Dale Turner

Dale Turner is a really interesting guy. Which makes his album is a really interesting album. Whenever you can say that an album kept you interested, the whole way through, no stopping, then that’s a very high compliment.

Although his album ‘Mannerisms Magnified’ might not be for everyone, the in-depth instrumentals, extremely versatile vocals, and unpredictability of the tracks will be sure to entertain any listener the whole way through.

Progressive, unique, and sexy as hell, Dale Turner is an eclectic genius full of lyrical delights and intelligent musical sensibility. Musically, he’s kind of a mix between Ben Folds and Sufjan Stevens, and Bjork. But on many tracks, frankly, he’s better.

There’s also an undeniable playfulness to this album. The title of the kickoff track “Brain on the Brain” is clear evidence of that. The track is an a cappella introduction to the album, which proceeds to take you on a roller-coaster ride of moods and sounds throughout. “Bad Seed” has the epic feel of Bohemian Rhapsody, displaying a lot of darker themes while still showing that Dale has some great wordplay ability. The album also has moments of very sweet, sincere emotion: “Hiding Place” is an intimate confession of love and dependence. Please light the way and show me that it’s safe up ahead.

Dale is a one-man show in a sense, writing, composing, and engineering each piece of music that appears on this album. His guitar styling, and the overall arrangement of the tracks, is excellent. “Morality Rule” bouncing through history, another epic track with layers upon layers of vocals and guitars. “Five Things” is one of the best-written tracks on the album, counting down a mysterious list.

Dale’s vocals are expressive and make it clear that this an extremely fun project for him, and when a musician has fun telling his story, it’s hard for the listener not to come along for the ride with their hands in the air. Mannerisms Magnified is a great album, full of playfulness, and for those that want to dig deeper, it’s also full of thoughtful lines about life and the nature of what makes us tick.

Get his album on Itunes here.

Consensus: 8/10

Best Tracks for Picky Itunes People: Sooner or Later You’ll Hate Her, Hiding Place, Five Things, Exit Wound - MUSIC WORTH REVIEWING

'Dale Turner: Through the Looking Glass'
Review by Michael Pickett

Years ago, I sat in a room with Dale Turner at GIT (Guitar Institute of Technology...yes, it's really called that) while he gave a small workshop on how to pull apart Dave Matthews songs. I learned two things: 1) The effort involved in pulling part Dave Matthews songs does not justify the 'reward' of knowing how to play a Dave Matthews song. 2) Dale Turner is an incredible guitarist, musician (and, judging from this incredibly executed album, a helluva vocalist too).

When he's not writing for Guitar World magazine, teaching incredible things at GIT or interviewing guitar-gods like Vai or Satriani, Dale Turner is making incredibly weird, absolutely riveting music.

Specifically, his CD, 'Mannerisms Magnified' is a study in how to create an incredibly eclectic, orchestrated pop-masterpiece. Starting with the massive, Queen-meets-Zappa-by-way-of-Beach Boys' harmonies of 'Brian on the Brain', this album is nothing if unexpected. I fully anticipated being slayed by zillions of brain-boiling guitar runs (that comes later), but am instead floored by some of the most arresting vocal harmonies I've encountered...ever.

Mostly underpinned by superb guitar finger-picking and impeccable composing, Turner runs the gamut from Queenly quirkiness ('Exit Wound') to lilting romance gone wrong ('Sooner or Later You'll Hate Her') over an album that is an absolute must-hear. Log onto: intimateaudio.com/recordings to check out this brilliant work. Now. - NORTH COLUMBIA MONTHLY

dale turner
MANNERISMS MAGNIFIED
(INTIMATE AUDIO)

Those introduced to this Guitar World magazine columnist, music teacher, instruction book writer, and producing engineer via his 2004 acoustic covers LP Interpretations might be taken aback by this more impressive, all-originals follow-up. Turner spend four years making this, playing and arranging everything himself. Yet his expertly crafted, multi-layered, and idiosyncratic guitar pop sounds lively and graceful, not labored over. Each song centers on Turner's constantly fluctuating voice, which ranges from a high-register Brian Wilson croon (the short homage "Brian on the Brain," "Exit Wound") to an Eric Matthews-like breathiness (especially on "Sooner or Later You'll Hate Her"), with mild '70's prog/art-rock accents thrown in. Coupled with his agile guitar plucking and mischievous lyrical wordplay (see "She-Hab" and "Morality Rule"), Mannerisms proves Turner is an exception to that old axiom, "Those who can't do, teach." (intimateaudio.com) - THE BIG TAKEOVER

Could Dale Turner’s “Mannerism’s Magnified” Cause Neurogenesis?

Exercise. Meditation. Active learning. Ginkgo biloba. Dale Turner.

Though more research may be required, I would bank on the fact that ALL of these things encourage the healthy process of neurogenesis (the growth of new brain cells) in the human brain.

Just after going through a phase of being entranced by Brian Wilson’s work on “Smile” and “That Lucky Old Sun”, I come across an artist by the name of Dale Turner. Coming from the always exciting tradition of real artists playing what they themselves want to hear (why don’t more artists do this? I mean, REALLY do this?), Turner’s intentions for his solo release “Mannerisms Magnified” are pure. He has a wide range of influences, and the range of the compositions are nothing short of incredible. Fans of everyone from Brian Wilson/The Beach Boys, Sufjan Stevens, Elliott Smith, John Frusciante, Mike Patton, Radiohead, Jeff Buckley, King Crimson, Fugazi and Joseph Arthur should find themselves suitably enthralled by this collection of seemingly random yet intensely focused eccentricities. Hell, I think that most of these artists themselves would love Dale Turner’s music.

Dale Turner has experience in a lot of areas within the music sphere; he is an author of over 50 instructional books, a recording engineer, a performing musician, a music instructor, and a columnist for Guitar World magazine. To tell you the truth, reading his biography made me feel somewhat inadequate – as if I should be doing more with my life. Dale is a perfect example of someone who has worked hard to make music the main focus of their life, and it seems to have worked out perfectly. It’s always nice to see artists who get involved with teaching and enter the professional side of the business, but still focus on creating and releasing their own original art as a priority. This is not always easy to do.

After hearing Dale Turner’s output on the fantastic and strange “Mannerisms Magnified”, I can honestly say that he has poised himself to be heard by lovers of genuine music everywhere. Moody, acoustic art rock is the most common description, and for the sake of simplicity we will accept it. The songs are smart, catchy and sophisticated with dark undertones and “down the rabbithole” surprises around every corner. Picture Mr.Bungle jamming with The Beatles. Dale’s voice is emotional and expressive, yet clear, lucid and in control. He guides the listener through an experience that feels both authentic and sobering.

Like a musical Salvador Dali, Dale Turner’s music combines the recognizable and the unfamiliar in his art. The fact that he does everything himself should give independent artists both a wakeup call and some inspiration for the serious ones. It would be a difficult task choosing stand out tracks from this collection, as the album reads more like a book than a sequence of separate pieces. However, we all need to start somewhere, so if you are new to Dale Turner’s music then listen to the creepy, beautiful “Bad Seed” (my personal favourite) at Dale’s Facebook page. You can hear the Elliott Smith influence in the beautiful vocals and harmonies. “Taken” comes across like a sincere Mr.Bungle fused with mainstream pop/rock sensibilities. For those who delve in the heavier end of the spectrum, the maniacal “Exit Wound” should give you your fix.

Without a doubt you will hear about Dale Turner at some point if you haven’t already, but if you are new to this brilliant artist, then I feel privileged to introduce him to you. “Mannerisms Magnified” comfortably borders on masterpiece territory, with a perfect blend of tension and comfort, dissonance and melody. Highly recommended listening for anyone who enjoys strange music or music with high musicianship. We can only hope a follow up album is on the way.

10 out of 10. - INDEPENDENT MUSIC PROMOTIONS

DALE TURNER

"Mannerisms Magnified" (Intimate Audio; 2010)

Reviewed by R. Scott Bolton
Rating: 3 out of 4 (3=Killer. Not a classic but it will rock your world.)

One of the problems with reviewing so many CDs here at RoughEdge.com, is that sometimes it feels like you've heard it all before. For every CD you get that is fresh and original, there are a dozen that are just the same old thing. When you've got a stack of 100 CDs on your desk and too many of them sound alike, the occasional surprise -- like Dale Turner's "Mannerisms Magnified" -- are a much-needed breath of fresh air.

Before I get too deep into this review, however, let me point something out. If you're reading Rough Edge because you're looking for the hardest and the heaviest music out there, "Mannerisms Magnified" is not the disc you're looking for. There's some hard-edged music on it and some great rock'n'roll but Slipknot it ain't. Most of the music on this CD would fall into the classic rock category which, if your musical taste runs close to mine, is more of a blessing than a curse.

There's a little bit of everything on "Mannerisms Magnified." It starts out with a vocal number that wouldn't be out of place on a Burt Bacharach CD from the late 60s. It's a little scary at first; you're thinking "Why the hell did they send me an Easy Listening CD?" But it passes soon enough (running only 0:55) and pleasantly enough and one gets the feeling it's only there for atmosphere, anyway. Things change up dramatically from this point on, with Turner delivering tracks that run from light rock ballads to classic rock epics to David Gilmour-esque musical paintings.

What makes this CD great is that, as you listen, you realize you're experiencing one man's creative expression. Turner wrote, recorded, performed, arranged, produced and sang everything here. "Mannerisms Magnified" isn't music by committee or manipulated by some soulless corporation. Instead, this is the CD that Dale Turner wanted you to hear and its originality shines because of it. I've spun it three or four times now and it gets better with each listen.

