one song. Not the case. Also, if you are expecting Aficionado to be an art-rock group based on the fact that they have mandolins, trumpets, and flutes making up part of their sound, you would be wrong as well. Aficionado is one of the most energetic bands I can recall hearing in recent memory, and it’s with good reason that their sound has been described by other music blogs as “a sudden output of energy”.

Formed in New York in 2004, Aficionado released their debut album, Circus Music, in 2008. Generally well-received, critics praised Aficionado’s seemingly effortless ability to write songs full of “enjoyable energy and strong musicianship”, but felt the overall songwriting had room for development. If their recently released EP The Myth About Real Life is any indication, Aficionado got the memo and took it very seriously. Although brief even by EP standards (3 songs), The Myth About Real Life shows glimpses of greatness. Whatever songwriting kinks the band had seem to be in the past, and the band appears to be reaching its potential and finding “the sound”.

What is that “sound”, you ask? Good question. Largely influenced by 70’s prog rock (King Crimson) and mid-90’s bands like At the Drive-In, Aficionado also have drawn comparisons to The Pixies and The Hold Steady. I chose to spotlight “The Same Original Idea” because I believe that it does a good job of showcasing these diverse influences. The song starts off with a gentle guitar riff, and then works in some mellow piano and even a soft yet jittery flute before breaking into a HUGE chorus tailor-made for the summer festival circuit. The song even throws in a quick Being For the Benefit of Mr. Kite-esque organ segment, then gets right back to business. Loud guitars, flutes, bashing drums, anthemic choruses, it’s all there for you to digest. I wouldn’t recommend putting it on if you’re trying to go for a nice, relaxed atmosphere as you’re studying for a test, but if you’re just hanging out and happen to enjoy rock ’ n roll, do yourself a favor and crank this one up.

Aficonado is quickly becoming one of those “bands to watch” (in my book, at least). They are developing as a band, and songs like “The Same Original Idea” will probably be stuck in your head for days upon hearing them. Aficionado may not be on the verge of discovering some new genre of music, but they can write some great, fun songs. Life doesn’t have to be all doom and gloom, and Aficonado wants to make sure you take the time to rock out every once in a while. - Suburban Ghetto Blaster

NUMBER FOUUUUUR....


4. Aficionado- The Myth About Real Life
Self-released?
8-piece band. Keys. Mandolin. Trumpet. Flute. Now that's a band! I love the instrumentation on this release. Experimental punk, perhaps. I'm not sure what to call this band. The songs sound trippy, groovy, and jammy. They're like a bigger version of Kiss Kiss, who by the way released a killer album with The Meek Shall Inherit What's Left. - Star Beat Music Blog

We couldn’t think of a more succinct way to classify a band who sound like the Minutemen, the Beach Boys, the Mars Volta, King Crimson, Dashboard Confessional and Kansas, all in the course of one four-minute song. This seven-piece army of sound (eight, if you count the lighting guy) is one of the Capital Region’s most original acts. Catch them the next time they’re home between tours. - Metroland