BrownRandy
Mineola, Texas, United States | Established. Jan 01, 2007 | INDIE
Music
Press
Beneath the smooth surface of this slick production, this display of tasteful musicianship,
this proof of vocal range and quality, this embodiment of harmony and fellowship,
this hour of barbless sound, the certainty of pitch and tember, the battle simmers.
Randy presents front and center stage, Time and Testosterone as they front for Doubt and Anger
in this intelligent depiction of the battle that some relegate to the musty basements of their minds.
(When Randy sings, "...stumble your way to 'Good-bye,'" we know it's not the beginning but the end of that effort to verbalize what has already come to pass. But can it be recovered?)
The children of preachers have no choice: they preach.
They moralize and they pray and they loath themselve for it but they can't help it.
They tell us, "it's just the rain. It's not the sky," and watch to see if that works for us.
THE TRUTH IS A RABBIT and we all know how slippery rabbits are and how many rabbits there are to catch.
Is money a drug or is it just something some people never get enough of?
Is comfort a drug or is it just another rabbit we can't hold onto when our brain is constantly questioning our heart?
The wealth of the body can not make up for the poverty of the spirit!
"Body of clay, body of clay. Heaven and earth have passed away and so this body of clay."
It's no wonder some of us shake in our sleep. We are so sure of what happens to the flesh
but what will our mind do when it loses it's earthen tether, the body of clay.
When the naked soul stands defenseless in the cold light of the dying sun, Dream Big.
Pray for Randy but don't tell I told you to.
JMT
- James Michael Tayler - Dec 2006
On his first my-name-is-on-the-front-of-the-album effort in 17 years, Randy Brown delivers a solid album with lyrics that at their best verge on poetry and with memorable musical accompaniment that fits each song well. Dream Big’s songs are mostly about common life experiences that we can all relate to. The CD best songs/performances are toward the end where Brown laments on “Tempus Fugit” that time is a bird of prey, “the wildest bird, that flutters just beyond your reach” and on “Truth is a Rabbit” (in a bramble bush)”. The latter title comes from a Pete Seeger quote. The CDs last song “Body of Clay” is the last song recorded by Brown’s now-defunct band Jealousy Motel – John Defoore on electric guitar and mandolin, Dirje Smith on acoustic and electric cellos, harmony vocals and Brown. Musically, Dream Big is a treat. Brown adds guitar, mandolin, autoharp, percussion, lap steel and on one song bass. Gordon McLeod adds fiddle, mandolin, guitar, piano, percussion, clarinet and penny whistle. Bob Gentry adds upright and electric bass and drums. Lynn Adler does backup vocals. - Tom Geddie - Buddy Magazine
On his first my-name-is-on-the-front-of-the-album effort in 17 years, Randy Brown delivers a solid album with lyrics that at their best verge on poetry and with memorable musical accompaniment that fits each song well. Dream Big’s songs are mostly about common life experiences that we can all relate to. The CD best songs/performances are toward the end where Brown laments on “Tempus Fugit” that time is a bird of prey, “the wildest bird, that flutters just beyond your reach” and on “Truth is a Rabbit” (in a bramble bush)”. The latter title comes from a Pete Seeger quote. The CDs last song “Body of Clay” is the last song recorded by Brown’s now-defunct band Jealousy Motel – John Defoore on electric guitar and mandolin, Dirje Smith on acoustic and electric cellos, harmony vocals and Brown. Musically, Dream Big is a treat. Brown adds guitar, mandolin, autoharp, percussion, lap steel and on one song bass. Gordon McLeod adds fiddle, mandolin, guitar, piano, percussion, clarinet and penny whistle. Bob Gentry adds upright and electric bass and drums. Lynn Adler does backup vocals. - Tom Geddie - Buddy Magazine
Discography
1991 Time and Luck
1999 Jealousy Motel
2001 We're Gonna Ride
2007 Dream Big
2012 But Wait, There's More
2017 Randy Brown: Live at RPT's Library
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Bio
All original,post modern, spaghetti western Americana folk&roll music straight from the buckle of the Bible Belt. Stories and songs filled with sadness, loneliness, dread, wonder, joy, humor, philosophy and maybe even tiny tad of that subtle southern smart-ass. Award winning singer/songwriter BrownRandy (Randy Brown) backed by ethereal guitar wizard Kurt Bittner and multi-ethnic percussionist JB Smith, churn out beautiful complex soundscapes where the open spaces of the west meet the mossy confines of southern pine forests and life's mysteries are laid bare.
BrownRandy is the winner of the 2014 BW Stevenson Songwriting Competition, 2009 Texas Independent Music Expo (TIME) and the 2007 New Traditions Songwriting Contest (Nagadoches, TX), Brown is also a two-time regional finalist in the prestigious Grassy Hill Kerrville New Folk Competition and received an honorable mention citation in the 2011 Rocky Mountain Folks Festival songwriting competition.
Brown, who describes himself as a late-blooming songwriter with far too much thinking time on his hands, has independently released two solo recordings: But Wait, Theres More (2013) and Dream Big (2007). His latest album is a philosophically interconnected collection of songs which seek to define his own experiences with faith, humanity, science and the search for meaning, while maintaining a healthy sense of humor and a respect for the mystery that surrounds him. When asked what kind of songs these are, Brown responds: they are my life, my struggle, my doubts, my faith and, most of all, my children.
Describing But Wait, Theres More as his attempt to define and refine my personal relationship with that which is beyond my ability to know, Brown views the album as his little statement of faith as it were. Not the strong, sure faith of spiritual certainty, he says, but rather the one step forward, three steps back method I have used to understand the universe.
I am not a person of deep faith. I am a man full of doubts, questions and logic, Brown acknowledges. Those things do not make for a settled belief system. They make for a fractured landscape, an ever-changing kaleidoscope of vignettes and half-remembered dreams. These things describe the place at which he arrived for the creation of But Wait, There's More.... But, be assured, they do not describe the place I am going or even where I was when the project was completed, says Brown. For me, this is a never-ending journey of discovery in which every answer I receive causes me to ask another question, and I am at peace that, for me, the process works. Welcome to my life. But wait, there's more...
Through the years, Brown, who also writes a monthly column for local arts publication Piney Woods Live, has been engaged in many aspects of the music business. Prior to venturing out on his own as a singer-songwriter, he spent a decade as a guitar player in a country cover band and was a founding member of a folk-funk-jazz and swing trio called Jealousy Motel that released two albums. Brown also has been a recording studio owner and engineer, venue operator and sound man.
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