Now I've got to dig back in and hunt for the next gem in my stack of 100+ review CDs. There's some great stuff in there, I'm sure, and I hope it doesn't take long for me to find another CD as unique, exciting and delightful as "Mannerisms Magnified."

For more information, check out http://www.intimateaudio.com. - ROUGH EDGE

Music
Dale Turner
A True One-Man Band

There are independent musicians out there who really give meaning to the word "independent". Dale Turner is just such an artist. He slices, he dices, he shreds (on his guitar, that is). He has been combining music and media, before the Internet was cool. A true visionary and a man who has the audacity to take on any idea his mind can conjure up.

Yes, there is more to Dale than his ability to play and teach the guitar. He plays a number of musical instruments, sings, records himself, and does it all his own way. There is a lot to be said about a man that forges his own destiny and doesn't think twice about stopping.

Here is one of those interviews where you have to give thanks for such a man that lives among us.
The conversation could have lasted forever.

But I'll settle for giving you a little at a time, for the sake of your anticipation...

"I always think its best to get into music the organic way."

"But as long as somebody gets into music, one way or another, its a good thing."
Dale Turner


Check out Dale Turner's latest release:

"Mannerisms Magnified" at

www.intimateaudio.com

Continue to check back for additional segments of our interview with Dale. - INDEPENDENT MUSIC AND MEDIA

Dale Turner "Mannerisms Magnified"
Genre: Alternative

I must be honest when I first saw this record, I thought this was going to be an acoustic album with heart felt songs about life and what not. As I pressed play for the first track, I was blown away. I was totally wrong. This isn't an album I have heard before. This definitely was not just another acoustic folk singer expressing his/her feelings in the form of music. Mannerisms Magnified is filled with songs that make a person smile, laugh, & really feel the words swarm around them. This album is nothing you have experienced. And the experience is not easily put into words. Not one song could fit into a genre category. Each song starts out one way and totally surprises you throughout. I would highly recommend this album to music lovers alike. You'll discover how it all flows perfectly together. Take the journey with Dale Turner and open your mind. Enjoy the ride.

Oct 23, 2011, by Mary Dean - BIG SMILE MAGAZINE

Dale Turner is MusicZeitgeist.com’s October 2011 Indie Artist of the Month

In a sea of overly clever hipster band names usually comprising a sentence fragment having to do with an obtuse emotion or something levitating, “Dale Turner” may not be considered a standout moniker that draws your attention. But we are here not only to assure, but persuade you that he must and should. Because Dale Turner is a prodigious, inventive and very special musical talent.

Recordings that kick trendy clichés to the curb, Turner is assembling legitimately crafty, complex arrangements. And he can back them up with true musicianship, lyrics and production.

In searching for the latest innovators, for those musicians who make us take pause and leave us no option but to stop all else but listen, Dale Turner was a clear choice for MusicZeitgeist.com’s October 2011 Indie Artist of the Month. Jellyfish-style pop layered with Brian Wilsonesque vocals co-mingle with complexity that beckons the prog association, and abilities that recall Stan Clarke’s Animal Logic, Mr. Bungle and even the Miss-Piggy-on-crack vocal stylings of Tiger Lillies. This is an extraordinary effort.

Here is the aggregation of data resulting from our informal interview with this true independent, much deserving of your time and attention.

MZ: Where did you come from? Explain yourself!
I’m a singer-songwriter and one-man band who loves a wide array of rock music, and is also influenced by jazz, modern classical, and comedic sounds–I consider myself a closet “voice-over” artist, and like using funny “cartoon”-like voices in some of my work. The music on my new disc, “Mannerisms Magnified,” is like a late-1990s rock version of the Beach Boys, mixed with Frank Zappa-like freakiness and theatricality, all in sort of a “non-electronic Radiohead”-type framework. I refer to it as “moody, acoustic art-rock.”

MZ: Talk about the motivation behind your latest release
“Mannerisms Magnified” is the result of a challenge I gave myself: To write an entire record of eclectic rock music that felt fresh and fun to me, as well as produce, perform all the instruments–acoustic and electric guitars, bass, real acoustic drums, piano, mandolin, and accordion–arrange, and engineer myself, including the disc’s artwork. It took a few years to pull off, the most time-consuming aspects being the lyrics, and getting my drumming up to par. The whole thing was mixed through vintage/modern analog gear by sonic wizard Robert Wawoe and myself, and mastered by Eddy Schreyer (Jon Brion, Fiona Apple, Take 6, Korn, Queen) at Oasis Mastering.

MZ: Where did you develop these tracks?
I’m based in Los Angeles, and have lived here since I moved from Seattle, at age 18. There are a lot of great clubs here that are a nice fit for singer-songwriters; Café Largo, Hotel Café, Genghis Cohen, Molly Malone’s, Pig ‘N Whistle, Room 5, Kulak’s Woodshed. It’s a great city to live in, provided you don’t get sucked into the cliques of negative people, the “all talk, no action” or “anything to make a quick buck” crowds that many seem to.

MZ: Talk about your developmental years
I’ve played one or more instruments since I was in first grade, beginning with piano, adding trumpet to the list in fifth grade. I finally got a guitar in my hands at age 15, and started getting into singing some time after that. Drums are a fairly recent addition to the arsenal. In the late 1990s, I wrote several guitar instructional books that include CDs I played on. In 2004, I released my first solo album, “Interpretations,” which is mostly wacky solo arrangements of cover songs for acoustic guitar and voice, ranging from Queen’s “Bohemian Rhapsody” and the Beach Boys’ “God Only Knows,” to Jimi Hendrix’s “Castles Made of Sand” and Nilsson’s “Coconut.”

MZ: What’s Next For Dale Turner?
I still have another year of “work” promoting “Mannerisms Magnified”–intensify my live performance schedule, gun for more terrestrial and satellite airplay, continue exploring film and TV song licensing opportunities, finish a couple music videos, design a T-shirt and other merchandise, etc. before I go back in and make another full-length record like this. I’m basically on a “two-year” promo plan, trying to do what a “real” label would, only I’m doing it all myself. Luckily, I have many songs “musically” close to finished, so I may complete this next disc quicker! But I don’t want any of my records to sound the same–my next may even be an all “a cappella” vocal collection! Whatever path I take, I will still write, record, perform, arrange, and produce all the material myself.

VITAL LINKS:
• Dale Turner Official Site
• “Mannerisms Magnified” on Amazon
• “Mannerisms Magnified” on iTunes
• “Mannerisms Magnified” on CD Baby
• Dale Turner Band Page on Facebook
Listen now to “Exit Wound” by Dale Turner and other artists we have featured at the MusicZeitgeist.com’s free Indie Music Jukebox
-----------------
MUSIC ZEITGEIST sa - MUSIC ZEITGEIST

REVIEW: Dale Turner - Mannerisms Magnified

Genre: Alternative/Multi-Instrumentalist
Origin: Los Angeles, CA

Here's an album that was released last year, yet I received it this year and it feels completely fresh. Not that music has drastically changed in a year's time, but it's hard to find artists like Dale Turner these days. Amidst the infiltration of overly layered beats and innocuous teen idol drudgery blocking true musicality comes the talented singer-songwriter Turner, a multi-instrumentalist in the vein of Jon Brion who seems to find the perfect marriage of musical arrangement and composition, creating this kind of leveled harmony that your ear drums gladly give you thanks. He's clearly got a good ear for what needs to be said and performed to achieve said marriage, and his true "solo" album, Mannerisms Magnified, showcases his talent and penmanship for creating alternative music.

In reading his biography, this album took four years to produce. That's got to be a lingering amount of time to get an album out for a debuting artist, but the results are very fine tuned. This is all done by Turner himself, which is mightily impressive when you hear every stem as if it were performed in-house by performing musicians. But nope, this is Turner's field, even going as far as to engineer the album to provide exactly what he wants. If that's not talent, then I don't know what is.

And the music itself? It begins with "Brian On The Brain," which appears as an homage to Brian Wilson-esque vocal harmonies, and then it rushes fully into "Bad Seed." We're at track two and I feel as if I've started listening to the late Jeff Buckley's Grace. It's not so much the way Turner softly but effectively vocalizes, but even the intricate, mellow guitar work that so hauntingly marked "Grace" and "Last Goodbye" are apparent here. This isn't a case of an artist simply imitating Buckley, but rather showcasing his passion for such an influence. Mind you, again, this was created stem by stem, all by Turner.

Things spread out across Mannerisms Magnified to the point where - even though you may think you know where it's going - you can't easily predict its direction. To put it simply, this really is just a great set of songs over 42 minutes. Turner provides a little of everything here like slower melodies "Hiding Place" and "Five Things" and upbeat tunes such as "Morality Rule" and "Exit Wound", but he still retains an alternative sensibility throughout, always leaving behind a trail of great 90's influences like Elliot Smith and early Radiohead. It's hard to find fault here, as hearing each track is like listening to an artist so hard at work, and the work so eloquently paying off.

Mannerisms Magnified may be the perfect title to such a record that's ambitious and yet feels so close to home - yet another feat from Mr. Turner's creative abilities. It's a surprising breath of fresh air that really brings a new voice forward through the heavily impacted world of music, and for good reason. This is a calm and collected batch of alternative music that doesn't really require much other than to admire and behold, and I believe Turner is going to head into new territories once this gets the exposure it deserves.

Mannerisms Magnified is now available through CD Baby, iTunes, and Amazon via Intimate Audio. - CRASHING SYMBOLS

Marketable skill sets such as booty shaking and personality has, over the years, shifted emphasis away from solid musicianship in music (pop, rock and otherwise). The simple fact is that most of the big hits in 2010 were nothing more than creative sampling, “brickwall” mix and an artist that possesses a pretty face and a banging body –  sorta like cheap Chinese noodles for the ears minus the nasty. I don’t have to mention the usual suspects. True – there is a time & place for a marketable song, but what’s even more disturbing is heavier bands have shifted empathies from the “dark side of the moon” delivering power pop music that is over polished, clean cut & highly corporate in nature. Whatever happened to Sex Drugs & Rock n Roll? It got transformed into Condoms, Vitamins, & Nikelback. Oops, looks like I did call someone out. Sorry folks but you can’t mention Motley Crue, Nirvana & Nikelback in the same sentence. Well I just did it but it was to make a point. We’ve seen all this before in the cycle of popular music, but that doesn’t mean we have to like it.

[Insert dramatic pause] Across my desk comes a new CD entitled Mannerisms Magnified by Guitarist/Singer/Songwriter Dale Turner. Read into his bio a bit you not only learn this guy not only took 4 years to craft this CD – but he practically plays all instruments, sings, & even handled all the engineering logistics of the production. That’s a tall order for just one man to pull off. The last guy I heard of doing all that was Prince. What I heard put a smile on my face, finally an artists that finally gets it. A Mannerisms Magnified by Dale Turner is some of the best new music I’ve heard in quite some time delivering thought provoking melodic rock in the vein of Mr. Bungle, Queen & Frank Zappa. You want musicianship that is packed to the hilt with amazing creativity, captivating subject matter, unpredictability via a high adrenalin vocal delivery? Look no further. This CD covers all the bases delivering solid playing & amazing songwriting & music that just lets it all hang out. What’s more – For just $10.99 on CD baby this full loaded musical production is quite the steal.

Mannerisms Magnified by Dale Turner takes us back to the early & late nineties hey day of guitar driven rock. It’s a polished sounding musical production but doesn’t sound overly corporate & is served hot to the touch with great playing, solid writing, via the unpredictable musical signature that is Dale Tuner. It’s definitely a musical production that gives us a breath of fresh air & takes us back to our glory years before everything started sounding...

You can learn more about Dale Tuner and his music at www.intimateaudio.com - ROCK N' ROLL VIEW

Dale Turner: Mannerisms Magnified – CD Review (Rating: 9.0/10)

Californian multi-instrumentalist Dale Turner independently released his 42 minute album Mannerisms Magnified in 2010. The songs are technically brilliant and when you consider that all of the vocals and instruments were performed by Dale himself, you have to step back and re-evaluate what you think of this material. I'm not surprised it took him four years to complete.

The album begins with an avante garde and jazz influenced a cappella piece, entitled "Brian on the Brain." Right on cue this segues into "Bad Seed," an up tempo stonking rock anthem, with lush guitar melodies and incredible vocal lines which swoop and dive, dancing around the constants, seemingly effortlessly. The bridges introduce some excellently sublime harmonies and musically, everything is there; tempo and feel changes and key changes left right and centre. Its almost like we are being given a music lesson from Mr Turner. The fourth song "She-Hab" is an exquisitely arranged piece with a clever vocal, perfectly structured over the top of an intricate jazz waltz rhythm. The bass occasionally switches to a walking bassline and again its almost like Dale is trying to throw in everything he's ever learnt about music into one song! Again on cue, Dale introduces a simpler and sentimental piece in the form of fifth track "Hiding Place." This is delicate and poignant but perhaps more importantly it offers a little contrast and a welcome break from the previous musical onslaughts. I love the atmosphere and mood of this piece and the counter melodies that Dale runs in towards the end, mixed in with some very beautiful chord changes makes this an easy favourite. The seventh song "Morality Rule" again pushes so many boundaries. With an extremely tight acoustic guitar and bass line complete with jellyfish-esque vocal harmony arrangement. All of this is sat atop a very trippy rhythm and if I'm not mistaken Dale uses his extremely versatile voice to poke fun at the heavy metal genre. Lyrically, he has managed to craft one of the most interesting songs I've ever heard, managing to condense an American history lesson and debate on ideas on morality into 2 minutes 53 seconds! In perfect contrast, the laid back lilt of "Five Things" presents another "mannerism" in the form of this jazz style tune. The penultimate track "Exit Wound" is a bizarre arrangement rich with melody, rhythm and harmony and even the lyrics are outstanding, yet it is so very inaccessible that it takes several listens to even begin to comprehend. I can understand why it is placed at this point in the album because without some of the earlier avante garde material this would be so confusing. Someone once said that there was a fine line between genius and insanity... this feels like the work of a genius, but I can't help thinking I've witnessed elements of the insane at the same time!

It is hard to fault the production on this CD and nobody could doubt Turner's exceptional talent. This is far from a commercial product, in that, consumers like to pigeon hole music and like to find a simplistic catchy hook line to keep them singing along. Personally speaking, I grow tired of mundane and re-hashed bubble gum rock and I'm glad that artists like Dale Turner are sticking two fingers up at convention and making a stand. Having listened through this album several times, I conclude that the world is just not ready for Dale Turner yet!!! It's almost like there are a couple of missing links in the evolutionary chain between where we are right now, and what Dale is offering here!

Overall this is a very impressive release by Dale Turner and one that I cant praise enough. If you are the kind of person who is completely open to new and interesting musical experiences, if you are not bound by conventions and willing to accept music which really pushes hard against the envelope, then this could be the most exciting thing you've heard in a long time as well. I would be interested to find out if this is a one-off for Dale or if he intends writing more material like this... its certainly going to be on my iPod for a long time to come!

Neil Thomas - UK
Posted by staff in Reviews on 07 8th, 201
Filed under:alt-rock, cd review, indie rock, progressive rock - MUSIC EMISSIONS

MUZIKREVIEWS.COM - INDIE SPOTLIGHT
DALE TURNER - Our Reverb Nation Weekly Featured Artist

Genres: Rock / Acoustic, Singer-Songwriter, Progressive, indie / Vocal, A Cappella, Instrumental, Experimental

Label: INTIMATE AUDIO

It was an easy decision to make Dale Turner our featured artist. What is there not to like about this incredible one man show? If you like rock and pop like Queen or The Beatles this guy is no brainer. Excellent music from top to bottom.

Artist Bio:

In late 2005, Dale Turner started chipping away at the ultimate musicianship challenge: Write an entire record of super eclectic (non-mainstream, though surprisingly accessible) ROCK music that *he* (see BIO) wanted to hear, AND produce, perform all the instruments, arrange, and engineer himself (including the disc's artwork). The record that resulted, MANNERISMS MAGNIFIED (finally released June 1, 2010 on the INTIMATE AUDIO label), sits somewhere between the singer-songwriter/multi-instrumentalist tradition of Jon Brion, Elliott Smith, Joseph Arthur, and Sufjan Stevens, with added flavor from Dale's King's X, Mr. Bungle, Radiohead, Jeff Buckley, Brian Wilson/Beach Boys, and Bobby McFerrin influences. We describe the music as "moody, acoustic art-rock," but also enjoy leaving it open to interpretation:

More About Dale Turner:

In late 2005, Dale Turner started chipping away at the ultimate musicianship challenge: Write an entire record of super eclectic (non-mainstream, though surprisingly accessible) ROCK music that *he* (see BIO) wanted to hear, AND produce, perform all the instruments, arrange, and engineer himself (including the disc's artwork). The record that resulted, MANNERISMS MAGNIFIED (finally released June 1, 2010 on the INTIMATE AUDIO label), sits somewhere between the singer-songwriter/multi-instrumentalist tradition of Jon Brion, Elliott Smith, Joseph Arthur, and Sufjan Stevens, with added flavor from Dale's King's X, Mr. Bungle, Radiohead, Jeff Buckley, Brian Wilson/Beach Boys, and Bobby McFerrin influences. We describe the music as "moody, acoustic art-rock," but also enjoy leaving it open to interpretation:

GUITAR PLAYER MAGAZINE says: "Smart pop tunes that are crammed with interesting guitar parts and tones ... Like what the Beach Boys might do if they were on an acid trip that was on the verge of getting out of control. Yeah!"

MUSIC CONNECTION MAGAZINE says: "Clever in concept and sophisticated in execution. Turner's an accomplished guitarist ... working at a high level. It seems there's nothing he cannot do in the studio."

THE MAG (U.K.) says: "Slacker-rock mingles with seventies-style harmonies and new-prog in this eccentric and eclectic collection ... like a strange re-invention of Supertramp, mixed with Pavement. This record is incredibly creative, inventive and well-crafted."

ALL ACCESS MAGAZINE says: "A rich cocktail of differing textures, aural delights, interesting instrumentation, and quirky vocal arrangements. A remarkable and inspiring effort on all fronts. D-I-Y Musicians take note; Turner will teach you a thing or two."

MANNERISMS MAGNIFIED was initially mixed on a Power Mac G4 by Dale Turner, then remixed (from stems) through vintage/modern analog gear by sonic wizard Robert Wawoe. Mastered by Eddy Schreyer (Jon Brion, Fiona Apple, Take 6, Korn, Queen) at Oasis Mastering. CD/DigiPak includes original art/illustrations and complete lyrics booklet. Disc and downloads available on iTunes, Amazon, CD Baby, Napster, eMusic, Spotify, Pandora, etc.

ABOUT THE ARTIST: The former West Coast Editor (1996-2007) of the now defunct Guitar One magazine, in addition to working as a performing/recording musician and producing engineer, Dale Turner is an instructor at Hollywood's Musician's Institute, and author of 50+ instructional books/transcription folios (his latest being Power Plucking - A Rocker's Guide to Acoustic Fingerstyle Guitar). He also writes a monthly acoustic guitar column for Guitar World magazine, and is featured in their "Lick of the Day" App. for iPhone/iPad. - MUZIKREVIEWS.COM

Dale Turner's "Hiding Place"
By CHARTattack Staff (CHARTattack) July 14, 2011 9:57 am

Dale Turner's "Hiding Place"
Dale Turner used to be the west coast editor of Guitar One Magazine, and now he's a singer/songwriter.

His Mannerisms Magnified debut album came out in June 2010 and features "Hiding Place," just one of 12 tunes full of acoustic guitar virtuoso techniques.

Turner plays every instrument on the album, including piano, mandolin, accordion and drums in addition to his trusty six-string. - CHARTATTACK

Dale Turner - Mannerisms Magnified

Carl King says: "This is the most impressive record I've heard since Marco Minnemann's House Wife Dog & 2 Kids. Maybe not coincidentally, Dale played every instrument on this album himself. And like Marco, Dale is able to transcend his principal instrument and express himself beyond just one tool -- an artist who happens to use sound to tell a story, not just a player of notes. The first time I listened to this thing, I was frozen in time and space as it took over my mind. I forgot where I was. Dale's music is complex, tricky, and unusual -- yet it never devolves into sterile math rock. At the core, you can't escape the beautiful vocal melodies and well-crafted acoustic guitar. It's alive, like music should be." - MUTANTMALL.COM (Carl King, a.k.a. Sir Millard Mulch, a.k.a. Dr. Zoltan Øbelisk)

DALE TURNER - MANNERISMS MAGNIFIED [ALBUM]
Intimate Audio
April 24, 2011

The words one-man-band and musical genius don’t usually come hand in hand. Considering when I hear of the former, I immediately picture a crazy-haired, eccentric loon grasping a marching band style array of aging instruments including a giant drum, harmonica and possibly some kind of annoying whistle instrument. Well for all intents and purposes Dale Turner IS a one-man-band, and yes he may be eccentric, minus the crazy hair, but he is also a musical genius. Mannerisms Magnified is the new 12 track album from the former editor of American music magazine “Guitar One”. Not only did the guy perform ALL the album’s instruments including vocals, guitar, bass, real acoustic drums, piano, accordion, and mandolin. He also produced, arranged, engineered, and created all the artwork/illustrations for the CD’s booklet! One-man-band doesn’t sound so stupid now huh?

In 2005 he started his mission; influenced by his musical heroes Brian Wilson, Elliott Smith and Jon Brion, he wanted to create a non-mainstream but not entirely in-accessible rock album. As explained in his interesting and thorough YouTube “making of” video, he wrote and recorded all the music first before coming up with lyrics and vocal parts. He quotes “does the world really need another dozen love songs?” hence his decision to focus on more serious issues like religion, racism and chemical dependency to name a few. In 2010 he finally finished recording and started mixing using his Power Mac G4. He then had it professionally mastered (using his previous job’s handy contacts) by Eddy Schreyer (Jon Brion, Korn, Queen) at Oasis Mastering.

So what’s the result you ask?! Well it’s an eclectic, unpredictable record full of changing time signatures and varying styles of music. “Brian On The Brain” is a one minute homage to Brian Wilson and The Beach Boy’s, with high-pitched intricate vocal harmonies. It’s a very powerful short and sweet track; god only knows (sorry!) how long it must have taken him to record every vocal and so cleanly. “Bad Seed” is an acoustic progressive number with highly-creative time signature’s that change quite regularly. If Radiohead was making music in the 70’s with Mike Patton helping on vocals, this may be what would have been heard. Dale’s strange but alluring vocals certainly remind me of the Mr. Bungle/Faith No More singer, especially when his falsetto is put to good use like in the subtle and melancholic “Hiding Place”.

It’s so rare nowadays to hear something quite as timeless as this album. Dale has managed to defy musical law and created something that could quite easily be placed in a number of decades. “Sooner Or Later You’ll Hate Her” may have been performed in a support slot for David Bowie around Ziggy Stardust era. Whereas the experimental jazz-fusion of “Morality Rule” wouldn’t look out of place on a Mars Volta album circa 2002. To create something that imaginative and uninhibited in today’s musical world is practically unheard of. One of my favourite tracks has become “Saboteur”, with its ever-so-slightly comedic verses; Dale’s vocal performance reminding me of Jack Black’s over-pronounced passionate lyrical musings a la Tenacious D. However the track progresses into a heartfelt acoustic ballad with a beautiful chorus melody; his warbling smooth and endearing.

Dale reaffirms his love for Brian Wilson in “Exit Wound” (and no it’s not also a tribute to the Steven Seagal movie). It opens with more soothing and tight vocal harmonies before changing into an experimental menagerie of discordant electric guitar parts and Tool-esque drumming patterns. He is a man quite literally possessed sounding one moment, like a drunk Patton and the next like a hysterical Elmo. No really. Despite sounding like a seriously messed up affair, the track is clever and crazy; a true mad scientist at work.

Somehow it’s not surprising that this musical maestro also finds the time to teach Hendrix-style rhythm guitar improvisation, music theory/ear training and sight-reading. And he’s managed to squeeze in writing 50+ music instructional books, curing the blind and saving the rainforest (not all of the above is true). Jokes aside, Dale Turner is an inspiration in every sense of the word; proving that anything is musically possible if you put your mind to it. I cannot even fathom the amount of blood, sweat and tears that went into Mannerisms Magnified. Well five years worth to be exact. Okay so his experimental style won’t be everyone’s cup o’ tea, but his talent is undeniable. This one-man-band is a one-man-force to be reckoned with. - ALTSOUNDS

DALE TURNER
Mannerisms Magnified
2010 (CD, 42:13)
INTIMATE AUDIO IA 0002
PROGRESSIVE ROCK/POP
RATING 13 (Out of 16)

Dale Turner certainly would qualify as a musical "renaissance man" devising a very personal album in which he plays all the instruments himself. He engineered, co-mixed and oversaw the art direction and album design as well. His all-in-one singular artist concept was modeled after his father--a craftsperson who "built things out of nothing on a regular basis," according to Turner. The results on Mannerisms Magnified are a varied mix of clever rock and pop, with a progressive edge.

Things begin with Beach Boys/Manhattan Transfer-like multi-tracked wordless harmonies on "Brian on t Brain." From there Turner jumps into an introspective tone poem on child abuse called "Bad Seed." "Sooner or Later You'll Hater Her" is a sardonically humorous account of a broken relationship.

"Morality Rule" probably is the most progressive track, in its employment of shifting tempos and intricate production. The Moral Majority comes under fire with some witty observations but on balance comes across a tad preachy and heavy-handed. The album concludes with the pleasant a laidback instrumental, "Solace Song."

– Eric Harabadian - PROGRESSION MAGAZINE

DALE TURNER Interview in G3 MAGAZINE
Volume 3, Issue 4 - INDEPENDENT ARTIST Edition (April 2011)

"Dale Turner is a much-needed breath of fresh air and… wait for it… creativity! Emotion is the soul of music. Technical finesse will appeal to the intellect, while emotion to the heart... Emotion and the right expression are vital in making the music come alive. Music is also a form of communication and the message can be reached only if the expression is right... and Dale have found that expression."

Group Name: Dale Turner
Stage Name: Dale Turner
Website: www.intimateaudio.com
Email Address: dale@intimateaudio.com
Genre: Singer-Songwriter, Rock
State / Country: Los Angeles, California U.S.A.

What inspires your music?
For me, music usually comes from a feeling first. Something may have happened that has made me feel a certain emotion, and if I try channeling that emotion into sound, it may turn into a chord progression, guitar or keyboard riff, or vocal melody. Oftentimes, listening to someone else’s music, particularly if it’s music that’s dripping with dramatic emotional power, or something that has a certain kind of “moody” vibe, will put me in a creative headspace to write. Or even watching a sad, or uplifting, or disturbing movie will help me get in “the zone.” I don’t really try to force anything, at least when it comes to giving birth to a song. Finishing them, on the other hand, requires a lot of work, at times. I’m always coming up with ideas, then trying to find homes for them, or morph them into a full-scale piece of music. I always write music first, and lyrics last.

How would you classify your music?
The music on my new disc, MANNERISMS MAGNIFIED, is like a mid-to-late 1990s rock version of the Beach Boys, mixed with Frank Zappa-like weirdness and theatricality, all in sort of a “non-electronic Radiohead”-type framework. I refer to it as “moody, acoustic art-rock,” but enjoy leaving it open to interpretation. A recent review in GUITAR PLAYER MAGAZINE describes it as “Smart pop tunes that are crammed with interesting guitar parts and tones … Like what the Beach Boys might do if they were on an acid trip that was on the verge of getting out of control.” Other reviews I’ve gotten liken it to Queen, Jeff Buckley, Mr. Bungle, Pavement, X.T.C., Todd Rundgren, and more—including Prince. Nearly every review includes the words “unpredictable” and “original” in them, which is nice. When it comes down to it though, I’m basically a singer songwriter who specializes in a wide array of rock—and who’s also influenced by jazz, modern classical, and comedic sounds.

How would you describe yourself as an artist?
I definitely like to keep moving forward and reach for things that feel new to me. I tend to avoid clichés and anything that seems derivative. As a musical artist, I am most attracted to—and try to create in my own work—interesting chord progressions, things with a lot of contrasting vocal parts and interesting harmonies, guitar work that pushes boundaries, song forms that aren’t run-of-the-mill, and lyrics that focus on topics other than basic “relationship” stuff. Though some of my songs are funny in the “lyrics” department, the majority deal with serious subjects—things I feel strongly about, like religion, women/women's rights, racism, child abduction/abuse, death/suicide, gay rights, chemical dependency, and various types of social/psychological dysfunction. I also consider myself a closet “voice-over” artist, and love using funny “cartoon”-like voices in some of my work. On MANNERISMS MAGNIFIED, I really exercised my artistic muscles because I actually played all the instruments—acoustic and electric guitars, bass, real acoustic drums, piano, mandolin, and accordion—and sang all the vocals. I also engineered, produced, and created all the disc’s artwork.

What sets your music apart from others in your genre?
Well, I think my “one-man band” aspect definitely puts me in a smaller niche within my genre. And the masters of that particular niche, in my opinion, are people like Jon Brion, Elliott Smith, Joseph Arthur, and Sufjan Stevens; they also play numerous instruments on their records. If I was to compare what I’m trying to do, versus their output, I think the “comedy” and “weird rock” aspects in some of my songs sets me apart a bit.

What obstacles have you faced in the music industry?
My biggest obstacles so far, to be honest, have not been industry-related, but more “physical health”-oriented: Hand injuries, vocal problems, and other stuff. Those types of things have certainly slowed me down, but they aren’t stopping me from doing what I do. As for “industry”-specific things though… Because I’m not chasing any trend, catering to any specific culture, or trying to “write hits,” I already know my music’s not an easy sell in the first place. For that reason, something like “mainstream acceptance” is not an obstacle, because I’m not even trying to go there. Obviously, lit - G3 MAGAZINE

DALE TURNER Interview in G3 MAGAZINE
Volume 3, Issue 4 - INDEPENDENT ARTIST Edition (April 2011)

"Dale Turner is a much-needed breath of fresh air and… wait for it… creativity! Emotion is the soul of music. Technical finesse will appeal to the intellect, while emotion to the heart... Emotion and the right expression are vital in making the music come alive. Music is also a form of communication and the message can be reached only if the expression is right... and Dale have found that expression."

Group Name: Dale Turner
Stage Name: Dale Turner
Website: www.intimateaudio.com
Email Address: dale@intimateaudio.com
Genre: Singer-Songwriter, Rock
State / Country: Los Angeles, California U.S.A.

What inspires your music?
For me, music usually comes from a feeling first. Something may have happened that has made me feel a certain emotion, and if I try channeling that emotion into sound, it may turn into a chord progression, guitar or keyboard riff, or vocal melody. Oftentimes, listening to someone else’s music, particularly if it’s music that’s dripping with dramatic emotional power, or something that has a certain kind of “moody” vibe, will put me in a creative headspace to write. Or even watching a sad, or uplifting, or disturbing movie will help me get in “the zone.” I don’t really try to force anything, at least when it comes to giving birth to a song. Finishing them, on the other hand, requires a lot of work, at times. I’m always coming up with ideas, then trying to find homes for them, or morph them into a full-scale piece of music. I always write music first, and lyrics last.

How would you classify your music?
The music on my new disc, MANNERISMS MAGNIFIED, is like a mid-to-late 1990s rock version of the Beach Boys, mixed with Frank Zappa-like weirdness and theatricality, all in sort of a “non-electronic Radiohead”-type framework. I refer to it as “moody, acoustic art-rock,” but enjoy leaving it open to interpretation. A recent review in GUITAR PLAYER MAGAZINE describes it as “Smart pop tunes that are crammed with interesting guitar parts and tones … Like what the Beach Boys might do if they were on an acid trip that was on the verge of getting out of control.” Other reviews I’ve gotten liken it to Queen, Jeff Buckley, Mr. Bungle, Pavement, X.T.C., Todd Rundgren, and more—including Prince. Nearly every review includes the words “unpredictable” and “original” in them, which is nice. When it comes down to it though, I’m basically a singer songwriter who specializes in a wide array of rock—and who’s also influenced by jazz, modern classical, and comedic sounds.

How would you describe yourself as an artist?
I definitely like to keep moving forward and reach for things that feel new to me. I tend to avoid clichés and anything that seems derivative. As a musical artist, I am most attracted to—and try to create in my own work—interesting chord progressions, things with a lot of contrasting vocal parts and interesting harmonies, guitar work that pushes boundaries, song forms that aren’t run-of-the-mill, and lyrics that focus on topics other than basic “relationship” stuff. Though some of my songs are funny in the “lyrics” department, the majority deal with serious subjects—things I feel strongly about, like religion, women/women's rights, racism, child abduction/abuse, death/suicide, gay rights, chemical dependency, and various types of social/psychological dysfunction. I also consider myself a closet “voice-over” artist, and love using funny “cartoon”-like voices in some of my work. On MANNERISMS MAGNIFIED, I really exercised my artistic muscles because I actually played all the instruments—acoustic and electric guitars, bass, real acoustic drums, piano, mandolin, and accordion—and sang all the vocals. I also engineered, produced, and created all the disc’s artwork.

What sets your music apart from others in your genre?
Well, I think my “one-man band” aspect definitely puts me in a smaller niche within my genre. And the masters of that particular niche, in my opinion, are people like Jon Brion, Elliott Smith, Joseph Arthur, and Sufjan Stevens; they also play numerous instruments on their records. If I was to compare what I’m trying to do, versus their output, I think the “comedy” and “weird rock” aspects in some of my songs sets me apart a bit.

What obstacles have you faced in the music industry?
My biggest obstacles so far, to be honest, have not been industry-related, but more “physical health”-oriented: Hand injuries, vocal problems, and other stuff. Those types of things have certainly slowed me down, but they aren’t stopping me from doing what I do. As for “industry”-specific things though… Because I’m not chasing any trend, catering to any specific culture, or trying to “write hits,” I already know my music’s not an easy sell in the first place. For that reason, something like “mainstream acceptance” is not an obstacle, because I’m not even trying to go there. Obviously, lit - G3 MAGAZINE

Mannerisms Magnified
Artist: Dale Turner
Rating 3.0 out of 4.0

Web: http://www.intimateaudio.com
Location: Los Angeles, CA
Genre: Jazz / Classic Rock / Easy Listening
Key Tracks: Bad Seed, Sooner or Later You'll Hate Her

There is only one way to describe Dale Turner…awesomelyuniquelyamazing (one word)! This guy is like Boyz II Men’s harmony meets the Beach Boys meets Simon & Garfunkel, if you could even image such a thing. This is not for the music lover who likes to hear the typical repetitive Pop song, because Dale borders the line of musical genius.

“Brian on the Brain” is a demonstration of what Dale can do vocally with harmonies, and is not easy to do at all.  “Bad Seed” has a very nice feel and groove, but the lead vocal is a bit strange the way he plays with his voice.  Admittedly, I was only thrown off because of how unique it is, in a good way though.  “Sooner or Later You’ll Hate Her” is very reminiscent of something from an Austin Powers flick, which is awesome because it’s so melodically sound.  Not to mention the fact that the song is very well written. Dale Turner’s album is well put together and very unique.  You should definitely give it a listen and buy it if you like it!

What is your ultimate goal with your music?
“As I keep reaching towards any 'goal of the moment,' or what seems to be an 'ultimate goal,' a vast array of new, exciting things presents themselves, and sure enough, that goal morphs into something else. But a constant, I feel, is that I will always want to continuously evolve, reach a wider audience of people who enjoy challenging, non-derivative sounds, play all my main instruments--guitar, bass, real acoustic drums, and piano--with equal precision, spontaneity, and musicality, achieve a unique voice as a lyricist, seamlessly meld all my numerous influences as a composer and player, and fully support myself as a performing, recording, and producing musical artist. If I could pick ONLY one goal, it would be "continuous evolution and growth.” --- Dale Turner

Review by: Senseitional - I AM ENTERTAINMENT MAGAZINE

Dale Turner, Mannerisms Magnified
February 3, 2011 | by Skope Staff

Get ready to hear something so unique & original on Dale Turner’s latest project titled Mannerisms Magnified.  Turner wrote all 12 songs on the new album along with being the sole producer, recorder, arranger and performer.  This singer/songwriter & multi-instrumentalist and his one-man-show-band included the likes of: voices & vocal/mouth effects, electric & acoustic guitars, bass, acoustic drums, piano, mandolin, accordion and synthesized/sampled strings.  Not to mention, this multi-tasking musician even supplied the CD artwork and some of the photos.  Obviously the anticipation is high for these Intensified Forms of Expression from Dale Turner, so in the words of Pat Benatar: “Hit me with your best shot!  Fire Away!” 

I have to say that Dale’s style on this record is highly original and very creative.  You really never know what to expect from track to track; unpredictability at its finest.  There is an interesting mix of songs here to say the least that really is indescribable.  There is no set style of music here, but I did pick up on elements of rock, alternative and progressive pop/rock.  Two things really stood out here on Mannerisms Magnified and they are: voice and guitar.  The acoustic guitar sound was played upon extremely well while Turner’s vocal performance proved to be a noticeable factor.  There was a lot of harmonizing going on and I felt Dale was at his best when he hit the higher octave.  Additionally, Turner played all instruments with ease & precision including a solid drum presence as well.  Something else I picked up on was the unorthodox mode of tempos throughout this entire 12-song set.  Going back and forth between a slow, medium and fast pace was the norm on this record.

Something that really surprised me was hearing some beyond weird voice effects like on track 11 “Exit Wound” where I was thinking to myself ‘what the bleep is that!’.  Dale Turner proved that he is not afraid to take risks both musically & artistically.  I, for one, was not in tune with Dale’s unique form of music because it’s just not something I would listen to.  But that’s okay because I’m just one person with one opinion in a world of billions.  I give Turner credit for creating a fresh & original piece of work here, but I just wasn’t feelin’ it or diggin’ it on the whole.  I will end by saying that Dale Turner definitely had his Mannerisms Magnified on this disc; no question about it!

By Jimmy Rae - SKOPE MAG

Dale Turner
MANNERISMS MAGNIFIED

Dale Turner gave us the GIT lesson in the Oct. '09 issue of GP and now he's giving us smart pop tunes that are crammed with interesting guitar parts and tones. The multi-layered "She-Hab" will please fans of Grays-era Jon Brion and the harmonies and angular guitars of "Exit Wound" sound like what the Beach Boys might do if they were on an acid trip that was on the verge of getting out of control. Yeah!

Guitar Player Magazine
November 2010 - GUITAR PLAYER MAGAZINE

Artist: Dale Turner
Album: Mannerisms Magnified

Label: Intimate Audio

Website: www.intimateaudio.com/recordings.html

Genre: Progressive Rock - Acoustic Rock

Sounds Like: Lou Reed, Queen, King Crimson, They Might Be Giants, Frank Zappa

Technical Grade: 10/10
Production/Musicianship Grade: 9/10
Commercial Value: 8/10
Overall Talent Level: 10/10
Songwriting Skills: 8/10
Performance Skill: 8/10
Best Songs: Morality Rule, Taken, Five Things

Weakness: Repetitive Vocal Delivery


CD REVIEW:

Los Angeles native Dale Turner releases his latest release: Mannerisms Magnified in June, 2010. Turner not only produced the CD himself but also played all the instruments (voice, guitar, bass, acoustic drums, piano, accordion & mandolin) He also wrote all the material. Influences include Sufjan Stevens, Jeff Buckley, King’s X, Mr. Bungle & Bobby McFerrin just to name a few.

Logging in at just over 42 minutes the CD takes to flight with melodic intro piece “Brian on the Brian” this piece merges into track 2 “Bad Seed” a unique intro piece that serves up progressive rock groove, with dynamic musical flow & ebbing coupled with hooky harmonies & impressive vocal accents from Turner. Track 3 “Sooner or Later you’ll hate Her” shifts gears a bit with it’s pulsating rock groove meshed against unique sounding melody. Track 4 “She Hab” lets it all hang with it’s eccentric musical delivery, mesmerizing vocal reinforcements & thought provoking lyrical content As the CD unfolds I can hear many musical influences reminiscent of Lou Reed, Queen, King Crimson, They Might Be Giants, XTC, & even brief splashes of Frank Zappa. Right from the start you will notice Turner feels quite comfortable letting it all hang out, not holding anything back with respect to his expression. The overall musical signature is quite unique & hard to pigeonhole right away. Those who enjoy listening to musical curve balls, & off-time rock grooves will get a kick out of this catalogue. I would classify this music as acoustic-folk rock with vibrant melody & Musical textures layered everywhere. Turner's’ musicianship is pretty solid across the board as he writes, & plays his parts extremely well. Beside the 4 piece standard delivery you will also notice lush layers of instrumentation layered along the way with impressive piano, accordion & mandolin accents His vocal harmonies are extremely creative & well placed, as well as being well executed. The songs themselves are addictive, infectious & are extremely unpredictable. Song for song, you never really know what’s around the next corner. Dive deeper into the lyrical content you will discover even more mysteries. No doubt the true meanings of some of these songs is buried deep within the lyrical content. Turner’s voice works well across the board & at times will remind you of classic Geoff Tate (Queensryche), Jeff Buckey. yet has a signature all it’s own that really transcends pigeonholed. All songs are short & sweet musical experiences, never too winded, never to short. From melancholy pieces “Hiding Place” & Taken” to eccentric songs “Morality Rule”, Saboteur” & “Exit Wound” to bluesy ditties “Five Things” & “civil Lies” this CD pretty much has something for everyone.

It’s hard to find any noticeable weaknesses when listening to Mannerisms Magnified. Though Turner does delivers some truly brilliant vocal harmonies, his falsetto & predictable vibrato will take a major toll on you over time. Rather than take the conservative approach, Turner elects to splash it everywhere. Eventually you come to a place where you just roll with it. Overall Turners’ voice lacks honey-coated luster, & is somewhat repetitive & predictable in it’s overall delivery.

Needless to say Mannerisms Magnified is a brilliant snapshot of music. It’s strong suit – it's rock solid consistency, song for song unpredictability, & musical brilliance of Dale Turner. The music is highly original, creative, extremely melodic, & like the aforementioned unpredictable as hell. You will have no idea what waiting for you around the next corner – that’s the best part of this musical experience. Equally as impressive is the songwriting virtuoso of Dale Turner. It’s a huge undertaking to write, play & produce all the music himself. My hats off to Turner for taking all this on as it took him nearly 4 years to accomplish. I really admire artists out there who are themselves & just let the chips fall where they may. Praise goes out to the artist that can show us something real and genuine beneath their veil of vanity. Dale Turner is one of these artists. So if you’re looking for a tripped out musical experience that offers rich melodic variety, brilliant songwriting, & total unpredictability then I highly recommend you jump head first into Mannerisms Magnified by Dale Turner as soon as possible.

Cyrus Rhodes - INDIE MUSIC DIGEST

Junior's Cave Music Interview with Dale Turner
January 2011 Edition
Music Now Spotlight

Junior’s Cave has a personal and honest conversation with Musician/Songwriter/Singer/Guitarist Dale Turner who expounds on his amazing and refreshing music that we absolutely love. If you are looking for something in music that dares to be original, then the music of Dale Turner fits the bill. Find out who this artist is and what he has to offer to the music industry in this super chic spotlight. Enjoy!

Isaac: It’s an amazing time to be a DIY artist/performer/band/musician. What do you enjoy the most about being an indie performer?

Dale: It's pretty interesting! And, I suppose, filled with all sorts of freedoms. I went über DIY with my latest release, MANNERISMS MAGNIFIED, writing all the songs, recording everything, playing all the instruments--real acoustic drums, tons of vocals, all sorts of guitars, bass, piano, and so on--and designing the album artwork myself. It took me a long time, but it was a blast! If someone else was overseeing my actions, watching the clock tick, I would have most likely not gotten the chance to take this project as far out in left field as I wanted to, and inevitably did.

Isaac: If you had an opportunity to sign with a major label, would you sign now knowing you may have to give up some of what you have build up over the years about you in the process?

Dale: Well, if I could get an advance from a major label that would enable me to seriously upgrade my home studio/residence to something capable of delivering an even more pristine-sounding product, and allow me to track everything here, and do it with no deadlines, without anyone calling the artistic shots but me, have a wicked marketing/publicity department, giant distribution network, packaged tours, and tour support, I suppose there'd be no reason not to! Until that magic pipe-dream combination magically appears, I'll just keep doing what I do—which is also web design, press materials, setting up all internet distribution, pursuing licensing deals, bookings, and beyond. But my ability to create in the way I do, which is the result of a lifetime of hard work, just like anyone else, would not be something that would just "disappear" because of a major label's involvement.

Isaac: I remembered Simon Cowell from American Idol talking about the “it” Factor that makes a musician/band stand out. What do you think is your “it” factor that makes you stand out from others in the music business?

Dale: Hmmm. I guess the "one-man band" factor could be a quasi "it" aspect, of my overall musical presentation; that makes me stand out. Of course, "live," it's just me and my acoustic guitar. But it's pretty technically complex, the stuff I'm playing and singing at the same time. I suppose each person's perception of the intangible "it" factor is different. Someone who appreciates that kind of technical performance might be impressed and deem that "it," for me. Or someone who enjoys a wide range of vocal approaches over the course of a set of songs, with lots of improvisation, might feel that's "it." And most guitar fans will certainly have fun. Of course, I don't think I'm hitting anyone over the head hard enough for many people to walk away feeling I have a Simon Cowell interpretation of what "it" is. I'm a little more subtle, I think. And I'm purposely not trying to fit into any one mold; by nature, I go against the grain with all sorts of things, repelling from anything that feels too cliché or derivative.

Isaac: Why should music fans listen to your music? Describe what they are going to get when they listen to your music?

Dale: I'm always hoping to give listeners a good amount of those "goosebumps" moments. And I think my new record definitely takes listeners on a journey, provided they're the type of music listener that likes to chill out, relax, and trip a little. I always liked listening to records where I knew it was one person doing it all--like Elliott Smith, Sufjan Stevens, Jon Brion, or Joseph Arthur. I really felt a personal connection with those types of artists. I *knew* their music was highly personal, purely because they shaped it from the ground up. It was an intimate listening experience. Anyone else who is a fan of those types of recordings, who also dig freakier, edgier rock stuff, like Mr. Bungle, older Radiohead, and King's X, as well the super artistic work Brian Wilson and the Beach Boys did in the mid 1960s, would likely get off on these songs. Sprinkle in a little Bobby McFerrin, Frank Zappa, and some Queen-like progressiveness, and you get some of the ingredients that shape my sound. It's all my take on "moody, acoustic art-rock," I suppose!

Isaac: Briefly describe your humble beginnings that led you to where you are at musically now.

Dale: I grew up in Seattle, but moved to Los Angeles when I was 18. I started playing piano in 1st grade, added trumpet to the arsenal in 5th grade, and - JUNIOR'S CAVE

DALE TURNER - "HIDING PLACE"
written by Rick Amburgey

California-based artist Dale Turner has one of those voices to which the ear is just naturally drawn. His song, “Hiding Place” is an easy listen for many reasons. First, the music is very simple but is perfect for the song. While a necessary part of a song, the music is secondary to the lyrics in this case. The opening lines of this tune immediately captured my attention: “As dawn turns to dusk, it is a sign that playtime’s over/ And if in God we trust, are those his hands upon my shoulder.”

One reason I like Turner’s music is because it is unlike mainstream rock. His songs do not fit in a mold. He knows what he likes and he makes his own music. There are some lines in his songs that conjure up unpleasant images, like “An unfamiliar street/The neighborhood extends its greeting/The smell of rotting meat/I run as rain makes mud beneath my feet.”

The song is included on his CD “Mannerisms Magnified,” which was released on the Intimate Audio label in 2010. The CD is available at ITunes and CDBaby. - STRUM MAGAZINE

Who needs a band anyway? Dale Turner doesn’t, it would seem. “Mannerisms Magnified” is the fruit of five years of musical labour; Turner played every instrument, penned every arrangement and wrote every lyric on the album. Just to make sure of his influence on his work, he produced the album too. The result? A mixed bag of musical treats. Fans of Mike Patton should perhaps take interest.

Completely rejecting the idea of cohesion, this release may tell us a lot about Turner’s mindset? Crazy? No, but decidedly abstract. “Bad Seed” portrays prog-rock aspirations while “She-Hab” has Turner’s vocals take a theatrical turn. By contrast, “Hiding Place” is a relatively straightforward acoustic affair.
 
Truly, it is tracks such as “Morality Rule” that really define the album for the listener. With such colourful vocal delivery and precise instrumentation, there’s plenty to absorb and appreciate. On the more sedate “Five Things” however, Turner’s vocals are of less interest. Of course, having said that, “Saboteur” follows and proves my initial thought: every track on this album is remarkable for its own reason. Perhaps not all great, but each one will make you think.
 
One of the most enjoyable tracks is the penultimate. “Exit Wound” evokes thoughts of Mr Bungle and even English “pronk” pioneers Cardiacs. The instrumental “Solace Song” ends the album in polite fashion.

While it will appeal mostly to students of music, there’s plenty for any serious music fans to savour on “Mannerisms Magnified”. Imagine going to the bar, asking for one drink, and being given twelve. You may not like all of them, but chances are good that you’ll enjoy several of them, and be mildly intoxicated by the end.

Dale Turner
Mannerisms Magnified
Close to the Bone
Released: 2010 - BLUESBUNNY (U.K.)

Mannerisms Magnified is the artsy creation of Dale Turner. Elements of slacker-rock mingle with seventies-style harmonies and new-prog in this eccentric and eclectic collection.

The musical themes of this record concern off-beat rhythms and weird but masterful guitar licks. It starts off like a strange re-invention of Supertramp, mixed with Pavement - songs like 'Bad Seed' and 'Sooner Or Later You'll Hate Her'.

Then there is a surprising modern American kitsch track, in the form of the excellent 'She-Hab'.

After a folky break, the record gets all show-time with a collection of songs that sound like they belong on the stage, thanks to a big slice of drama and Dale's strong voice.

'Exit Wound' joins 'She-Hab' and 'Bad Seed' to form my favourite songs on this record. Just melodic enough to appeal, but off-the-wall enough to impress at the same time.

This record is incredibly creative, inventive and well-crafted. The Feeling have travelled these roads, but this is different. This record has a bit of everything melted into the songs.

Dale Turner
Mannerisms Magnified
Intimate Audio
Thursday 25th of November 2010

Record Review - THE MAG (U.K.)

Dale Turner is vocally one of this decade's finest singers. Personally, I hear a lot of Chris Collins ( Dream Theater ) and Todd Rundgren ( Utopia ) influence in his vocals. Not to mention the obvious tributes to Brian Wilson throughout the release. Turner draws influences from a wide range of great artists from Brian Wilson to Jeff Buckley. His guitar inspirations included such greats as Steve Morse, Tommy Emmanuel, John Frusciante, Ani DiFranco, Ty Tabor, Andrew York, Jimi Hendrix, and Jeff Beck.

Musicially, Dale is not mainstream pop or rock but he borrows from both. Case and point "Morality Rule." This song is bordering on the lunatic fringe. It's almost like Utopia meets 10 CC with a flare of Zappa for good measure. The song features rhythms and vocal harmonies that many of today's best vocalists would not dare tread. This guy is fearless! Then he follows this wild ride with "Five Things" a lovely simple acoustic piece that brings the listeners back to earth after "Morality Rule."

Dale understands quality song craftsmanship and he plays and sings everything on this release. That is both positive and negative. Positive because Dale gets total control of every instrument. Negative, for the same reason. When Roger Waters recorded the demos for 'The Wall' the producer and the other band members agreed that Water's demo was total garbage. That every song sounded like the one before. It was as if the demo was a 2 hour run on sentence. It took all the band and their reluctance plus producer Bob Ezrin to take these demos and make (arguably) one of rocks greatest albums. The idea that Pink Floyd would barrow a disco beat to become the basis for 'The Wall Part II' would have never happened if the band didn't welcome new ideas.

This CD is missing that collective thought process. It sounds as if one person had total control. Granted, Dale does a great job of playing every instrument but the CD lacked the excitement of a group vision. A great example is song #11 "Exit Wound." Having an accomplished drummer could have made that complicated beat into something extraordinary. The song was very interesting as it was recorded but getting input from a quality drummer might have taken this song from interesting to incredible.

The former West Coast Editor (1996-2007) of the now defunct Guitar One magazine, in addition to working as a performing/recording musician and producing engineer, Dale Turner is an instructor at Hollywood’s Musician’s Institute where he teaches Jimi Hendrix-style rhythm guitar improvisation, music theory/ear training, sight-reading, and rhythmic independence for the singing guitarist. He is also the author of 50+ instructional books/transcription folios (his latest being Power Plucking - A Rocker’s Guide to Acoustic Fingerstyle Guitar). Dale also writes a monthly acoustic guitar column for Guitar World magazine.

Reading his bio helped understand his focus. He went from speed metal guitarist to acoustic guitarist because of his difficulty bending strings due to carpal tunnel syndrome. I suffered through carpal tunnel as well and begrudgingly put down the guitar until the issue was resolved. I was never the same player when I returned.

The CD starts off with a true Brian Wilson tribute 'Brian on the Brian' before getting into the meat of the music with track #2 "Bad Seed," a song that has this amazing vibe. While listening to this piece I was led to believe that the song was about to explode at any minute but it remained in control. The lack of guitar fireworks (big amps huge lead section) was unfortunate but the anticipation of said event made the song come to life with anticipation.

I had hoped that this song was going to set the pace for the rest of the CD, but it did not. It was that rare song that comes along once in a while and is near impossible to top. Give Dale credit for putting his best song at the beginning of the CD. Many independent artists don't follow that rule and find their CD in the trash pile before track 3.

After song 2 the CD suffered from a lack of direction and bounced all over the place which I have to assume was the intended desire of the artist. With winners like "Bad Seed," "Morality Rule," and "Exit Wound" I could sit through some of the other less exciting tracks and after a second listen some of the lesser songs started to emerge as more desirable listens.

In the Studio:
I do not have the CD liner notes close to me to give credit to the studio and any engineers involved. The CD is a first class recording. Every instrument and vocal expression comes across with exceptional detail. Producing a CD with this much diversity involves a talented ear and an astute knowledge of sound and space when recording. My hats off to everyone that turned a dial or suggested alternative mic placements. This production was one of the best I have ever heard.

Conclusion:
If you love vocal harmonies and musical dexterity that covers a wide range of styles and - ELITE VETERANS OF ROCK

In the opening liner notes, Dale Turner writes how his builder dad provided him with the inspiration to become a craftsman himself, though in the musical field. Upon listening to this album, an album that Dale has totally crafted himself from the ground up, playing all the instruments, and handling production – a totally mind boggling effort – his dad would be very proud.

Dale has done a magnificent job in putting this all together. Starting with some lush Beach Boys-esque harmonies on opener Brian on the Brain, it quickly segues into an acoustic progressive romp of Bad Seed and right through to the closing instrumental Solace Song, it is a journey through a rich cocktail of differing textures, aural delights, various interesting instrumentation and quirky vocal arrangements.

There are echoes of influences that run the gamut from Elliott Smith to Pink Floyd and even Kings X throughout, yet the writing brilliance and solid musicianship of Turner shines noticeably on each and every track. The album takes quite a number of spins to reveal its inherent beauty. Its strength is in its unpredictability, with layers of instrumentation unveiling its melodic richness with time and its lyrical mysteries – which veers from dry wit to introspective – rewarding the listener with its musical elegance.

Mannerisms Magnified is a remarkable and inspiring effort on all fronts. D-I-Y Musicians take note, Turner will teach you a thing or two, and maybe more about what constitutes making a truly “musical” record.

Stand out track: Saboteur.

Joe Matera - ALL ACCESS MAGAZINE

The Artist
I recently checked out the latest CD from singer/songwriter Dale Turner entitled Mannerisms Magnified. Turns out Turner comes to us from Los Angeles, California.
 
The band Turner sings & plays all the instruments very much like artists Prince or Phil Collins. I would say Turner possesses above average playing abilities for the progressive Alternative Rock format. You will find many impressive guitar licks, rock solid bass guitar & drum rhythms along the way. Timing is spot on within the genera. Turner can hold his own on all instruments including vocals & harmonies, but more importantly it’s impressive that Turner did all of this work himself including the engineering. That is quite a feat. Turner hits home with his thought provoking music. Vocals from Turner are executed perfectly, & in many ways the strongpoint part of the production. Amazing pitch control, & harmonies that are extremely creative. If I was a betting man I would wager this guy took chorus in High School. The music possesses progressive rock flair that is at times can be both fast-alternative & slow-melancholy. All in all fascinating music to wrap your head around. Will remind you of classic Lou Reed, Queen, Queensryche & even The Beach Boys. The songs Simply put – interesting, highly original & very unpredictable in nature. Some of the lyrics are not so easily pinned down. Turner is a clever creature & will require more than that to figure out. The vibe Overall very progressive, has both hard & soft moments. All in all a lot of musical variety. The production professional grade from start to finish The good Honorable mentions go out to the amazing musical diversity & talent of Dale Turner. This guy is a musical genius who locked himself away for a few years or two to deliver you this catalogue of music. Having said that It's highly worth an hour of your time to peer into Turner's world. Turner clearly put 100% effort into this production. I was entertained the entire time. Folks out there who enjoy progressive rock with lots of flow & ebbing textures will fall head over heals with this CD. Kodos goes out to Turner who wasn't afraid to be himself when the record light was on The bad Not the most marketable record I’ve ever heard, It doesn’t mean it’s not impressive in it’s own right. The ugly Music will be hard to swallow for mainstream listeners.  

The verdict Dale Turner’s Mannerisms Magnified is brilliantly fascinating. It's highly creative, extremely entertaining, & you will never guess what's coming next. Again it’s impressive how one man was able to pull all this off by himself. The amount of work it took to create a CD of this magnitude cannot be overstated.. The Bottom Line Sit back, relax & see where the Mannerisms Magnified roller coaster ride takes you.

Markus Druery
Indieshark Music Critic - INDIESHARK

Los Angeles native Dale Turner releases his latest release: Mannerisms Magnified in June, 2010. Turner not only produced the CD himself but also played all the instruments (voice, guitar, bass, acoustic drums, piano, accordion & mandolin) He also wrote all the material. Influences include Sufjan Stevens, Jeff Buckley, King’s X, Mr. Bungle & Bobby McFerrin just to name a few.

Logging in at just over 42 minutes the CD takes to flight with melodic intro piece “Brian on the Brian” this piece merges into track 2 “Bad Seed” a unique intro piece that serves up progressive rock groove, with dynamic musical flow & ebbing coupled with hooky harmonies & impressive vocal accents from Turner. Track 3 “Sooner or Later You’ll hate Her” shifts gears a bit with its pulsating rock groove meshed against unique sounding melody. Track 4 “She Hab” lets it all hang with its eccentric musical delivery, mesmerizing vocal reinforcements & thought provoking lyrical content As the CD unfolds I can hear many musical influences reminiscent of Lou Reed, Queen, King Crimson, They Might Be Giants, XTC, & even brief splashes of Frank Zappa. Right from the start you will notice Turner feels quite comfortable letting it all hang out, not holding anything back with respect to his expression. The overall musical signature is quite unique & hard to pigeonhole right away. Those who enjoy listening to musical curve balls, & off-time rock grooves will get a kick out of this catalogue. I would classify this music as acoustic-folk rock with vibrant melody & Musical textures layered everywhere. Turner's musicianship is pretty solid across the board as he writes, & plays his parts extremely well. Beside the 4 piece standard delivery you will also notice lush layers of instrumentation layered along the way with impressive piano, accordion & mandolin accents His vocal harmonies are extremely creative & well placed, as well as being well executed. The songs themselves are addictive, infectious & are extremely unpredictable. Song for song, you never really know what’s around the next corner. Dive deeper into the lyrical content you will discover even more mysteries. No doubt the true meanings of some of these songs is buried deep within the lyrical content. Turner’s voice works well across the board & at times will remind you of classic Geoff Tate (Queensryche), Jeff Buckley. yet has a signature all its own that really transcends pigeonholed. All songs are short & sweet musical experiences, never too winded, never to short. From melancholy pieces “Hiding Place” & Taken” to eccentric songs “Morality Rule”, Saboteur” & “Exit Wound” to bluesy ditties “Five Things” & “civil Lies” this CD pretty much has something for everyone.

It’s hard to find any noticeable weaknesses when listening to Mannerisms Magnified. Though Turner does delivers some truly brilliant vocal harmonies, his falsetto & predictable vibrato will take a major toll on you over time. Rather than take the conservative approach, Turner elects to splash it everywhere. Eventually you come to a place where you just roll with it. Overall Turner's voice lacks honey-coated luster, & is somewhat repetitive & predictable in its overall delivery.

Needless to say Mannerisms Magnified is a brilliant snapshot of music. Its strong suit – it's rock solid consistency, song for song unpredictability, & musical brilliance of Dale Turner. The music is highly original, creative, extremely melodic, & like the aforementioned unpredictable as hell. You will have no idea what waiting for you around the next corner – that’s the best part of this musical experience. Equally as impressive is the songwriting virtuoso of Dale Turner. It’s a huge undertaking to write, play & produce all the music himself. My hats off to Turner for taking all this on as it took him nearly 4 years to accomplish. I really admire artists out there who are themselves & just let the chips fall where they may. Praise goes out to the artist that can show us something real and genuine beneath their veil of vanity. Dale Turner is one of these artists. So if you’re looking for a tripped out musical experience that offers rich melodic variety, brilliant songwriting, & total unpredictability then I highly recommend you jump head first into Mannerisms Magnified by Dale Turner as soon as possible.

CD REVIEW: Dale Turner - Mannerisms Magnified
By Cyrus Rhodes
Artist: Dale Turner
Album: Mannerisms Magnified
Label: Intimate Audio
Website: http://www.intimateaudio.com/recordings.html
Genre: Progressive Rock and Instrumental Rock
Sounds Like: Lou Reed, Queen, King Crimson, They Might Be Giants, Frank Zappa
Technical Grade: 9/10
Production/Musicianship Grade: 10/10
Commercial Value: 7/10
Overall Talent Level: 8/10
Songwriting Skills: 8/10
Performance Skill: 10/10
Best Songs: Morality Rule, Taken, Five Things
Weakness: Repetitive Vocal Delivery, Vocals lack luster - MUSE'S MUSE

My good friend and former colleague at Guitar One magazine, Dale Turner, has "finally" released his debut solo album, a 12-song platter titled Mannerisms Magnified. While I've long known Dale as an ace guitarist with a vast stylistic palette, I didn't realize he was so intent on becoming a one-man rock band. But on Mannerisms, he's achieved just that, playing all guitars, bass, drums, piano, mandolin, accordion, and various vocal sounds (including a pretty decent mouth trumpet).

While Mannerisms Magnified is a full-on rock band record, the songs are all based on acoustic guitar and voice arrangements, which means songcraft is the top priority here. Album highlights include "She-Hab," a humorous take on a relationship with the wrong girl; "Morality Rule," which takes on the hypocritical actions of some on the moral right; and "Exit Wound," a gloriously twisted composition built on musical mischief and vocal adventure.

Dale claims among his influences such monster talents as Jeff Buckley, Jimmy Gnecco (Ours), Elliott Smith, Mike Patton, Ty Tabor, Jon Brion, Jeff Beck, and Brian Wilson. And while you can hear all of them seeping through the fabric, the finished tapestry is all Turner. It may have taken him longer than he would have liked to put this collection of songs out there, but it was worth the wait.

You can hear a preview of Mannerisms Magnified below, at Dale's official MySpace page, and at his web site, www.intimateaudio.com. And if you like what you hear, you can buy the album at amazon.com, iTunes, and CDBaby.com.

–Mike Mueller
www.guitarinstructor.com - GUITARINSTRUCTOR.COM

INTIMATE AUDIO - Dedicated to his dad, the 2010 CD release of Mannerisms Magnified presents a good introduction to the music of Dale Turner. Turner has proven himself time and again as a guitarist—including several solo releases and a stint playing guitar in the group of avant gard guitarist David Pritchard—yet for Mannerisms Magnified Turner’s sound is quite eclectic, eclectic pop. Turner’s adventurous guitar work sounds influenced by a wealth of icons like Steve Morse, Tommy Emmanuel, Ty Tabor, Jeff Beck and other fretboard heroes. There’s also a definite Zappa-esque and Mike Keneally like influence in Turner’s guitar sound and vocals. The first track—”Brian On The Brain”—starts off at least as an homage of sorts to Brian Wilson, yet other parts of the album takes off on a more progressive rock tangent that is quite harder edged and in doing so, presents Turner as a multitalented yet quite eclectic composer / guitarist who never fails to take a hard left turn or roll out a turn on a dime chord sequence. Frank Zappa would also enjoy Turner’s off-the-wall lyrics which he claims was influenced by writers and comics from Dr. Seuss to George Carlin and Bill Maher. According to the liner notes of the CD, Turner was very impressed as a kid, watching his dad build things out of nothing and Mannerisms Magnified is basically his attempt at following in his “craftperson” footsteps by writing, performing, recording and mixing everything himself. The whole album is so well designed and engineered you’d never guess it was all one person doing it all. In addition, the CD packaging is fantastic with Turner also creating the illustrations, art direction and design. An interesting choice for fans of adventurous American progressive rock, Mannerisms Magnified takes rock music in a daring new approach and direction. www.IntimateAudio.com - MUSIC WEB EXPRESS

Turner's an accomplished guitarist and instructor who's working at a high level. It seems there's nothing he cannot do in the studio. From "Brian on the Brain" which conjures a spot-on Beach Boys chorale, to the impish "She-Hab," and the ambitious "Sooner or Later You'll Hate Her," his work is clever in concept and sophisticated in execution; challenging dynamics are handled with ease. Turner might want to recruit some varied, rich-toned vocalists into his repertoire as his pop-nerd vocals are the only element that detract from these gems. - MUSIC CONNECTION MAGAZINE